Sixty years ago this month, The Beatles played on the Ed Sullivan Show. You don’t need us to tell you what a momentous occasion this was; entirebooks have been written on the subject. Suffice to say we’re using the anniversary as our excuse to finally devote a Best Covers Ever to perhaps the biggest band of them all. We’ve done Dylan. We’ve done the Stones. We’ve done Dolly and Springsteen and Prince. But there was one last giant remaining.
Though it’s difficult to measure this precisely, The Beatles are the most-covered artist of all time according to the two biggest covers databases on the internet (SecondHandSongs, WhoSampled). And that certainly feels right. “Yesterday” is often cited as the most-covered song of all time, though that needs qualifiers (a ton of Christmas standards would beat it). But, again, it feels right. The Beatles were ubiquitous in their day, and they’ve been ubiquitous ever since. They just had a chart-topping single last month, the A.I.-assisted “Now and Then,” which was duly covered widely. If “Carnival of Light” ever surfaces, no doubt a carnival of covers will soon follow.Continue reading »
In Memoriam pays tribute to those who have left this world, and the songs they left us to remember them by.
Tom Petty (10/20/50 – 10/2/17) was clearly one of the good guys, with little but praise of and for him following his untimely death, 18 days shy of his 67th birthday. Possibly going a little too hard celebrating the end of the Heartbreakers’ 40th anniversary tour, he took that one toke over the line and died of an accidental drug overdose. What a waste, just say no, etc etc. (To be fair, intractable pain from a fractured hip and his emphysema were each also weighing heavy at the time.)
Petty was no stranger to cover versions, over his lengthy career, initially with the later revived Mudcrutch, but predominantly with his own band, 13 albums as Tom Petty and the Heartbreakers, and 4 under his own name alone, there are a few, mainly across his myriad live albums. Today, though, we are to celebrate covers by others of his own songs, but it would be churlish not to take at least a nod at his rendition of Lucinda Williams’ “Change The Locks” or his version of the UK one hit wonder “Something In The Air,” originally by Thunderclap Newman.
A Tom Petty song was seldom comparable to the work of others, or transferable, that much, to other styles, mainly down to the idiosyncrasy of his vocal style, a high pitched nasal whine. My apologies to anyone put off by that overly clinical description of his voice, for, in full flight, it was a rousing and rallying instrument of power and promise. Still is. But it would somehow be remiss not to comment on the one very similar singing style, especially given the reception of the debut single from Petty and his team… Continue reading »
Lucinda Williams has never had a big hit song. None of her singles have charted on the Top 40, or even on Billboard’s Hot 100 chart at all. In fact, most of her songs don’t hit any chart.
You may already be thinking to yourself: Who cares! Giant pop-chart hits are not the way you measure the success of a singer and songwriter like Lucinda Williams. You know what is one possible way, though? Covers. (A few of which, incidentally, made her song hits in other hands.)
Like a few other songwriter’s-songwriter types we’ve covered in this series (John Prine, Steve Earle), the respect Lucinda gets from her peers and fans far outweighs her own commercial success. It’s probably the sort of acclaim she’d value more. Williams’ songs have been covered by her elders alongside a wide array of younger folk and indie artists. Earle, in fact, has called the album he co-produced, Car Wheels on a Gravel Road, “one of the best things I’ve ever been involved in.”
None other than Bob Dylan himself, when he played her take on “Change the Locks” (covered twice on our list) on his Theme Time Radio Hour, compared her to Bessie Smith, calling her “another strong-hearted spirited woman.” He added cheekily, “Time Magazine called her America’s best songwriter in 2002. I guess I was out of town.”
Below, we’ve rounded up 25 equally strong-hearted, spirited covers. Lucinda, who turns 70 today, is no slouch at covers herself – don’t miss her recent Lu’s Jukebox series. But for her birthday, we honor her songwriting and let other artists do the heavy lifting.
