Tom Jones Archives

Five Good Covers: “Burning Down the House” (Talking Heads)

Posted by Seuras Og at 10:00 am 2 Responses »

Oct 182023

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

If you haven’t been aware of the story of Talking Heads getting back together, I guess you may have been on another planet, such was the publicity. Given they didn’t even play anything, grouping only to talk and be interviewed, this shows quite the lasting appeal of this band, and gives some idea of the delight forthcoming if they actually did pick up their musical gear.

The occasion was the polished up re-release of Jonathan Demme’s concert film of the band in their prime, 1984’s Stop Making Sense. You know, the big suit and all of that. Because the break-up of the band was so famously dysfunctional, any previous talk of the foursome ever meeting up again was deemed well nigh impossible, such the apparent lasting ill-feeling between de facto band leader David Byrne and the other three, constructively dismissed at the end of the road, or as near as. Literally so, it being at the end of a tour. Many words have been spoken: drummer, Chris Frantz has said a fair bit in his memoir, Remain In Love. Yet, as they grouped around a table in Toronto this fall, all seemed sweet and contrite, even as they carefully dodged questions around any more working together. (So they didn’t deny it, shout all the fanbase! We shall see…..)

“Burning Down the House” was one of their biggies, their only Billboard top 10 single. Based on the skeleton of a studio jam between Frantz and his wife, bass player Tina Weymouth, its evolution had David Byrne chanting nonsense lyrics, designed more to fit the scan, than to make any sense, and Jerry Harrison, the 4th Head, adding choppy synthesizer stabs. And, yes, of course it was in the film, if somewhat expanded and adapted, featuring Weymouth on synth bass. It was and remains a consummate snapshot of what the band were then doing, applying a remarkable meshwork capture of jittery post-punk new wave energy, funky dance club rhythms and emergent afro stylings.

But, are there, I wonder, any other ways of gilding this lily?
Continue reading »

The 40 Best Prince Covers Ever

Posted by Staff at 10:00 am 8 Responses »

May 262023

‘The Best Covers Ever’ series counts down our favorite covers of great artists.

In July of 1958, a Prince was created. That was the month Charles became Prince of Wales. Earlier this month he was officially crowned King.

In June of 1958, another Prince was created. He died seven years before Charles’ coronation, but he had long before passed beyond the arena of royalty into the field of the celestial.

Prince was, if not a god, a divine presence, more felt than understood. That he was a musical genius was almost taken for granted; his prolific recording, his tremendous work ethic, his mysterious appearances where you least expected him (On Muppets Tonight?? Making fun of Hee Haw???)–all served to make him more myth than man, and now he’s less man than legend.

Prince famously told George Lopez that “covering the music means your version doesn’t exist anymore,” but that’s not quite so. Prince may not (or may) be immortal, but his music definitely is, and the covers that continue to roll in are all the proof you need. This post offers some of the evidence. (Certainly not all of it – more nominations missed the cut than made it, and the great majority of them were very worthy.)

Before we begin: to qualify, a Prince song needed to have been officially released before the cover version. Sadly, this means the Bangles’ “Manic Monday,” Sheila E’s “The Belle of St. Mark,” Celine Dion’s “With This Tear,” and others didn’t get considered.

And now for our selections. And don’t worry, Charles–it’s good to be King. It’s just more magical to be Prince.

–Patrick Robbins

The 50 Best Paul McCartney Covers Ever

Posted by Staff at 8:43 am 1 Response »

Jun 182022

‘The Best Covers Ever’ series counts down our favorite covers of great artists.

There are a lot of weird and wacky images within Alan Aldridge’s 1969 cult classic book The Beatles Illustrated Lyrics. One of the most memorable is a drawing imagining what John, Paul, George, and Ringo will look like as senior citizens. In this fantastical portrait, John and George are depicted as eccentric elders. Ringo, in keeping with his everyman persona, is shown as a shopworn sad sack. But it is Paul McCartney who offers the most disturbing vision of the future. “The cute one” appears as a conservative besuited and well-fed bank manager. His smug grin suggests he is proud to have finally outgrown all that silly pop music nonsense. Continue reading »

The 50 Best Paul Simon Covers Ever

Posted by Staff at 9:00 am 17 Responses »

Oct 132021

‘The Best Covers Ever’ series counts down our favorite covers of great artists.

“I usually come in second to Dylan,” Paul Simon once said, “and I don’t like coming in second.” Indeed, he’s had to deal with it literally ever since he was born, in 1941. We already celebrated Bob Dylan’s 80th birthday in May, and today we turn to the man Dylan has called “one of the preeminent songwriters of the times,” Paul Simon, as he hits his own 80th. Simon’s in the rarified air of someone whose songs get covered almost as much as Dylan’s (ugh – second place again), so for this month’s Best Covers Ever, we’re diving into covers of the entire Paul Simon catalog, both solo and with Simon and Garfunkel.

Another thing Dylan once said about Simon, in relation to his own music, is this: “I’m not Paul Simon. I can’t do that. My songs come out of folk music and early rock n’ roll, and that’s it. I’m not a classical lyricist, I’m not a meticulous lyricist. I don’t write melodies that are clever or catchy.”

False modesty aside, Dylan hits on some of what makes Simon’s work so beloved by other musicians. His melodies are clever and catchy. His lyrics are meticulous. In both words and music, Simon can use a little to say a lot. His songs have strong cores, but leave a lot of space for other artists to play around with. So it’s no surprise that the list below spans genres from punk, dance music, gospel, and more. You’ll hear every sound except one: Silence (sorry). No matter how afield the songs roam, though, they still sound like Paul Simon.

So enough talk about Simon being a perennial silver medal winner. His craft and his talent have earned him and his songs a place at the top of the medal podium, and these fifty covers prove it.

The list begins on Page 2.

Every Time Bob Dylan Commented on a Cover of One of His Songs

Posted by Ray Padgett at 2:00 pm 7 Responses »

May 192021

Bob Dylan has never exactly been a loquacious interviewee. From the ’60s, when he would spend interviews mocking the press, to the ’10s, where he rarely bothers giving interviews at all, comments from Bob on any given subject are usually relatively few and far between. But I was curious, as we prepare to launch our 100 Best Bob Dylan Covers Ever list on Monday, what Dylan covers has the man himself remarked upon? Continue reading »

The Best Cover Songs of April 2021

Posted by Ray Padgett at 11:06 am No Responses »

Apr 302021

Dave Richardson – Bright Phoebus (Lal & Mike Waterson cover)

<a href="https://dave-richardson.bandcamp.com/album/palms-to-pines">Palms to Pines by Dave Richardson</a>
Vermonter Dave Richardson digs deep into folk-rock history on his new album Palms to Pines, covering the title track of Lal & Mike Waterson’s 1972 album Bright Phoebus. Deeply obscure at the time – only 1,000 copies were initially pressed – it became known as “folk music’s Sgt. Pepper” among the very, very few people who actually heard it. The record has seen a recent resurgence with champions like Arcade Fire and Jarvis Cocker leading to a 2017 re-release on überhip Domino Records. Richardson makes it sound like a classic all along. Continue reading »