Sep 172024
 

Given that Robyn Hitchcock hails from a day where content may not always match the label, his succinctness of title is here pitch perfect. 1967: Vacations in the Past is a set of songs, all of which came to fruition during the (first) summer of love. Hitchcock formulated the selection to bookend his memoir 1967: How I Got There and Why I Never Left. The jacket copy states, “In January 1966, Robyn Hitchcock is still a boy pining for his green Dalek sponge and his family’s comforting au pair, Teresa. By December 1967, he’s mutated into a 6 ft 2-inch rabid Bob Dylan fan, whose two ambitions in life are to get really stoned and move to Nashville.”

Along the subsequent way, he has become an individual and idiosyncratic voice, as near instantly recognizable for his quirky worldview as for his never more English vocals, despite spending much of his career, and much his success, in the US. (And yes, he subsequently lives in East Nashville, answering on of his ambitions.) Starting off with college radio favorites, the Soft Boys, and then moving forward through and into Robyn Hitchcock and the Egyptians, he now has a solo career, lasting throughout most of this century. He’s never shy of performing cover versions, especially in a live setting, complementing his own prodigious output. Why, not two weeks ago we were considering his Dylan set, Robyn Sings.

The joy of 1967 is that you don’t have to be familiar with Hitchcock’s memoir (although you might wish to be, I recommend it). It stands perfectly as a stand alone, a snapshot of what the 14 year old boy might have been daydreaming to, on the radio. And you don’t really have to have been there yourself either, the selection, by and large, tendis more toward the big hitters of the year, most of which left a long and illustrious footprint. But I bet you never heard ’em much like this!
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Jul 272022
 

Under the Radar shines a light on lesser-known cover artists. If you’re not listening to these folks, you should. Catch up on past installments here.

When it comes to instrumental covers of popular music, my go-to is the edgier jazz artists–you probably know the ones I mean. They are lovable troublemakers, but sometimes their jarring ways, all the virtuoso-signaling, is not what the mood calls for. More and more I appreciate instrumentalists who play the melody straight, who embrace the original arrangement of the song and work within its comforting confines.

The trick is that a more modest and direct approach can wash the color out of a song–it becomes the music you hear when the bank puts you on hold. A good cover has a proper edge to it: there’s embellishment and surprise in it, a searching quality, a point of view–all the things missing from the music that elevators listen to during their work hours. For me, the Michael Udelson Trio brings all the good aspects to their jazzy treatments, and leaves behind the undesirable bits.

The band has so far released two recordings, both of them cover albums: Irrational Numbers and Minor Infractions (2015 and 2016). (During the COVID lockdown period, the trio got together virtually to share some new material with fans–so maybe there’s more albums coming in the future.) This next part I find mystifying: these two albums and the songs on them have a vanishingly small number of views/plays. (Probably most of those plays are mine.) The trio’s most popular track on Spotify is their take on Radiohead’s “Paranoid Android.” It has 17,000 plays. For every other Udelson track, Spotify displays a blank instead a number in the “Plays” column–which why the phrase “vanishingly small” seems apt. It’s fair to ask how that 17,000 figure compares to any jazz piano version of “Paranoid Android.” Here’s a point of comparison: Brad Mehldau’s cover has nearly 5,000,000 plays.

Few seem to know or care about MUT–not even its own members, as we’ll see shortly. So who are these guys, and where their fans at?
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May 122020
 

They Say It’s Your Birthday celebrates an artist’s big day with cover tributes to his or her songs. Let others do the work for a while. Happy birthday!

Steve Winwood turns 72 today, so we have quite a few candles to light. The multi-instrumentalist singer and songwriter has had so many different incarnations that surveying his career makes you dizzy. It’s not just that Winwood tried his hand at different genres, it’s that he helped define those genres. These things can happen when a gifted artist jumps in on the action early —Winwood was famous for his music by the age of 16—and then keeps evolving in ways that matter. Add to that some serious staying power, and you have an impressive career–one that is still going strong six decades in.

In fact, last year may have been Winwood’s best ever, in a funny way. DJ-producer Kygo remixed Whitney Houston’s cover of Winwood’s “Higher Love,” and released it digitally; the song now has about 350,000,000 hits on Spotify alone. More about that song later, but for now just imagine that a small number of Kygo’s followers are asking themselves, “Who wrote this?” What will they find, and like, once they go down the Winwood rabbit hole?
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Aug 152019
 
Woodstock Covers

You know the story – on August 15, 1969, an estimated 400,000 people coalesced on Max Yasgur’s dairy farm in upstate Bethel, New York, for “3 days of Peace & Music” at a music and art fair that ultimately defined a generation. Today marks the golden fiftieth anniversary of Woodstock, and to celebrate the occasion, the staff at Cover Me are going “back to the garden” to wrap you in the Top 50 covers performed by the legendary artists who graced the stage during that long weekend.

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Mar 132015
 

In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!

When you consider their longevity, the sheer number and variety of their live performances, and influences as diverse as bluegrass, country, soul, rock, psychedelia, blues, and jazz, it is likely that the Grateful Dead may have recorded and/or performed more covers than any other band that is best known for its original songs. (There’s probably a wedding band out there that has a bigger songbook, but that’s not really the point.) Grateful Dead fans have been trading and cataloging their favorite band’s performances since long before the idea of digital music and the Internet even existed, and now there are numerous databases available online — one of which shows 343 separate covers performed by the band (and solo projects and offshoots), including soundchecks and performances with guests.

Therefore, it is somewhat surprising that Cover Me has never turned its lovelight directly on the Grateful Dead. We have written numerous times about covers of Dead songs, but a quick review of the archives indicates that only three covers by the band have been featured—Bob Dylan’s “Desolation Row” and Merle Haggard’s “Okie From Muskogee” and “Mama Tried.” So, that leaves us a mere 340 to choose from today. To make this project (inspired in part by Phil Lesh’s 75th birthday this Sunday and by the recent announcement of the band’s 50th anniversary shows in Chicago this summer) somewhat less insane, we will limit ourselves only to recordings or performances by the Grateful Dead, proper — no solo projects or anything from after the death of Jerry Garcia.
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Sep 032014
 

Welcome to Cover Me Q&A, where we take your questions about cover songs and answer them to the best of our ability.

Here at Cover Me Q&A, we’ll be taking questions about cover songs and giving as many different answers as we can. This will give us a chance to hold forth on covers we might not otherwise get to talk about, to give Cover Me readers a chance to learn more about individual staffers’ tastes and writing styles, and to provide an opportunity for some back-and-forth, as we’ll be taking requests (learn how to do so at feature’s end).

Today’s question, courtesy of staffer Stephen Gwilliams: What’s your favorite cover of a song from a musical?
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