Dave Richardson – Bright Phoebus (Lal & Mike Waterson cover)
Vermonter Dave Richardson digs deep into folk-rock history on his new album Palms to Pines, covering the title track of Lal & Mike Waterson’s 1972 album Bright Phoebus. Deeply obscure at the time – only 1,000 copies were initially pressed – it became known as “folk music’s Sgt. Pepper” among the very, very few people who actually heard it. The record has seen a recent resurgence with champions like Arcade Fire and Jarvis Cocker leading to a 2017 re-release on überhip Domino Records. Richardson makes it sound like a classic all along.Continue reading »
Black Country, New Road – Time to Pretend (MGMT cover)
If you’re expecting the “Time to Pretend” you knew and loved a decade ago, think again. UK post-punkers Black Country, New Road, one of the buzziest bands of the new year, deconstruct the song entirely. It starts pretty sane, then gradually veers off the tracks into chaos. By the end there’s a free-jazz sax solo leading a wall of noise only barely identifiable as this, or any, song.Continue reading »
Today, Willie Nelson releases his 71st – yes, you read that right, 71st – album. It’s a set of Frank Sinatra covers called That’s Life. But while we prepared to hear more covers by Willie Nelson, we thought it was a good chance to look at covers of Willie Nelson. Because those 71 albums include hundreds and hundreds of songs Willie wrote himself, from classics like “Crazy” and “On the Road Again” to a plethora of deep cut gems just waiting to be discovered. And you can’t spell “discover” without “cover,” so we’ve put together thirty ways for you to discover some songs you don’t know and new interpretations of some songs everyone knows.
Because Willie’s discography is so deep and times convoluted, we set a few ground rules for this list:
We only included covers of songs Willie himself wrote, rather than songs he just popularized. That knocks out a few of his big hits: “Blue Eyes Crying in the Rain,” “Mammas Don’t Let Your Babies Grow Up to Be Cowboys,” and “Always on My Mind” among them.
The first recording of a Willie song doesn’t count as the cover – even if that first recording wasn’t by Willie himself. Remember that before you get mad that Patsy Cline’s “Crazy” is not on this list. Subsequent versions of those songs are of course fair game.
An artist can’t cover themselves. That normally goes without saying, but Willie’s recorded in so many different bands and configurations, the same songs sometimes come up repeatedly. So The Highwaymen singing an older Willie song doesn’t qualify as a cover.
Okay, caveats and disclaimers behind us, let’s dive in! Click onward for the 30 best Willie Nelson covers ever…
Welcome to Cover Me Q&A, where we take your questions about cover songs and answer them to the best of our ability.
Here at Cover Me Q&A, we’ll be taking questions about cover songs and giving as many different answers as we can. This will give us a chance to hold forth on covers we might not otherwise get to talk about, to give Cover Me readers a chance to learn more about individual staffers’ tastes and writing styles, and to provide an opportunity for some back-and-forth, as we’ll be taking requests (learn how to do so at feature’s end).
Today’s question, suggested by staffer Hope Silverman: What’s the most bizarre cover you’ve ever heard? Continue reading »
Our first song kicks off what will be a theme here. A lot of these came out at the very top of the year (or the very end of 2020) to kick a garbage year to the curb and hope for something better. Shires said: “’That’s All’ is a song that I have played a lot on tour. The song defines 2020 for me. It’s a true Covid anthem and I dare you to not dance to my version when you hear it!”Continue reading »
Tom Jones has covered some unexpected artists in his day. AC/DC. Arctic Monkeys. The Milk Carton Kids. And the latest in that lineage: supremely chill hippie songwriter Todd Snider. Previewing his upcoming covers album Surrounded by Time, Jones released his take on Todd Snider’s “Talking Reality Television Blues,” a song originally on Todd’s 2019 album Cash Cabin Sessions, Vol. 3 (the fact that there never was a Vol. 1 or 2 tells you a lot about Todd Snider).Continue reading »