Jul 082026
 

Margo Price has made no secret of how she feels about current events happening in Washington and perhaps the most tangible example of that is her new mixtape, which she released on July 3rd, titled Days of Unrest.

And one of the centerpieces of the record is when Price is joined by Joan Baez for a cover of Woody Guthrie‘s “Deportee (Plane Wreck at Los Gatos).” Featuring a beautiful backing by the Memphis Mariachi, the song is a moving tribute to a 1948 plane crash that killed 32 people. The press didn’t bother to name the 28 migrant farm workers killed, instead referring to them merely as “deportees.” Continue reading »

May 012026
 
Noah Kahan
Arlo Parks — Yukon (Justin Bieber cover)

The talk of Coachella this year was Justin Bieber—specifically, his controversial headlining set that featured, in part, him singing along karaoke-style to videos of himself he pulled up on YouTube. Plus, Geese debuted their old “Baby” cover live (while Sabrina Carpenter watched sidestage no less). But maybe the best Bieber happening this month was this great lo-fi cover by Arlo Parks.

Jamey Johnson – Pretty When It’s New (Merle Haggard)

Merle Haggard’s birthday saw two new covers drop. One’s in the next section. This first one’s even better though. Country singer Jamey Johnson dug deep—and late—for this pick. The song comes off one of Haggard’s final albums, 2010’s I Am What I Am. This is the same album that included “Bad Actor,” which Bob Dylan covered in concert a couple years ago. The album’s seemingly on its way to be the country version of Blackstar or You Want It Darker, a late-in-life masterpiece for the true heads. Continue reading »

Dec 092025
 

I am not sure how much traction (The) Sam Chase elicits in his home state of California, but over here in Blighty, courtesy a magnificent little festival called Maverick, he is always guaranteed a welcome. He, and his band, The Untraditional, cut quite the rug with his hoarse holler, belting out songs of a country hue, a punk attitude and a sometimes chamber-folk setting. This all makes for a beguiling combination, a rich mix of sandpaper and silk. Over the years he has worked solo, as a trio and now with his a 7 piece band behind him. That’s a lot, but, with cello, violin and trumpet, augmenting the more familiar guitar, keys, bass and drums, flickering remembrances of Van Morrison’s Caledonia Soul Orchestra wouldn’t be that far off point. And, yes, all seem present for Covered:, endeavoring to both compete with and comfort his foghorn fusillade.

To be fair, Chase’s voice gets dialed down a tad across most the selections here, culled from a bevy of the usual suspects: a Dylan, a Prine, a couple of Waits, balanced with CCR, Nirvana and one from the pirate cabaret of The Crux. The overall effect is strangely chameleonic, as he affects to occupy the persona of each individual singer, in character if not always sound. The difference comes largely from the arrangements, which tend toward the dusty roadhouse of amplified acoustica with drums. This renders a fluency to the flow of Covered:, a congruency that makes for a set that is all his own, however familiar the songs may or may not be.
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Feb 032025
 
best cover songs
abazaba ft. Eugene Hütz — Isolation (Joy Division cover)

Adam Granduciel, Sharon Van Etten — Abandoned Love (Bob Dylan cover)

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Jan 232025
 
suss this land is your land cover

“This Land is Your Land” is Woody Guthrie’s most popular song. It’s so popular I grew up singing a slightly different version in school in Canada, with Canadian locations substituted for the American ones. The different lyrics for different countries (at least 13 of them!) mean it’s popular all around the world. And it’s been covered over 150 times, four times more than his next most covered song. No song is more associated with him. Continue reading »

Nov 192021
 

In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!

John Mellencamp

I wanted to put this in the Under the Radar category. Then it hit me: whose radar could John Mellencamp possibly be under? It’s true, but, equally, his spotlight has always veered from mass appeal towards the niche, albeit to different niche audiences at different times, encompassing different genres and different tastes. How much traction, for instance, is there between the effervescent Johnny Cougar in his sequined satins, and the grizzled dustbowl road warrior of only a few years later, let alone the renaissance man of musician, artist and actor he is seen as now? Today’s answer: Precious little, yet more than you may think.
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