25. John Mellencamp – Lafayette
Lucinda Williams’ first album was a collection of covers, but her second, Happy Woman Blues, consisted of all originals, kicked off by “Lafayette” – the first of her songs about her native Louisiana, but certainly not the last. It’s about how the singer misses Lafayette and how it took leaving to appreciate it, so she’s coming back. Because Lafayette is the center of Cajun culture, the song is fittingly a country/zydeco mix, and focuses on the eating, drinking, dancing and other wild times that she looks forward to repeating. John Mellencamp’s 2003 album Trouble No More was a collection of (mostly) blues and folk covers, and his spare take on “Lafayette” is more country-blues than Cajun. His gruff lead vocals are sometimes overshadowed by the twangy female background singer, but it’s a worthy effort. – Jordan Becker
24. Jimbo Mathus – Lake Charles
Picking a single track off Solo Blues Guitar: Jimbo Mathus Performs Lucinda Williams Car Wheels on a Gravel Road kind of defeats the purpose. As you can probably guess from that album title, it’s Mathus, of Squirrel Nut Zippers fame, performing Lucinda’s most iconic album in full (on, as the tin says, solo blues guitar). It’s a beautiful listen that you can hone in on or just let add atmosphere in the background. But, since we have to highlight one, “Lake Charles” will give you a good taste of his combination of finger picking and slide on that beautiful resonator guitar. – Ray Padgett
23. Dennis Mac Namara – I Envy the Wind
If there were a church devoted solely to unrequited love, where all those in the throes gathered to commiserate, “I Envy The Wind” would be the lead hymn in the songbook. Why this song has been covered so sparingly over the years remains a mystery. Hyperbolic hot take coming, but if ever a song was powerful and poised enough to knock “Hallelujah” off its ubiquitous and over-covered pedestal, “I Envy The Wind” is it. Dennis Mac Namera’s skeletal acoustic cover is home to a stunner of vocal performance, equal parts booming and fragile. The heartache and longing are oh so palpable, as is Mac Namera’s unabashed admiration for the song itself. Let us pray. – Hope Silverman
22. Peter Gallagher – Still I Long For Your Kiss
Lest anyone forget, Williams is every bit as much a singer and interpreter of the blues as she is of the broader country/Americana slant she is usually associated with. Check out her aforementioned first album, 1979’s Ramblin’ On My Mind, a set of largely nothing but the blues, Sleepy John Estes, Robert Johnson and the like, with a token Hank Williams for good measure. Sure, her own version of “Still I Long For Your Kiss” carries a bluesy hint, but it took this fella to strip it right back, delectably so. This fella? Peter Gallagher. You’ll know him as an actor in loads of films and TV. But, as this clip shows, he can sing, really sing. This comes from a record he made in 2005, Seven Days In Memphis, of Southern soul belters backed by a crew of the best session men that producer Steve Cropper could find. The other singer here is his TV wife from The O.C., Kelly Rowan. – Seuras Og
21. Angel Olsen – Greenville
Angel Olsen dropped two terrific covers last June. Her version of Dylan’s “One Too Many Mornings,” recorded for the TV show Shining Girls, features haunting electronic textures underpinning her voice. It’s a surprisingly un-folky cover of one of Bob’s early folk songs. Alas, it came a year too late for our Best Bob Dylan Covers list. Her version of of Lucinda Williams’ Car Wheels on a Gravel Road standout “Greenville” though is just as good, guitar echoing behind her mesmerizing double-tracked vocals. – Ray Padgett
Cheating a little as we missed this one in July, but if you too haven’t heard the acoustic “We Belong” Brandi’s been playing on tour with The Twins, it will be worth the wait. “We belong together” takes on a whole new meaning as we (try to) come out of quarantine.Continue reading »
Alex Cameron ft. Roan Yellowthorn – Islands in the Stream (Kenny Rogers / Dolly Parton cover)
For a new single, Australian singer Alex Cameron, who has worked with everyone from The Killers to Foxygen, decided to take on two Kenny Rogers tunes written by Barry Gibb. One, “Midsummer Nights,” is comparatively obscure. The other – the one above – is not. Playing the Dolly Parton role to Alex’s Kenny is Roan Yellowthorn aka Jackie McLean, daughter of “American Pie” singer Don McLean.
Annie – Just Like Honey (Jesus and Mary Chain cover)
Norwegian pop musician Annie doesn’t release much music – 2020 saw her first album in 11 years – but she’s got a new EP out in September, Neon Nights. It features some originals and covers. One is the Dirty Dancing song “She’s Like The Wind.” Another is this discofied, but still shoegazy in a more electronic way, take on the Jesus and Mary Chain’s most often-covered song.Continue reading »
Amy Speace – Don’t Let Us Get Sick (Warren Zevon cover)
“Don’t Let Us Get Sick” was a moving song even before Warren Zevon got sick, didn’t see a doctor soon enough, and died. After that, the context makes it even more poignant. The canonical cover is Judee Sill’s, but on her new album, Amy Speace gives it a run for its money.Continue reading »