Brandon Flowers has always worn his love and fandom for the artists that have influenced him on his sleeve. He and The Killers have performed countless covers of his particular idols over the years, and his speech inducting The Cars into the Rock and Roll Hall of Fame in 2018 was genuinely moving. Flowers and bandmate Ronnie Vannucci Jr. played a short set on CBS This Morning’s Saturday Sessions last week and, in addition to performing two new tracks. threw in a cover of Tom Petty and The Heartbreakers’ snarling, gloriously pent-up anthem “The Waiting.”
Cover Classics takes a closer look at all-cover albums of the past, their genesis, and their legacy.
“Nothing’s fine, I’m torn!” Oops, wrong Natalie Imbruglia cover song (and yes, that is a cover). Today we celebrate Imbruglia’s 45th birthday by revisiting her cover album, Male, where she covered, you guessed it, songs by a variety of male artists.
You may know Imbruglia from her debut album, Left of the Middle, which has the highest sales for a debut album by an Australian female artist. After her debut, Imbruglia recorded three other albums before taking a break from music and leaning into acting.
This cover album followed the five-year musical drought and got Imbruglia back into touring, where she traveled around Europe and the UK in 2017 and 2018. We’re currently in another quiet period, but Imbruglia has plans to release a new album this year. Can’t wait!
Imbruglia’s Male holds many enjoyable gender-reversals with song choices from a variety of genres, from electronic to country and from pop to rock, and eras spanning 1970 to 2013. Below are a few stand-outs.
Kirsten Agresta Copely is a harpist with a storied background. She has played harp since she was five and had her first solo tour at fourteen. Over the course of her career she has performed all over the world and shared the stage and recording studio with a variety of stars such as Stevie Wonder, Jay-Z, and Evanescence. She has even played alongside Beyoncé at a state dinner for Barack Obama.
At the end of last month, Copely released her first cover album. You may think an album of harp covers is a bit niche for everyday listening, but if you are looking for a cover album with class for your next dinner party, look no further. There is something for everyone on Copely’s new album with selections that span decades, from Fleetwood Mac to Rhianna.
Under the Radar shines a light on lesser-known cover artists. If you’re not listening to these folks, you should. Catch up on past installments here.
Power couple Kelly Ogden and Luis Cabezas formed the Dollyrots, a pop punk band, in 2000. The oft-quoted origin story sets the scene for their musical style:
“We were watching the 2000 presidential election results, and at four o’clock in the morning, when we found out that George W. Bush had won, Luis and I were like, ‘The world’s probably gonna end anyway, and I don’t want to go to med school,’ so we thought, ‘Let’s just do the band.'”
Honestly, who hasn’t felt the same urge recently?
If you are “fashionably socialized” you may have at least heard of The Dollyrots’ biggest hit, “Because I’m Awesome,” in one of the variety of television shows, movies, and commercials that featured it. Along with releasing original music consistently over the years, The Dollyrots have covered a wide range of songs that span genres and decades of origin. Here is just taste of what they have to offer cover-wise.
On Friday, we rounded up the best Tom Petty covers to come since his passing. And today, we begin to dig deeper into the archives for a series of Petty tributes featuring older covers.
Petty tended to write songs more crisp and economical than many of his peers – no Dylanesque word salad or proggy flights of weird instrumentation – which lent themselves to abundant covers. You could play any number of Petty songs within a few months of picking up a guitar (being able to solo like Mike Campbell – well, that might take a little longer).
There are many amazing Petty deep cuts to mine. Why, just in the past year we’ve heard two fantastic covers of songs from his obscure 2006 solo album Highway Companion (by Jane Kramer and The National). But we figured we’d start with a classic, a song so obvious I was frankly surprised to dig through the archives and discover we hadn’t given it the Five Good Covers treatment years ago. Well, better late than never. Rest in peace, Tom.
Last Monday, America woke up and didn’t want to get out of bed. There was yet another senseless massacre, this time in Las Vegas. Even more traumatic for us music fans, it took place in our church, at a concert venue. Later in the afternoon, the news broke that Tom Petty had died, and, a few hours on, that Tom Petty had died a second time. It was like we were getting sucker punched over and over again.
His words made us feel better: that losing is part of life, but we should never give up hope. That the world may drag us down, but people will be there for us. And that we should be free to chase our dreams, whether it be deep within ourselves or making them part of the world. We shouldn’t back down because Tom wouldn’t. To bullies, to being ostracized, and to being anything but ourselves.
Petty was a classic rock and roll survivor, ruling radio in the 1970s, winning MTV video music awards in the ’80s, and writing the song that came back from the dead to be the only happy moment in Silence of the Lambs in the ’90s. He recorded some of America’s most anthemic and heartfelt music, and although his later output declined some, he never slowed down, collaborating in the supergroup The Traveling Wilburys and becoming Johnny Cash’s sideman with the Heartbreakers, reforming his old band Mudcrutch, and endlessly touring.
Upon the news of his death, artists starting playing tribute covers immediately, both in the studio and onstage. I’ve listened to a few dozen over the past few days. Here are my favorites.