Aug 292025
 

‘The Best Covers Ever’ series counts down our favorite covers of great artists.

Van Morrison

I do not consciously aim to take the listener anywhere. If anything, I aim to take myself there in my music. If the listener catches the wavelength of what I am saying or singing, or gets whatever point whatever line means to them, then I guess as a writer I may have done a day’s work. – Van Morrison

When I wrote my first post for Cover Me, it was in celebration of Van Morrison’s 66th birthday. In it, I called him “perhaps the most incantatory singer in rock history; the words tumble from his mouth so fast they become never-quite-meaningless sounds, or they emerge bound and struggling themselves raw, or they flow out like brook water. Truly, he’s mastered what he calls ‘the inarticulate speech of the heart.’”

Fourteen years later (my gosh, has it been that long?), as Morrison reaches his four score, that still holds true. He is rock’s most spiritual curmudgeon, inscrutable and evocative, grouchily but magnificently folding into the mystic. His songs tap into their listeners in ways that would be eerie if they weren’t so universal. You don’t listen to Van Morrison’s music – you respond to it.

Today we’re looking at thirty responses, in the form of cover songs. These artists felt the hand of Van and responded accordingly. We think you’ll find them to be worthy rejoinders, what with their acuity and grace. They will make you feel good, and they will make you feel whole, when their spirit moves you and fills you through and through.

Patrick Robbins, Features Editor

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Aug 082025
 

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

The Whole of the Moon covers

The song is older than you might suppose, originally released in October 1985, the lead single for the Waterboys’ third album This Is the Sea, Oddly it didn’t even perform that well, first time around, with an Australian #12 the height of initial success. However, boosted by a belated Ivor Novello award, for best song musically and lyrically, in 1991, it was re-released. This time it cracked the UK top echelon, if at #3.

Intriguingly, it did not trouble the US charts on either occasion, it arguably taking Fiona Apple to break the song in America, singing it on the soundtrack of TV series The Affair towards the end of 2019. Here are some lesser-known versions: Continue reading »

Mar 182024
 

In Memoriam pays tribute to those who have left this world, and the songs they left us to remember them by.

Karl Wallinger covers

Karl Edmond De Vere Wallinger: chorister and oboe player educated at England’s finest schools.  Karl Wallinger: hippy, Beatles fanatic, multi-instrumentalist and “likable smart aleck.”  Like Joe Strummer before him, also a product of a diplomat who had his children educated at Boarding Schools, Karl Wallinger took his music and his political passions in an individual direction.

Wallinger came from the small Welsh seaside town of Prestatyn.  As the crow flies it is not far from Liverpool (although it is more of a trek by road than across the Irish Sea), and his sisters gave him a love of the Beatles and Merseybeat which never left him.  Music engulfed him at a young age. He was a chorister at Eton College, a nursery for Royalty and Prime Ministers, and his skills earned him a music scholarship to another famous school, Charterhouse. In the latter he followed closely on the heels of Tony Banks and Peter Gabriel, as they started their path to the formation of Genesis. Gabriel gave one of the warmest tributes to Wallinger, noting that he had “the most creative and fun week I have ever had in the studio” during their time in a Real World Recording Week.

Always active in bands and musical movements, he first came to prominence as a member of The Waterboys. In many ways that does not distinguish you.  Mike Scott likes to claim that The Waterboys have had more members than any other band, and he has some receipts to help make his case. However, Wallinger was more than a bit part rental player. He was a key part of the band’s most successful incarnation, at least commercially. Having talked his way into the band (Scott had advertised for a guitarist, Wallinger sold himself as a keyboard player), Wallinger was part of the “big sound” that marked the most impactful phase of the band’s career, including their biggest hit, “The Whole of the Moon.” Scott remains on better terms with his many, many collaborators (when compared with The Fall’s Mark E. Smith, for instance), and his love and respect for Wallinger never waned. “Travel on well, my old friend,” he wrote on his X/Twitter page. “You are one of the finest musicians I’ve ever known.”
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Jun 282022
 

Tonight We RideJason McNiff may not be the best known of names, but this hard-working singer and guitarist has hewn himself quite a place in the annals of that awkwardly entitled genre, UK Americana. McNiff earned a degree in French and Russian, but the lure of his first love proved too strong. He immersed himself in the fingerpicked guitar of folk and blues, in particular the work and style of the late Bert Jansch.

Ahead his premature death, Jansch had had a residency at London’s 12 Bar Club, playing to the faithful every Wednesday. McNiff made sure he was there, week after week, soaking up the excellence. No doubt Jansch came to recognize the tousle-headed youngster in the front row; it’s no coincidence that McNiff’s first record deal was with Jansch’s brother-in-law’s label, Snowstorm. A slew of releases have followed, garnishing him, along the way with an Americana UK (a webzine) album of the year and a nomination for alt country best of year in the US Independent Music Awards. So, no slouch.

Like many current releases, COVID and lockdown birthed Tonight We Ride. McNiff spent his enforced vacation hunkering down with weekly on-line gigs: the “Sundowner” sessions. Exhausting both his own repertoire of songs and those he already loved by others, he had to learn a whole new catalog of material. Tonight We Ride was the logical conclusion: eleven songs encompassing artists McNiff holds the most in reverence, with a couple of his own for good measure. Unsurprisingly, this encompasses both the accepted great and good–in this case, Dylan, Townes, and the Beatles–as well as a couple from the next generation down. And, of course, a couple from Jansch, his idol, and whose percussive picking style permeates this album.
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Apr 262021
 

Scouting for Girls "Easy Cover"Scouting for Girls, an English pop band, are preparing to unleash some pent up momentum and energy in the form of a UK and Ireland tour, their longest ever, starting in September. In preparation, they have released a new album, Easy Cover. It features 8 tracks throwing back to their ’80s childhood and 3 original tracks inspired by those good old days. This is one of those albums released recently that can’t be taken out of the pandemic context. It was clearly formed as a response to the all-encompassing gloom and doom and as an attempt to provide a soundtrack to crawling back out into the light.

Scouting for Girls say it themselves:

We’re not trying to do justice to these songs! That’s impossible. We’re just trying to have fun and take them out on the road to give people the night out they deserve after 2020!

With that framing in mind, this (mostly) cover album delivers. Will it change your life? No. Is it earnest and feel-good? Definitely!

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Feb 012021
 
cover songs january 2021
Amanda Shires – That’s All (Genesis cover)

Our first song kicks off what will be a theme here. A lot of these came out at the very top of the year (or the very end of 2020) to kick a garbage year to the curb and hope for something better. Shires said: “’That’s All’ is a song that I have played a lot on tour. The song defines 2020 for me. It’s a true Covid anthem and I dare you to not dance to my version when you hear it!” Continue reading »