Aug 032026
 
Alexis Taylor & Mike Simonetti — I See a Darkness (Bonnie “Prince” Billy cover)

Alexis Taylor of Hot Chip released an amazing electropop cover of “Wild Horses” earlier this year, and now he’s back with a similar take on Bonnie “Prince” Billy’s most-covered song. He writes, of the mesmerizing music video, “I saw the room that we see in the film — the scene, the two men facing each other and getting closer in their armchairs as the intensity of what they sing to each other increases. I saw the lady at the centre and back of the same space, illuminated by lamp light for the choruses, and the red balloon hovering over the 4 people in the scene. I wanted this to be like a televised Samuel Beckett play, and to be surreal, simple, and emotionally direct.”

Bandit Voyage — Hotel California (The Eagles cover)


It’s hard to do a fresh version of “Hotel California,” but Swiss duo Bandit Voyage pull it off on their new EP. They ditch many of the theatrics, stripping it down to sound more like a DIY indie-rock song. It’s The Eagles if they played a basement show. Eventually a hyper-distorted guitar does come in to play the closing solo, but even that feels done with a bit of a wink. Continue reading »

Jul 272026
 
Tesla

Tesla have released a video for the newest single of their new cover album, Tribute. (We previously covered the first single, which featured the band covering Queen.) This time out, they’re tackling The Temptations with a cover of their song, “I Wish It Would Rain.”

“‘I Wish it Would Rain’ is a nod to one of the greatest singers of all time, David Ruffin,” said Tesla bassist Brian Wheat. “It’s a great song and I’ve always loved it. One of the things I’m most proud about Tesla’s version is that David Ruffin would be proud to hear Jeff sing it.”

The song is a sparse cover and really relies on lead singer Jeff Keith and his take on the lyrics. And the sound is one of the things that is most interesting about the record. “There are a lot of bands that can play. I’m proud that Tesla has developed the maturity to know when not to play. With a song like this, it could have easily gone the other way. We could have overplayed it and added all kinds of extra parts that would have been too much. Instead, we stayed true to the original arrangement.”

Tesla are currently out tour with Motley Crue on their “Return of the Carnival of Sins” tour. The Homage record is available now.

Jul 142026
 
The Rolling Stones Cover Amy Winehouse

Much is being made of the newest Rolling Stones album, Foreign Tongues, and this latest chapter in the continuing adventures of the self-proclaimed world’s greatest rock band. On the new record, the Stones feature a few covers alongside their originals. One of those covers is Amy Winehouse’s “You Know I’m No Good.” (Winehouse performed alongside the Stones in 2017 at the Isle of Wight Festival, where they played The Temptations’ “Ain’t Too Proud to Beg.”) Continue reading »

Feb 252025
 

Under the Radar shines a light on lesser-known cover artists. If you’re not listening to these folks, you should. Catch up on past installments here.

Delbert McClinton

Fear not, this is no obituary; Delbert McClinton is still around, a mere stripling of 84. Still, given that it’s been three years since his last album and more since he toured, I’d hate to have him slip away on me before I got the chance to celebrate him here.

Delbert who? That’s the response from most when I laud McClinton, his name having surprisingly little traction despite a career as long as my entire life. To answer the question, he’s a good ol’ boy from Lubbock, Texas, with a laissez-faire attitude to genre type-casting. Many of his records went top 20 positions in the US blues and country charts at the same time. We first heard of him playing his distinctive harmonica riffs on Bruce Channel’s “Hey, Baby.” In 1962! (That year he toured the UK with Channel; the Beatles were their opening act, and John Lennon famously got some playing tips from McClinton that he put to use on “Love Me Do.”)

That wasn’t even where McClinton began. He played Texas bar-bands from his teens, backing some of the blues legends then still on the road — Sonny Boy Williamson, Howlin’ Wolf, Lightnin’ Hopkins just to name a few. A hit with his own band, the Ron-Dels, “If You Really Want Me To, I’ll Go”, came in 1965, followed by a three-year partnership with Glen Clark, 1972-5, before striking out on his own. He was nominated for eight Grammy awards and won four — not too shabby. And let’s not forget his own songwriting, something he may even arguably be better known for. Emmylou Harris’s “Two More Bottles of Wine” was his, as well as many others that led to his 2011 indictment in the Texas Heritage Songwriters Hall of Fame.

But it is his gravelly, gritty renditions of the songs of others that we celebrate today, vocals that sound they have spent years in the saddle, ahead being trampled underfoot in a bar brawl, buried and then brined for posterity. Imagine a mix of Johns Fogerty and Hiatt, gargled with a sandpaper side, and you pretty much have it. A laryngologist’s nightmare, and perfect for his tramples over blues, country and rock and roll.
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Oct 142024
 

In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!

On their 1985 hit “King of Rock,” the future Reverend Run declared: “As one def rapper, I know I can hang/I’m Run from Run-DMC, like Kool from Kool & the Gang.” In retrospect, it seems only fitting that the group that helped bring rap to the mainstream would namecheck Kool & the Gang on one of their biggest hits. Kool & the Gang’s multi-instrumental fusion of rock, pop, R&B, funk and disco, provided the backbone for modern rap. As of this writing, the website WhoSampled.com lists 2053 known samples of their music, and the number will only keep growing.

But I’m getting ahead of myself. If you went to a party, dance or club in the ‘70s and ‘80s, odds are that Kool & the Gang was booming through the speakers. Whether you were from New York or Hollywood and wanted to “Celebrate and have a good time,” “Get down on it,” “Get up with the get down,” “Go dancin’,” or perhaps “Reggae dancin’,” they had a song for seemingly every type of occasion. Even today, it’s rare to attend any life milestone event (wedding, bar mitzvah, etc.) and not hear their good-time anthem “Celebration.”

Though the group has not recorded many covers throughout their long career, cover songs were an important part of the band’s origin story. The band was founded in the mid-‘60s in Jersey City, New Jersey by a group of child jazz prodigies that included brothers Ronald and Robert “Kool” Bell. Performing under various names, they got their start playing bars, clubs and events throughout New Jersey in the ‘60s as teenagers. In a 2023 interview with Questlove, drummer George Brown said that would often perform the hits of the day to win over the crowd. It’s a not-uncommon story for many of the world’s greatest rockers.

One can hear elements of these origins on their early albums. Singing with Dee-Lite Records in 1969, the band included a handful of covers on their first few releases. Listening to these songs now, on the eve of the band’s long-overdue induction into the Rock & Roll Hall of Fame, provides a fascinating glimpse into their virtuosity as musicians. One can hear elements of just about every style of popular music from the late ‘60s and early ‘70s. It’s easy to imagine them as members of the house bands at Motown or Muscle Shoals.

In their early years, the band were masters at emulating other people’s music, even if they had not quite found the sound that would make them superstars. Listen to their past, and you’ll hear why their future was indeed a “celebration to last throughout the years.”

Author’s Note: The group would later release a Christmas album in 2013 that contained several covers, but we’ll save that for another time and instead focus solely on the early years.

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May 232024
 
slash demi lovato

Slash’s latest album is called Orgy of the Damned. As befits an elder statesman of the field, he has been able to call in some good friends to fill out his blues and soul tinged recording. The latest single release is his version of “Papa Was A Rolling Stone,” with Demi Lovato providing vocals and added emotional heft. Continue reading »