Dec 192025
 

Follow all our Best of 2025 coverage (along with previous year-end lists) here.

Last year’s unexpected theme was Tom Petty covers. For no obvious reason, he popped up again and again on our 2024 year-end list. And whaddya know, Tom’s back this year, with two more Petty covers on our list. This year, however, he is not the most-covered artist on our list.

That’s a tie between two artists, one extremely of-the-moment, one timeless. With three covers apiece, Chappell Roan and Neil Young share the most-best-covered crown. (Artists with two covers apiece this year, in addition to Petty, are Gillian Welch, John Prine, and—this one’s surprising—Nelly Furtado!)

Spoiler alert: None of those appears in the number-one position. Number one covers an artist who I don’t think has ever appeared on one of our year-end lists. But don’t skip ahead. There are 49 equally (well, almost) as good covers to get through first, spanning genres and sounds and eras and ages. Here we go.

Cover art by Hope Silverman

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Dec 092025
 

I am not sure how much traction (The) Sam Chase elicits in his home state of California, but over here in Blighty, courtesy a magnificent little festival called Maverick, he is always guaranteed a welcome. He, and his band, The Untraditional, cut quite the rug with his hoarse holler, belting out songs of a country hue, a punk attitude and a sometimes chamber-folk setting. This all makes for a beguiling combination, a rich mix of sandpaper and silk. Over the years he has worked solo, as a trio and now with his a 7 piece band behind him. That’s a lot, but, with cello, violin and trumpet, augmenting the more familiar guitar, keys, bass and drums, flickering remembrances of Van Morrison’s Caledonia Soul Orchestra wouldn’t be that far off point. And, yes, all seem present for Covered:, endeavoring to both compete with and comfort his foghorn fusillade.

To be fair, Chase’s voice gets dialed down a tad across most the selections here, culled from a bevy of the usual suspects: a Dylan, a Prine, a couple of Waits, balanced with CCR, Nirvana and one from the pirate cabaret of The Crux. The overall effect is strangely chameleonic, as he affects to occupy the persona of each individual singer, in character if not always sound. The difference comes largely from the arrangements, which tend toward the dusty roadhouse of amplified acoustica with drums. This renders a fluency to the flow of Covered:, a congruency that makes for a set that is all his own, however familiar the songs may or may not be.
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Sep 302025
 
Best Cover Songs
Benson Boone — When We Were Young (Adele cover)

Benson Boone gets clowned on, but dude can sing (and, yes, backflip). “When We Were Young” is not exactly an easy song to nail. But, at a tour stop in Columbus, he did just that—one of many covers he’s been doing on the road.

BRAINSTORM — The Boys Of Summer (Don Henley cover)

Every summer comes, inevitably, more “Boys of Summer” covers. This metal-ish version comes from German power-metal vets BRAINSTORM (all caps so you know they’re serious). Singer Andy B. Franck says: “Even though ‘The Boys Of Summer’ deals with rather nostalgic themes of ‘summer love’ and the memory of a past relationship, for me – at the time a 13-year-old – it was, beyond the metal anthems of the 80s, a great song that I associated with summer, girls and the corresponding feeling for many, many years…Even today, this song still evokes great memories for me, and since it’s also a song about questioning the past, this track fits perfectly into our times.” Continue reading »

Jul 242025
 
Dhani Harrison and ELO

The live career of Jeff Lynne and Electric Light Orchestra unfortunately ended with a whimper instead of a bang, when Lynne had to cancel the final two concerts because of illness. So the July 9th show in Manchester ended up being the final bow of ELO. But, at least that night featured two great covers.

Dhani Harrison, the opening act for the final shows, joined Lynne and his band mates for covers of two Traveling Wilburys classics. Harrison’s father, George, was part of the super group. The other members included Lynne as well as Bob Dylan, Tom Petty and, on the first album, Roy Orbison.

Harrison (Dhani, not George) joined Lynne for “End of the Line,” which is a pretty fitting song to wrap up a career as a live act. The two also played “Handle with Care.” The songs were pretty close to the original (given in no small part to the fact that Harrison’s singing voice sounds a lot like his dad) and you can clearly tell the audience was thrilled and having a great time, given the number of voices joining in the choruses of both songs.

Both songs were from Traveling Wilburys, vol 1. The 1988 album started as a recording session for a B-side to a single from George Harrison’s Cloud 9 album, which was produced by Lynne. Below is the video for “End of the Line,” from the July 9th show. The performance of “Handle with Care” comes from the July 6th show in Birmingham.

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Apr 182025
 

You can’t get a more direct than Covers, Kathleen Edwards’ newest short LP/long EP. It lets you know exactly what you got, even before you press play. That is commendable, but then Edwards has never been much for one to conceal her thoughts or her situation. This Canadian singer supreme has had a rocky old trail over the past decade or two, since electing to step away from critical acclaim in 2014, after four well-received albums of polished country and roots-derived songmanship.

The Ottawa coffee shop Edwards subsequently opened and ran was called “Quitters.” That might have been a self-deprecating jibe in name, but it was only later she revealed her then battle with depression had led to her tactical withdrawal from the music business. She returned to music in 2020, we all know what then came along to wreak worldwide havoc. This is her second release since her return, and her first since COVID lockdown and her eventual sale of Quitters.

The eight songs on Covers are a good mix of the likely and the unexpected, broadly drawn from Edwards’ fellow ranks of singer-songwriters. Springsteen, Petty and Pride are among the former, but songs from The Flaming Lips and Supertramp get a turn also. With backing of electric guitars, keyboards, occasional strings and a rhythm section, Edwards sings and plays acoustic. Greg Leisz and Scott Thurston are two of the accompaniments dropping by, on guitars and bass, respectively, each a sign of her esteem amongst peers.
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Mar 252025
 
Weird Al Tim Heidecker and Puddles Pity Party

Many artists have stepped up in the past few months to help raise money for the people affected by the LA wildfires. This past Sunday was yet another, gathering up performers to help support the community. This concert, dubbed “Let’s Get L.Aid,” was subtitled “a night of comedy and music.” Headliner “Weird” Al Yankovic, whose work covers both of those descriptions, wrapped up the show with a special performance of Tom Petty‘s “Free Fallin'”. (Petty was a long-time Los Angeles resident.) Yankovic brought out Puddles Pity Party and Tim Hedecker to join in the song. Continue reading »