There are a lot of weird and wacky images within Alan Aldridge’s 1969 cult classic book The Beatles Illustrated Lyrics. One of the most memorable is a drawing imagining what John, Paul, George, and Ringo will look like as senior citizens. In this fantastical portrait, John and George are depicted as eccentric elders. Ringo, in keeping with his everyman persona, is shown as a shopworn sad sack. But it is Paul McCartney who offers the most disturbing vision of the future. “The cute one” appears as a conservative besuited and well-fed bank manager. His smug grin suggests he is proud to have finally outgrown all that silly pop music nonsense.Continue reading »
“I usually come in second to Dylan,” Paul Simon once said, “and I don’t like coming in second.” Indeed, he’s had to deal with it literally ever since he was born, in 1941. We already celebrated Bob Dylan’s 80th birthday in May, and today we turn to the man Dylan has called “one of the preeminent songwriters of the times,” Paul Simon, as he hits his own 80th. Simon’s in the rarified air of someone whose songs get covered almost as much as Dylan’s (ugh – second place again), so for this month’s Best Covers Ever, we’re diving into covers of the entire Paul Simon catalog, both solo and with Simon and Garfunkel.
Another thing Dylan once said about Simon, in relation to his own music, is this: “I’m not Paul Simon. I can’t do that. My songs come out of folk music and early rock n’ roll, and that’s it. I’m not a classical lyricist, I’m not a meticulous lyricist. I don’t write melodies that are clever or catchy.”
False modesty aside, Dylan hits on some of what makes Simon’s work so beloved by other musicians. His melodies are clever and catchy. His lyrics are meticulous. In both words and music, Simon can use a little to say a lot. His songs have strong cores, but leave a lot of space for other artists to play around with. So it’s no surprise that the list below spans genres from punk, dance music, gospel, and more. You’ll hear every sound except one: Silence (sorry). No matter how afield the songs roam, though, they still sound like Paul Simon.
So enough talk about Simon being a perennial silver medal winner. His craft and his talent have earned him and his songs a place at the top of the medal podium, and these fifty covers prove it.
Bob Dylan has never exactly been a loquacious interviewee. From the ’60s, when he would spend interviews mocking the press, to the ’10s, where he rarely bothers giving interviews at all, comments from Bob on any given subject are usually relatively few and far between. But I was curious, as we prepare to launch our 100 Best Bob Dylan Covers Ever list on Monday, what Dylan covers has the man himself remarked upon?Continue reading »
Dave Richardson – Bright Phoebus (Lal & Mike Waterson cover)
Vermonter Dave Richardson digs deep into folk-rock history on his new album Palms to Pines, covering the title track of Lal & Mike Waterson’s 1972 album Bright Phoebus. Deeply obscure at the time – only 1,000 copies were initially pressed – it became known as “folk music’s Sgt. Pepper” among the very, very few people who actually heard it. The record has seen a recent resurgence with champions like Arcade Fire and Jarvis Cocker leading to a 2017 re-release on überhip Domino Records. Richardson makes it sound like a classic all along.Continue reading »
Black Country, New Road – Time to Pretend (MGMT cover)
If you’re expecting the “Time to Pretend” you knew and loved a decade ago, think again. UK post-punkers Black Country, New Road, one of the buzziest bands of the new year, deconstruct the song entirely. It starts pretty sane, then gradually veers off the tracks into chaos. By the end there’s a free-jazz sax solo leading a wall of noise only barely identifiable as this, or any, song.Continue reading »
Today, Willie Nelson releases his 71st – yes, you read that right, 71st – album. It’s a set of Frank Sinatra covers called That’s Life. But while we prepared to hear more covers by Willie Nelson, we thought it was a good chance to look at covers of Willie Nelson. Because those 71 albums include hundreds and hundreds of songs Willie wrote himself, from classics like “Crazy” and “On the Road Again” to a plethora of deep cut gems just waiting to be discovered. And you can’t spell “discover” without “cover,” so we’ve put together thirty ways for you to discover some songs you don’t know and new interpretations of some songs everyone knows.
Because Willie’s discography is so deep and times convoluted, we set a few ground rules for this list:
We only included covers of songs Willie himself wrote, rather than songs he just popularized. That knocks out a few of his big hits: “Blue Eyes Crying in the Rain,” “Mammas Don’t Let Your Babies Grow Up to Be Cowboys,” and “Always on My Mind” among them.
The first recording of a Willie song doesn’t count as the cover – even if that first recording wasn’t by Willie himself. Remember that before you get mad that Patsy Cline’s “Crazy” is not on this list. Subsequent versions of those songs are of course fair game.
An artist can’t cover themselves. That normally goes without saying, but Willie’s recorded in so many different bands and configurations, the same songs sometimes come up repeatedly. So The Highwaymen singing an older Willie song doesn’t qualify as a cover.
Okay, caveats and disclaimers behind us, let’s dive in! Click onward for the 30 best Willie Nelson covers ever…