In the most recent Barbershop Harmony Festival held in Hobart, Australia last year, Australian barbershop four piece The Electric Barbercats sang a version of a lesser known Weird Al Yankovic song “Stop Forwarding That Crap to Me.” Continue reading »
Bob Dylan doesn’t change his setlists much anymore. In fact, on his recent UK and European tour, he played the exact same setlist every single night…except one. The day it was announced Jerry Lee Lewis passed away, Dylan returned to the stage after his usual finale “Every Grain of Sand.” As anyone who’s read his new book knows, Bob knows his music history. So he skipped the obvious picks and tackled the quite obscure Sun Records-era outtake “I Can’t Seem to Say Goodbye.” Continue reading »
For their recent Like a Version performance, Confidence Man, a duo of Janet Planet and Sugar Bones, covered Bryan Adam’s “Heaven.” Well, sort of. They really took their cues from the hit club cover of “Heaven” by DJ Sammy. “We didn’t actually know [it was a cover],” said Planet. “Stu, our manager – who’s old – told us that. We listened to [the original], and it’s not that good.” Ouch! But their cover is a blast to watch, all charisma, choreography, and energy from the two of them in front of an ominously veiled band. As NME points out, Confidence Man are the third act a a cover of a cover on the show. In 2017, Alex Lahey covered Natalie Imbruglia’s hit cover of Ednaswap’s non-hit “Torn” (we wrote a feature explaining the backstory there). And in 2018, garage-rock septet West Thebarton covered Florence + The Machine‘s cover of The Source and Candi Staton’s “You’ve Got the Love.” Continue reading »
When “Weird Al” Yankovic released his third album, Dare to Be Stupid, in the summer of 1985, few could have guessed he’d become an elder statesmen of music comedy musical comedy. The album’s title track is, like most of his original songs, not very well known. (Though it’s among the most well known of his originals, as it was featured in a movie soundtrack.) It’s a style parody of Devo, which the video makes extremely clear if you don’t get it from the music. Continue reading »
You may listen to the gentle plucking when this begins and thing, boy that’s not what I expected from that band photo. Is this an acoustic flying V? Blacktop Mojo’s “My Girl” stays pretty and meditative for over half the run time, turning the oldies classic into a pretty folk-rock ballad. Eventually, though, true to that long-hair-and-leather image, the heads start banging and axes start shredding. Continue reading »
Follow all our Best of 2021 coverage (along with previous year-end lists) here.
To come up with our year-end list, we listened to thousands of covers.
That’s not an exaggeration, or loosely throwing around “thousands” for effect. My iTunes tells me I personally listened to and rated 1,120 new covers in 2021. And I’m just one of a dozen people here. Many of those thousands of covers were very good! But “very good” isn’t good enough for our annual year-end Best Cover Songs list. So when we say these 50 are the cream of the crop, we mean it.
They, as usual, have little in common with each other. A few tie into current events: Artists we lost, social justice concerns, live music’s fitful return. Most don’t. But does a doom metal cover of Donna Summer really need a reason to exist? How about African blues Bob Dylan, New Orleans bounce Lady Gaga, or organ ballad Fleetwood Mac? Nah. We’re just glad they’re here.
So dive into our countdown below – and, if you want us to send you a couple hundred Honorable Mentions culled from those thousands, join the Cover Me Patreon.
– Ray Padgett, Editor in Chief