What’s better than one Indonesian black-metal Dua Lipa cover? Three Indonesian black-metal Dua Lipa covers! Not that you’d ever know these were Dua Lipa songs unless you were listening really closely to the lyrics (and could manage to make them out).
The Band of Heathens – El Paso City (Marty Robbins cover)
During lockdown, Band of Heathens hosted a regular livestream variety show called Good Time Supper Club. One segment, “Remote Transmissions,” featured them covering a new song every episode – over 50 in all. They’re collecting some of the best on a forthcoming album of the same name: Remote Transmissions. “Making records is always about cataloging any point in time. We wanted to celebrate the unique collaborative aspect of the show,” guitarist Ed Jurdi told American Songwriter. “What better way to document the last year than with these songs?” First up is this take on a Marty Robbins country classic.Continue reading »
It feels like a cliché these days to start one of these year-end lists writing about “the times we live in,” but, as you read and listen to our picks, you’ll find the specter of the coronavirus and lockdown pretty unavoidable.
One of these albums is titled Songs from Isolation; another is Awesome Quarantine Mix-Tape. Even on some albums where it’s so blindingly obvious, it’s there. Aoife Plays Nebraska is a recording of a quarantine livestream she gave. Los Lobos envisioned Native Sons as a balm for being stuck at home, unable to tour. And then there’s the tribute to John Prine, the long-awaited sequel to 2010’s Broken Hearts and Dirty Windows, inspired by his death from the coronavirus last year.
But many of these albums recall better times too. Two are belated releases of in-real-life, pre-pandemic tribute concerts, one to Leonard Cohen and the other to Eric Clapton’s Derek and the Dominoes (well, I guess both of those subject are kind of bummers, in different ways…). Tributes abound to other recent deaths – Andy Gibb, Justin Townes Earle, Roky Erickson – but we have plenty to artists still with us too, like Nick Cave, Peter Gabriel, and a host of underground psych-rock bands you’ve never heard of.
Then there are those that don’t fit any narrative. An artist felt inspired by an unconnected bunch of songs, decided to cover ’em, and brought them all together into a cohesive record. What do Vampire Weekend and The Supremes have in common? Lauren O’Connell’s beatifully intimate imaginings. How about Allen Toussaint and Calexico? Robert Plant and Alison Krauss harmonizing all over ’em. Whether it’s a quote-unquote “lockdown record” or just someone saying, “hell, why not get a bunch of folkie weirdos to play Phish tunes?,” every album on this list brought something meaningful to – ugh – the times we live in.
There was a time in this blog’s lifespan where a shocking percentage of the covers landing in our inbox and RSS feeds were of Lady Gaga songs. It only lasted a couple years, but for a minute there Gaga was doing Beatles numbers. Hell, even relatively minor singles like “Marry the Night” would dominate the covers world for weeks after people heard them.
As Gaga’s entered the Vegas-residency stage of her career, her new songs don’t get covered as often. But even still, there seems to be a respect from other musicians not afforded all her pop-star peers. A Katy Perry chart flop will get ignored. A Gaga chart flop will still likely land a few interesting covers.
Though the songs were never as weird as the outfits were, there was always some unexpected twist for other musicians to play with, from the rolled r’s of “Bad Romance” to the goofy theatricality of “Alejandro” to the best stuttering since “My Generation” (“pa-pa-pa-pokerface,” “stop telephoning me-eh-eh-eh-eh-eh”). Plus, even after a few years in the wilderness, everyone knew any minute she could return with a “Shallow.”
In our list of 30 covers below, all those big hits show up plenty. But even the more recent songs and album cuts make appearances. Lady Gaga’s songs are sturdy enough to remain infectious whether they’re performed as gothic metal or throwback rockabilly. See for yourself below.
When Layla and Other Assorted Love Songs turned 50 last year, a box set anniversary reissue materialized. The classic album by Derek & the Dominos (aka Eric Clapton and band, plus Duane Allman) was given its due with state-of-the-art remixes and other assorted love tokens—a 12-by-12-inch book, certificates of authentication, discs full of outtakes (Clapton and Allman action figures sold separately, I guess). This summer Layla enjoys another, more vivid celebration: Layla Revisited, a live concert recording by the formidable Tedeschi Trucks Band, with guests Trey Anastasio and Doyle Bramhall II. It’s a lively and focused performance, as the soulful and high-powered ensemble romp through the full Layla album in original song order, in a single live show (with one small exception recorded in studio).
These releases are all pretty impressive for an album that was initially met with mixed reviews, tepid sales, and some measure of confusion about the artist, this mysterious Derek. The label execs wanted an “Eric Clapton” album, of course, but by then he’d had it with the spotlight. (After a short tour in support of the album, he dissolved the band and withdrew into a long, dark seclusion.) No one knew the Dominos, either, though the band had formed the core of All Things Must Pass, George Harrison’s first post-Beatles effort. Harrison’s project came out the same month as Layla and attracted all the attention and praise that Layla missed out on.
A feeling of fate surrounds Layla Revisited. Derek Trucks is named after Clapton after all (or after his pseudonym, anyway), and is the nephew of Butch Trucks, founding drummer of the Allman Brothers Band. Derek quickly emerged as an exceptional guitarist in the Duane Allman mold, and eventually led the Allman Brothers Band in its final decade. He has also shared the stage a number of times with Clapton (they played “Layla” together, naturally). One more simple twist of fate: the stellar singer/guitarist Susan Tedeschi–Trucks’ life partner–was born on the very day the original Layla came out. So, yes, there’s a lot to celebrate here, and a lot of history to revisit. Continue reading »
Before Woodstock made them legends. Before the drugs took control. Before the rivalries, the breakups and the reunions. Before the memoirs, the biographies, the documentaries, and yet another breakup. Heck, before Neil Young joined the party. Before all that, there was simply Crosby, Stills & Nash.
Fifty years ago, in May 1969, the supergroup comprised of David Crosby, Stephen Stills, and Graham Nash released their self-titled debut album. It catapulted the three singers, all of whom had enjoyed success in other bands, into superstardom. As band biographer Peter Doggett put it, “They cut a debut album that caught the mood of the times.” In retrospect, the record could have been called Greatest Hits: Volume 1. The album contains numerous classics, including “Suite: Judy Blue Eyes,” “Helplessly Hoping,” “Marrakesh Express,” “Wooden Ships” and “Long Time Gone.”
Surprisingly, given this record and CSN’s place in rock history, the songs haven’t been covered that much. Secondhandsongs.com lists only 77 known covers of all the tracks on the album. By comparison, there are 208 covers of the tracks from Déjà Vu (that includes 86 versions of “Woodstock,” which was written by Joni Mitchell). Stills’ solo track “Love the One You’re With” has inspired 69 covers. These numbers do not provide a complete picture, as the site usually does not include music on YouTube or SoundCloud. But they give you an idea of just how few artists have decided to tackle these songs.
Still, we found some great covers by such luminaries as Stan Getz, Miles Davis, Richie Havens, and Trey Anastasio. There are also countless home recordings by guys and gals with acoustic guitars and one of best harmonizing bar bands you’ve never heard of. Let’s “set a course and go”…