Bob Dylan has never exactly been a loquacious interviewee. From the ’60s, when he would spend interviews mocking the press, to the ’10s, where he rarely bothers giving interviews at all, comments from Bob on any given subject are usually relatively few and far between. But I was curious, as we prepare to launch our 100 Best Bob Dylan Covers Ever list on Monday, what Dylan covers has the man himself remarked upon?
The Band Of Heathens ft. Margo Price – Joy (Lucinda Williams cover)
Promoting her new album That’s How Rumors Get Started, Margo Price has been on a great covers kick. She recently tackled a political country classic at the Grand Ole Opry, Bob Dylan on CBS, and John Lennon from her house. Now she’s teamed up with Band of Heathens to cover a Lucinda Williams classic. To quote Lucinda on Instagram, “Get to Slidell, girl!!”
Under the Radar shines a light on lesser-known cover artists. If you’re not listening to these folks, you should. Catch up on past installments here.
Power couple Kelly Ogden and Luis Cabezas formed the Dollyrots, a pop punk band, in 2000. The oft-quoted origin story sets the scene for their musical style:
“We were watching the 2000 presidential election results, and at four o’clock in the morning, when we found out that George W. Bush had won, Luis and I were like, ‘The world’s probably gonna end anyway, and I don’t want to go to med school,’ so we thought, ‘Let’s just do the band.'”
Honestly, who hasn’t felt the same urge recently?
If you are “fashionably socialized” you may have at least heard of The Dollyrots’ biggest hit, “Because I’m Awesome,” in one of the variety of television shows, movies, and commercials that featured it. Along with releasing original music consistently over the years, The Dollyrots have covered a wide range of songs that span genres and decades of origin. Here is just taste of what they have to offer cover-wise.
As anyone who checked Twitter yesterday is well aware, Weezer shocked the internet with a surprise covers album, dubbed the Teal Album for its absurd yacht-rock cover. The album precedes the band’s long-promised Black Album, set to release March 1st.
Weezer spent 2018 stoking the social media flames with their famous covers bout with Toto, and I think we all just expected “Africa” to be the end of it. But Weezer clearly saw an opportunity to generate some buzz for their new album and upcoming tour with The Pixies. Twitter flames aside, how do the covers on the album actually stack up? Let’s take a look at The Good, The Bad, and The (Really) Ugly.
Ten years ago today, I had a whim.
I was studying abroad one semester and found myself with a lot of free time – school work was light, and a college student’s budget limited my international explorations – so I decided to start a blog. A second blog actually, since for several years I had run a personal blog of concert reviews and bootleg downloads called Dylan, Etc (it had more “Dylan” than it did “Etc”). I’d fallen in love with the cover song after hearing Bob Dylan (who else) play a revelatory cover of “Summertime” on his short-lived radio show. I’d already hosted a Cover Me college radio show, and decided to expand us to the World Wide Web.
These were the days of the so-called “MP3 blog,” which included a vibrant subgenre of cover-songs blogs. That’s right, I’d like to claim credit for inventing the category, but I didn’t – not even close. RIP to Copy Right?, Cover Freak, Fong Songs, and the rest of the pioneers – and shoutout to our fellow survivors from that era, Coverville, which was releasing podcasts before most people knew what that word meant, and the folk blog Cover Lay Down, which began around the same time as us.
A lot has changed over the past decade. We’ve published 3,564 posts as of this one. Oh, and did you notice the pronoun change there? Cover Me is no longer an “I” – it’s a “we”, with over 60 writers contributing over the years. We’ve grown from an ugly Blogspot to our spiffy own domain (which is overdue for a redesign itself, frankly). And in case the large banner ads all over the site weren’t clue enough, I just released a book also called Cover Me, which – back-patting alert – Variety called “one of the best multi-subject music books to come down the pike in years.”
We wanted to do something special to celebrate our tenth birthday. And we wanted to celebrate not just ourselves, but celebrate the cover song itself. So we put together this little album Cover Me Turns 10: A Covers Tribute to Covers as a gift to our readers. We contacted several dozen of our musician friends and asked them to cover a cover. That is, to honor the many great songs we might not even know without an iconic cover – Aretha Franklin reinventing Otis Redding’s “Respect,” Quiet Riot amplifying Slade’s call to feel the noize, Prince learning that nothing compares 2 Sinéad O’Connor.
We’re honored that so many of our favorite musicians contributed, and frankly speechless at how great a job they did. So speechless, in fact, that we asked them all to introduce their own work with a few sentences. A million thanks to all of them, and also to Cover Me writer and art whiz Sean Balkwill for designing the lovely – ahem – cover. The whole thing is free to download at Bandcamp until downloads run out, and free to stream forever.
Enough chatter from me. For ten years this blog has been all about celebrating the music and we’re not going to stop now. Thanks for taking this journey with us.
– Ray Padgett
Cover Me Founder
I have no hard data to back this up, but I suspect that EPs play a larger role in the world of cover songs than they do elsewhere. In the wider world, EPs tend to be an afterthought, a set of rejects or remixes that may or may not be worthwhile. People pay little attention to EPs, and artists act accordingly, saving their real statements for the full-lengths. In our world, though, we see as many EPs as we do proper albums, and they’re every bit as good. An artist may hesitate to put out a “cover album” – still a loaded term in some circles – but in the age of Garageband and Bandcamp, it’s only too easy to record a half dozen covers and toss ‘em out between albums. Therefore, in honor of the EP’s prominence in our world, we present our favorite EPs of 2011 (with an MP3 from each).