As regular readers know, here at Cover Me we put together a Best Covers Ever list every month for a celebrated artist. We’ve recently done the Pet Shop Boys and Sheryl Crow. And before them we did the biggie – The Beatles – and before them, Bob Dylan! But every now and again, there’s a particular genre that’s crying out for the Best Covers Ever treatment – and this month it’s the Dark Genre. It’s goth!
So why now, you ask? Are goth covers really a thing? And why don’t Alien Sex Fiend or Fields of the Nephilim have their own Best Covers Ever features?
Fair questions, all. First off, goth music is everywhere right now. It may have emerged out of the UK post-punk scene and enjoyed its most innovative period from 1980 to 1982, but it’s now the reason we have Whitby Goth Weekends in April and November (well, that and Count Dracula), World Goth Day on May 22, and goth nights down the Hatchet Inn in Bristol most nights, particularly Thursday. It’s also why we have heaps of goth books on the market right now, from John Robb’s The Art of Darkness to Lol Tolhurst’s Goth: A History and Cathi Unsworth’s Season of the Witch, all trying to explain goth’s lasting influence as a musical subculture: the fixation with death, the dark theatricality, the Victorian melodrama, the leather, the thick black eyeliner, the fishnet tights, the deviance, the sex, the deviant sex, and, of course, spiders.Continue reading »
In June of 2022, Kate Bush’s “Running Up That Hill (A Deal With God)” was used to soundtrack the Netflix series Stranger Things. Upon exposure to the 37-year-old tune, a shockingly huge portion of the world’s teenage population, who seemingly hadn’t known of Bush’s existence prior to this, went absolutely, uncontrollably berserk. Their sudden, overwhelmingly intense lust for “RUTH” (let’s just call it) propelled the song to the top of the pop charts the whole world over and led to the track being streamed over a billion times (and counting). A billion! And just like that, Kate Bush, one of pop’s most popular cult artists, became a global phenomenon.
This was a mixed blessing for the hardcore Kate Bush fanbase. On the one hand, they were happy for their girl Kate (who herself was thrilled that teenagers were hyperventilating over “Running Up That Hill”). But at the same time, as evidenced by multitudes of posts on social media, they also felt a sense of proprietary “ownership” over the Bush legacy and didn’t care for this flaky, flighty fandom and how it came to be.
The “old fan vs new fan”/ “we were here first” argument is silly and petty…but with Kate Bush, it was also oddly understandable. Part of what made her special was that some people didn’t get it, that regular folk found her songs a little too eccentric and “out there” and thought her voice was weird. Those previously existing Kate fans didn’t quite know how to take this newfound popularity. Because to them, Kate Bush was not merely one song; she was a magnificently mad, beautiful, all-consuming pop religion. Trip-hop hero and unabashed Kate fan, Tricky, alluded to this feeling in an interview with MOJO magazine back in 2003:
“Some of the greatest singers in the world…you can spot their influences. But Kate Bush has no mother or father. I’d be an average musician, like everyone else if it wasn’t for her. I don’t believe in God, but if I did, her music would be my bible. Her music sounds religious to me. She should be treasured more than The Beatles”.
Kate Bush made adventurous, beautiful, funny, weird, and heartbreaking music that sounded like no one else’s, all while delivering a hard kick to the nuts of musical convention. She celebrated her most personal, idiosyncratic obsessions and shared them proudly and loudly with everyone. From shockingly illicit kisses to sensuous snowmen. From rain-making machines to being lost at sea. From washing machines to Joan of Arc. She didn’t chase airplay, she just followed her cast of muses wherever they led and surrounded their stories with a staggering sense of melody.
We have arrived at a point where a pretty fine “30 Best RUTH Covers Ever” feature could be assembled. The story of its unlikely, incredible ascent has become a truly iconic, modern-day pop tale and will be recounted for years to come. And as cynical as it seems, it’s clear that the “RUTH” phenomenon was a deciding factor when it came to Kate Bush’s induction this weekend into the Rock and Roll Hall of Fame. But Kate Bush the artist was not born in June of 2022. Her career has spanned six decades during which she’s released ten studio albums that house multitudes of wondrous tunes. (By the way, if you wanna read a completely deranged breakdown of Kate’s LPs, I wrote one here.)
