Aug 232024
 
Willie Nelson

In November Willie Nelson will release Last Leaf on the Tree, his 76th studio album and his second of the year. The record will be the first to be curated and produced by Nelson’s “Particle Kid,” Micah (who also did the cover art), and will feature many covers. The first single from the album is the title track, a version of Tom Waits’ “Last Leaf.”
Continue reading »

Nov 302023
 
Orquesta 24 Cuadros

“I’ll Be Gone” is a deep cut from that most Waitsian of Tom Waits albums, Franks Wild Years. The soundtrack to a play based on a song from an earlier album (his eighth), where Waits first established his infamous sound. Waits fully leans into this new persona and sound on the record, and “I’ll Be Gone” is a perfect example of this, with the cockcrow, the accordion, the angular guitar, the marimba and, of course, Waits himself.

Orquesta 24 Cuadros is a large Mexican group that has been releasing music since 2016. They blend genres with their unique lineup which incorporates a horn section and some string players. It’s natural for most bands covering Waits that they won’t slavishly follow his unique arrangements. There’s not much point as Waits’ style is so much his own but, on their new “I’ll Be Gone” cover, the Orquesta doesn’t completely stray, however, because there are horns here as there are on the original. Still, their approach in terms of both arrangement and tempo is quite idiosyncratic. Continue reading »

May 052023
 

‘The Best Covers Ever’ series counts down our favorite covers of great artists.

best covers of 1950s

As regular readers know, every month we put together a giant list we call Best Covers Ever. We take a household-name artist and count down the best covers of their songs. We’ve done Bob Dylan and Beyoncé and Billy Joel and Bee Gees and Britney Spears and Beach Boys and Bruce Springsteen and Buddy Holly and those are just the B’s.

What do all of those “B” artists have in common? Not much, except for this: They all have a lot of different songs that get covered by a lot of different people.

But there are some artists who will likely never get their own list here. Why not? Maybe they just don’t get covered enough. Or maybe they get covered often — but people mostly just cover a single song. These are the artists we colloquially call One Hit Wonders. And in a special series starting today, we’re celebrating covers of their songs. Continue reading »

Mar 312023
 

‘The Best Covers Ever’ series counts down our favorite covers of great artists.

Tom Waits covers

“Downtown Train.” “Ol ’55.” “Jersey Girl.” These are just three of the Tom Waits songs better known for their covers (respectively: Rod, Eagles, Bruce) than for Waits’ own performances.

It probably doesn’t need saying that Tom’s recordings are, in the best way possible, idiosyncratic. So it makes sense that, like Dylan, like Cohen, his songs often become more popular when more “traditional” voices sing them. Many of the best covers, though, keep some of that strangeness. No, they don’t do “the Tom Waits voice” – most people wouldn’t be able to talk for a week after attempting that. But they don’t sand off the strangeness.

Tom’s debut album Closing Time came out 50 years ago this month; he’s doing a reissue to celebrate. It, and its successor The Heart of Saturday Night, are in some ways his least representative albums, though. The songwriting is already strong on these, but it comes in – if you can believe it – a fairly conventional package. His voice hasn’t revealed its true character (to pick one among many memorable descriptions: “a voice like it was soaked in a vat of bourbon, left hanging in the smokehouse for a few months, and then taken outside and run over with a car”), and he hadn’t discovered that hitting a dumpster with a two-by-four makes great percussion.

Some of those very early songs get covered in our list below. But his later, weirder, songs abound, too. Tom’s wife Kathleen Brennan, his musical co-conspirator for decades now, said her husband has two types of songs: “Grim Reapers” and “Grand Weepers”. On his Orphans box set, Tom divided them up another way: Brawlers, Ballers, and Bastards. You’ll find some of all flavors below. (And, if you want more new writing on Tom Waits music, subscribe to a newsletter called Every Tom Waits Song that – full disclosure – I also run).

– Ray Padgett

PS. Find Spotify and Apple Music playlists of this list, and all our other monthly Best Covers Ever lists, at Patreon.

NEXT PAGE →

Jan 302023
 
best cover songs january 2023
Brandi Carlile – If It Makes You Happy (Sheryl Crow cover)

This month, Austin City Limits held its eighth annual ACL Hall of Fame ceremony. The inductees were Joe Ely and Sheryl Crow. The latter was covered by, among others, Brandi Carlile, who also delivered Crow’s induction speech. It will surprise no one who’s ever seen Carlile perform on an award show before that she crushes it. (Find another Crow cover from the ceremony, by Jason Isbell, in the Best of the Rest below.) Continue reading »

Oct 092022
 

Brother BrothersIs there a more evocative term than sibling harmony? And we are here talking about singing, rather than the standard well-rehearsed tales of dysfunctional derring-do betwixt embattled brothers, that usually renders the phrase, at best, ironic. No, this is that sweet spot, blood on blood, wherein the gene pool confers a mystic closeness between voices: think Everly, Louvin, McGarrigle. There are a lot, many falling loosely into country genres.

As do these guys, Adam and David Moss, who go a step further and are identical twins. Illinois natives, they grew up with their Dad’s record collection, singing along and honing the precision between their voices. Sure, Don and Phil figured large in that collection, it not long before comparisons were being made. With a couple of well-received albums and an EP under their belts, and tours supporting the likes of Sarah Jarosz, now seemed as good as any to drop a slew of covers (well, two months ago, actually – apologies for the delay).

A quick glance at the list of song might raise slight concern; do we really need yet another “These Days,” for one? Well, you know, maybe we do. Really. Let’s investigate.
Continue reading »