This month, Austin City Limits held its eighth annual ACL Hall of Fame ceremony. The inductees were Joe Ely and Sheryl Crow. The latter was covered by, among others, Brandi Carlile, who also delivered Crow’s induction speech. It will surprise no one who’s ever seen Carlile perform on an award show before that she crushes it. (Find another Crow cover from the ceremony, by Jason Isbell, in the Best of the Rest below.) Continue reading »
‘The Best Covers Ever’ series counts down our favorite covers of great artists.
There’s plenty of good reasons that the Cars and their songs have retained their power long past the expiration date of most new wave bands. For one, though their cool-geek look was a part of their appeal, they never relied on it the way other bands had to rely on their appearance. For another, they brought together multiple influences – rock, pop, synth, punk – and created a sound with deep roots that was both edgy and fresh – no mean feat, that.
Most importantly, the songs that (mostly) Ric Ocasek and Benjamin Orr wrote for the band were strong and memorable, loaded with hooks and containing lyrics that take on more meaning the more you look at them – is “You’re All I’ve Got Tonight” a positive or negative? What does it mean if you “needed someone to bleed”?
Their self-titled debut album is their strongest, and Heartbeat City may be their biggest, but the Cars are primarily known as a singles band, with over a dozen of them reaching the top 40. So it seems appropriate that a list of the best Cars covers should echo that. Here are the top forty cover songs of a band whose best songs won’t be tied down to any one era, preferring instead to resonate to all the generations that followed.
clap clap clapclapclap clapclapclapclap Let’s go!
– Patrick Robbins, Features Editor
Progressive bluegrass quartet Barbaro takes on a few obvious inspirations on their new EP Under the Covers. Gillian Welch’s “Dark Turn of Mind,” makes sense. Wilco’s “Jesus Etc,” sure. But the other two tunes venture a little further afield. Sheryl Crow’s pop hit “If It Makes You Happy” makes for a jaunty fiddle and banjo number, as does, surprisingly, Cher’s “Believe.” Continue reading »
Anyone who was paying attention to cover songs a decade ago will remember The A.V. Club’s “Undercover” series. In the vein of the BBC Live Lounge and Triple J Like a Version, the entertainment web site would bring bands into their Chicago offices to cover a song. The concept, though, was the site started with a masters list of songs and the band had to pick one. The later they came in, the fewer song choices remained. It went on for years and the covers were ubiquitous (we must have posted a million of ’em). Practically every indie band of the era stopped by (many several times), and they often delivered something great. Continue reading »
‘The Best Covers Ever’ series counts down our favorite covers of great artists.
In a 1994 interview with Rolling Stone, here’s how Kurt Cobain described the genesis of “Smells Like Teen Spirit.”
“I was basically trying to rip off the Pixies. I have to admit it. When I heard the Pixies for the first time, I connected with that band so heavily that I should have been in that band—or at least a Pixies cover band. We used their sense of dynamics, being soft and quiet and then loud and hard.”
Surprisingly, the Pixies’ most famous superfan – the man who said he should be in a Pixies cover band – never covered the Pixies. Nirvana were rarely shy about covering their influences, from the Vaselines to the Velvet Underground, but maybe the Pixies were just too obvious. Every Nirvana song, Kurt might have thought, was just a Pixies cover a few degrees removed.
That line of thinking didn’t stop many other artists, though. Pixies covers abound, both from obvious acolytes in the ’90s alt-rock scene to musician fans in other genres who found a way to make Pixies songs sound like bossa nova or doo-wop. We’ve narrowed it down to the best thirty for our list, below. We hope you la la love it.
PS. The artist for this month’s list was selected by our Patreon supporters. To have a say in who we tackle next, sign up for our Patreon here.
The list continues on Page 2.
In 2019, Cover Me wrote about more new covers than in any year in our 12-year history. I know; I checked the numbers. Our News team wrote amazing stand-alone stories on sometimes tight deadlines, adding context and research beyond “here’s a new cover” quickie. Plus, we rounded the best of the best into monthly 30+ lists, and added even more for supporters of our new Patreon. Even our Features team, who ostensibly couldn’t care less whether a cover came out last month or last century, seemed to be constantly finding new things to slip into their deep dives.
The point here is not to toot our own horn… well, that’s not entirely the point. What I want to do is emphasize just how high the bar to appear on this list has been set. Calling these covers great almost does them a disservice. There were way more than 50 great covers in 2019. In fact, we’ve already got 150 more bonus tracks lined up for Patreon supporters (which, I know I mention it a lot, but it’s how we keep this site afloat, so please consider supporting us if you like what we do). Honestly, we could throw all of the above in the trash and still come up with a pretty impressive batch of 2019 covers. But these 50 below – these are the cream of the crop, the belles of the ball, the toppermost of the poppermost.
You won’t agree. I guarantee it. As you go through this list, there will be at least one cover you hate. Maybe more than one. And if you followed cover news yourself this year, you’ll probably be outraged when a personal favorite placed too low, or didn’t make it at all. Great! That’s the beauty of these lists: It’s all opinion. Extremely educated opinions in our cases – I can pretty much guarantee that we collectively listened to more 2019 covers than any other site out there – but opinions nevertheless. So dive in and discover something new. Then help us discover something new by adding your own favorites in the comments.
– Ray Padgett, Editor-in-Chief