Within our list of “The Best Kate Covers Ever” you will not only discover several head-turning, heart-squeezing “Running Up That Hill” covers (of course), but a plethora of equally fabulous deep cuts, b-sides, and cult classics. “It’s in the trees! It’s coming!”
It’s hard not to look at everything in 2020 through the mirror of the pandemic, and a few of the records on our list can be traced directly to it. One artist used her time in lockdown to cover every song on Radiohead’s The Bends, while another did the same thing with Marvin Gaye’s What’s Going On. An indie label pulled together a tribute to one of the many great artists tragically taken by this goddamn virus, Fountains of Wayne’s Adam Schlesinger. Hal Willner’s long-in-the-works T. Rex tribute album wasn’t supposed to have anything to do with current events, but Willner, too, died of COVID-19 in the spring.
That being said, the majority of the albums on our list have nothing to do with the news. Any year’s a good year for covering obscure Neil Young songs. And if you want to try to tie 28 different bands covering Blink-182’s “Dammit” to 2020, good luck. Even the klezmer-cabaret artist who recorded an album covering the recently deceased released it March 13, just before she’d unfortunately have many more names to add to her list.
In a way though, the whole concept of the covers record is appropriate for a bleak year. They’re all about paying tribute in some way or another, lifting up influences or even guilty pleasures, honoring those that came before. You can listen to these through that prism if you like. Or you can just take a break from thinking about such things and listen to 28 covers of “Dammit.”
Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.
4 Non Blondes were fine with not fitting in. They even named their group after a pointed run in with a blonde family in San Francisco that made that fact very clear. Although they only made one album and disbanded after five years, the group made a splash while they were together. They were particularly influential in the LGBTQ+ community, getting their start in various bars throughout San Francisco. Since the breakup, lead singer Linda Perry and guitarist Shaunna Hall have written and produced with other artists, and drummer Wanda Day continued to drum in other bands until an accident made it too difficult to continue playing.
Their second single, “What’s Up?” was a success all over the world, reaching higher spots on the charts outside of the US than even inside. And although it may be considered a one-hit wonder, the song is one that remains relevant when you are just feeling a bit run down. Some may call it a pre-chorus, I just call it my daily routine.
Here we have five covers of “What’s Up?” trying all the time to live up to the original. All of the covers begin with a different instrument leading the way. I dare you not to sing along.
Way back in January, we polled our Patreon supporters to see which 2020 Rock and Roll Hall of Fame inductee they wanted to see get the “Best Covers Ever” treatment. Depeche Mode won, so we started planning our schedule to get it ready in advance of the big induction ceremony on March 24.
Then…you know.
Tomorrow, many months later, the Rock Hall is finally hosting some sort of ceremony – remotely, of course – and we’ve been honoring each artist all week with covers features: Whitney Houston, Notorious B.I.G., The Doobie Brothers, T. Rex, and Nine Inch Nails. Now, many months after we expected to post it, the grand finale: The 25 Best Depeche Mode Covers Ever.Continue reading »
Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.
Nine Inch Nails, originally formed in Cleveland, Ohio, gets a chance to return to their start with an induction into the Rock and Roll Hall of Fame this year. The third time was the charm; they were nominated in 2014 and 2015 as well.
The band is still active despite many hiatuses throughout their career. For example, did you know that Lil Nas X’s “Old Town Road” samples a Nine Inch Nails song from one of their instrumental Ghosts albums (the latest, Ghosts V, released this year)? Longstanding band members Trent Reznor and Atticus Ross have even been involved in writing movie scores for films and television shows such as The Social Network, Gone Girl, and Watchmen.
But back in 1994, their second album The Downward Spiral, a concept album tracing a man’s deteriorating life, brought the band into the mainstream and gave them commercial success. Although one of the singles off this album, “Closer,” is arguably their most popular hit, another of the album’s tracks, “Hurt,” has stood the test of time. It’s been covered most notably by Johnny Cash, but it’s also featured in movies, television shows, and even in sports montages and tributes.
To celebrate Nine Inch Nails’s induction, we revisit “Hurt” with five good covers and one good twist–all of them are by female artists. Continue reading »