May 072020
 

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song

Golden Brown

I remember the joy with which I first heard “Golden Brown” by the Stranglers. It sounded nothing quite like anything going on in the charts at the time: a harpsichord and a hypnotic, repetitive melody, played in peculiar and shifting, almost conflicting, time signatures. Then a gentle crooning vocal, singing about… well, what was it about?
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Feb 212020
 

Cover Classics takes a closer look at all-cover albums of the past, their genesis, and their legacy.

Strange Little Girls

Wham, Steely Dan, Bette Midler, Bill Withers, Rihanna, Led Zeppelin, Madonna, Eagles, the Stones – Tori Amos has covered ’em all, and anyone and everyone left in between. (OK, maybe except maybe boybands – it wouldn’t surprise me if she tackled, say, “Back For Good” at least somewhere live, but I couldn’t find it in the pages and pages and pages of YouTube Tori Covers links.) Not necessarily successfully every time, it’s true, but always challengingly and usually well worth the ride.

Despite this evident love for the songs of others, Amos has officially issued only the one covers project, such is her own prolific muse, with well over a dozen discs of her own. (There’s also Midwinter Graces, a festive album with several traditional songs, and Night of Hunters, reimagining several classical pieces of inspiration to her over her years, but they don’t really count as cover albums.) Strange Little Girls, which came out in 2001, had a specific intent. Rather than a outpouring of personal favorites, this was a procession of songs delineating a masculine view of the world. By men and about men. With Amos’s acknowledged feminist opinions and activism, this was a deliberate stance, with the aim of subverting them and offering a female perspective thereto.
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