Back in January, we rounded up Yellow Ostrich’s terrific indie covers. We noted that we expected big things from him and, indeed, big things have arrived. In June, he signed to noted indie label Barsuk, which later this month re-releases his debut The Mistress. It comes with some goodies, including two new covers for everyone who pre-orders. They raise the bar even higher for the Wisconsinite, with one being a best-of-the-summer contender.
Regular readers know that every Tuesday brings another installment in the A.V. Club’s terrific Undercover series. Bands show up in their round room and cover a song from a list. A simple premise that produces terrific results.
Today, though, the preeminent pop culture website is doing something different. In lieu of their normal routine, they recorded seven covers in various Chicago locations of songs having to do with summer. They’ll be posting these “Summer Breeze” covers all day and, as a result, we’ll be updating this post all day. Check back here or follow us on Twitter to see when more get added.
Last night a slew of alt-indie heroes descended on New York’s Bowery Ballroom to pay tribute to the bands featured in Michael Azerrad’s era-defining tome Our Band Could Be Your Life: Scenes from the American Indie Underground 1981-1991. Ted Leo covered Minor Threat, Titus Andronicus did the Replacements, and, strangest of all, Dirty Projectors played Black Flag.
Earlier today NPR posted a live set by Yellow Ostrich. They noted that though little-known, these guys are going places. Darn tootin’. Well, really, this one guy is. Alex Schaaf provides most of the direction for Yellow Ostrich, and we’re pretty sure he’s the only one playing on these covers. Sure doesn’t sound like it though.
Last year Schaaf unleashed a torrent of intimate indie-minded covers, reworking blog favorites like “Zebra” (Beach House), “King of Spain” (The Tallest Man on Earth), “’81” (Joanna Newsom), and a ton more. He’s since tacked a few more onto the list, most recently releasing a warped mostly-a cappella take on Sharon Van Etten’s “Love More.” Each tune offers moments of pure pleasure. Check out the joyful tambourine on “Androgynous” or the “ooh ah ah”s that replace “Fake Empire”’s beloved horn breakdown.