May 012023
 

Doc WatsonThere are few more frictions than when folk start discussing who is the best guitarist ever. It’s guaranteed to produce a bevy of opinions, as ever more effusive hyperbole gets trotted out, ever more fierce grudges dusted down, and ever more unlikely proponents pushed forward. So we won’t go there, other than to comment that Arthel Lane “Doc” Watson was probably in the top few, certainly if you remove the anathema of electricity. (To be fair, he probably had way more electricity than many a blues-rock road warrior, but remained resolutely unplugged the length of his days, 1923 – 2012.) He merited a tribute long ago, and now, with I Am a Pilgrim: Doc Watson at 100, he’s got a fairly worthy one.

I Am a Pilgrim is crammed with musicians great and the good, partly drawn from the country/bluegrass/Americana palette he made his home, coming together to salute his playing, his singing and his all round good-eggness. Quite what Watson might have made of such a shindig is anyone guess, the fuss possibly embarrassing the quietly spoken and mild-mannered dude all parties suggest he was.

I first came across Watson’s superlative talent when I was a teenaged schoolboy. A new boy in class was an expatriate Yank, with a precocious talent for fiddle, or violin, as I then thought it was called. He drew my attention to the now and rightly fabled triple album set, the Nitty Gritty Dirt Band’s Will the Circle Be Unbroken. My Deep Purpled and Pink Floyded mind was blown, possibly never again grouping back together again in the same way, such was the richness of the material across those discs, as a plethora of country royalty got to spar with some longhair hippies, burying prejudices and forging alliances aplenty.

Doc Watson was a key part of that. His mellifluous picking seemed just so impossibly relaxed and, at the same time, impossible to grasp. Add in his down-homey back porch dialogue, one of the delights of the project, and he just seems the coolest man on earth. Seriously, if you haven’t heard him at full pelt, raising nary a bead of sweat, try to search him out. With all the recordings containing his name–solo, with his son, with his grandson, collaborations aplenty–you can’t go wrong.
Continue reading »

Apr 032023
 
best cover songs of march 2023
Bria – When You Know Why You’re Happy (Mary Margaret O’Hara’ cover)

Bria’s “Where Have All The Cowboys Gone?” made our list of the Best Covers of 2022. The track was a sneak peak at her covers EP Cuntry Covers Vol. 2, and the full thing dropped a few weeks ago. It includes a wonderful version of this much more obscure song. Bria explains: “Mary Margaret O’Hara is a creative force and one of my favorite Canadian artists. I have been a huge fan of hers for quite some time and really wanted to try my hand at one of her songs for Vol. 2. She is a real queen of vocal improvisation. It’s a trait of hers that I’ve always admired, so I really wanted to explore that when recording this cover. The video for this track is special to us, a sort of collage of memory; fragmented footage of summer taken over the last two years is dispersed throughout shots of a vast winter scene, filmed while we finished the record up North with our live band.” Continue reading »