Apr 142020
 

a tribute to keith emerson and greg lakeI confess to hovering over this one a while, ahead of taking a bullet for the team. Don’t get me wrong, I am a huge fan of Emerson, Lake & Palmer. Or rather, I was, and therein lies the problem.

It was nigh half a century ago that I made my first purchase of an LP record; that was none other than Pictures at an Exhibition, and boy oh boy, was I keen on the energetic bombast. It wasn’t then long before four of my first ten vinyl records were by ELP — I snapped up the eponymous debut and, then, on their release, Tarkus and Trilogy. I lapped up every inky page I could about them, relishing in my membership of an elite. Those Yes acolytes could take a jump, Emmo was king and that was that. And Lake, well, he was in the band, so, clearly, he was the tops too. How could 100,000 spotty boys be wrong? As for John Peel, custodian of the nation’s counter culture tastes: “a waste of electricity”, huh, what did he know? I even went to see them, cramming into the dismal aircraft hangar of Earls Court in London with innumerable facsimiles of myself, enduring the dire acoustics and excessive volume, telling myself, and anyone else in earshot, just how good was this.
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Feb 272020
 

‘The Best Ever’ series counts down our favorite covers of great artists.

smokey robinson covers

The story goes that Bob Dylan called Smokey Robinson “America’s greatest living poet.” Not so, it turns out, but it sure seems like something he would say – it sounds a note of contrariness, but it also has the ring of truth.

Smokey Robinson turned 80 this month, and his legacy as one of the architects of the Motown sound has long been assured. Not only did he have a silken falsetto that conveyed sunshine and rain with equal ease, he also wielded a pen with a similar level of genius. Whether writing for The Miracles, the band that he led throughout the sixties, or the other members of the Motown stable, he came up with songs that became not just a part of music history, but a part of our nation’s history. As Smokey said, the Motown slogan was not “The Sound of Black America,” but “The Sound of Young America,” and that sound has rung down through the corridors of time as surely as the sound of the Liberty Bell.

No further proof is needed than the number of covers of Smokey’s songs – covers of his own recordings or covers of the original recordings by The Temptations or Marvin Gaye or the many other singers who benefited from his pen. His voice has spoken to other artists for decades, and when those artists tell us what he told them, those songs are just as fresh as they were the day he first set them down. We found thirty superlative covers of songs that Smokey wrote and/or sang, but, as we could have found thirty great recordings of “My Girl” alone, we know we’ve missed a few along the way. Whether you’re steamed at what we missed, or excited to discover what we found, we can agree on one thing: Smokey Robinson is one of the all-time greats, and we’re fortunate to have the privilege to listen to the songs he wrote for the rest of our lives.

– Patrick Robbins, Features Editor

The list starts on Page 2.