Oct 232017
 
cover me book party

A little over a week ago, Paste Magazine held an amazing release party for my new book Cover Me: The Stories Behind the Greatest Cover Songs of All Time. The event featured exclusive covers of songs from the book performed by some of our favorite musicians: Emel Mathlouthi (one of our Northside Fest finds this year), Eli Paperboy Reed, and Anthony D’Amato. Paste live-streamed the full thing from their New York studio, but if you missed it, now you can watch the clips online.

Mathlouthi and D’Amato both chose Bob Dylan songs – appropriately enough, as Dylan is the only songwriter who gets two chapters in my book. Mathlouthi did the rare “All Along the Watchtower” cover that owes little to Hendrix, her gorgeous voice soaring high above a churning guitar rhythm. And D’Amato picked the book’s final chapter, following in the footsteps of Adele, Garth Brooks, and Billy Joel by beautifully covering Bob’s modern-day standard “Make You Feel My Love.” Continue reading »

Jan 252017
 
leonard cohen tribute

Last night, Brooklyn’s Music Hall of Williamsburg held an epic Leonard Cohen tribute show, bringing together Cohen’s peers and younger admirers for a 22-song blowout of tribute covers. From a killer instrumental opener of “Hallelujah” by Delicate Steve – a smart move, getting that out of the way up front with a left-field guitar version that doesn’t attempt to compete with Jeff Buckley – the sold-out crowd sang along to Cohen many profound lyrics, and a few of his profound ones too (Lenny Kaye of the Patti Smith Group led a rousing holler through Cohen’s dumbest song, “Don’t Go Home with Your Hard-On”).

Many of performers had personal Cohen stories to share. “I met Leonard Cohen at a BBC session in 1967 – but I can’t remember anything about it,” Richard Thompson quipped, while Josh Ritter told a yarn about chasing Cohen down an alley backstage only to run headfirst into a truck and miss his once chance. Richard’s son Teddy Thompson recalled Cohen once asking him what he was working on. When he replied that he was making a country album, Cohen said cryptically, “I went country myself, once…” Thompson then covered one of Cohen’s most country songs, “Ballad of the Absent Mare.” Continue reading »

Aug 152016
 
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Preparing for this past weekend’s “Day of the Dead” concert – the all-star band rendition of The National-lead Grateful Dead tribute album of the same name at Bon Iver’s Eaux Claires festival in Wisconsin – I interviewed a handful of involved artists and kept asking a question that no one knew exactly what to do with. My question: “Given the legacy of the Dead as a live band, what is going to be different about playing these covers live, as opposed to recording them for a tribute album?”

After a thoughtful silence that may have been tinged with a little bit of puzzlement, everyone said something about it being a terrific opportunity to harness the additional energy of having a live crowd.

“No [it’s not going to be harder],” Megafaun’s Phil Cook told me, “mostly because people are just stoked as shit to hear a Dead cover. Whenever people in the audience recognize it, they just lose their shit. They’re so happy that you’re doing it. It’s a completely welcome enterprise.” Continue reading »