Dec 182014
 

Follow all our Best of 2014 coverage (along with previous year-end lists) here.

A few months ago, I read an interesting interview with an artist named Nouela. You probably haven’t heard of her, but you may have heard her music. She’s become a specialist in a weird but growing niche: covers recorded for movie and television trailers. Whether doing a piano “Sound of Silence” to promote a new HBO show or a brooding “Black Hole Sun” to promote Liam Neeson punching people, she’s found a quickly-growing way of getting her covers out there.

It struck me as part of a growing trend we’ve seen. More and more great covers seem to come from unexpected places. Sure, you’ve got still your standby sources, your b-sides, tribute albums, and radio shows. But new avenues for covers have increasingly crept in. This year saw a Sam Smith cover that is only available to hear under Grey’s Anatomy dialog (thankfully he’s recorded a few live versions too) and a whole covers album recorded to plug a Canadian TV show. Brands have fully embraced covers too, most recently My Morning Jacket’s “This Land Is Your Land” recorded for North Face ads, or Charli XCX and Bleachers trading covers for Kia.

We don’t care where they originated when we make our year-end lists, though, and we would up with some of everything. In our top five alone, we’ve got a live radio session, a deluxe-edition bonus track, and a cover hiding in plain sight on one of the most acclaimed country records of the year. You have to keep an eye on more places than ever to spot the best covers these days. Wherever they come from, we’re glad to have ’em.

Click on over to page two to begin our countdown, and thanks for reading.

– Ray Padgett, Editor in Chief
(Illustration by Sarah Parkinson)

Apr 022014
 

Under the Radar shines a light on lesser-known cover artists. If you’re not listening to these folks, you should. Catch up on past installments here.

When your share your name with a father who’s a member of the Country Music Hall of Fame… when you grew up living next door to George Jones and Tammy Wynette… when you have Shel Silverstein for a mentor… a life in the music business would seem preordained. That’s what Bobby Bare Jr. has made for himself, from duetting with his father in 1973 to selling t-shirts and working lights at concerts to becoming a full-time musician when he was about thirty. It’s been a hard life [the documentary Don’t Follow Me (I’m Lost) follows him and his band down the long road of touring], but it’s paying off. This year alone he stole the show at SXSW’s Lou Reed tribute with his take on “Oh! Sweet Nuthin’,” and he released his very first cover of a song of his father’s, “Shame On Me,” saying that he “figured after 8 of my own albums I can’t be accused of ‘coat tailing’ at this point.”
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Mar 172014
 

The last time we mentioned Twin Shadow aka George Lewis, Jr., he was performing Lou Reed’s “Perfect Day” just one day after Reed’s death. He did it well enough for it to be named one of Cover Me’s favorite songs of 2013. Now he’s back and performing another throwback in the form of The Smiths‘ “There is a Light That Never Goes Out” for his monthly UNDER THE CVRS series. Continue reading »

Nov 152013
 

When Matthew Sweet and Susanna Hoffs recorded their first Under the Covers collaboration, they were surprised that it was released with the subtitle “Vol. 1.” Whatever genius at the Shout! Factory label chose to do that deserves a raise and a promotion, as it led Sweet and Hoffs to record two more volumes. Where Volume 1 consisted of songs based in the ’60s, and Volume 2 was made up of ’70s songs, Volume 3, released this week, is all about the ’80s, the decade when Hoffs came of age as a musician and Sweet wasn’t far behind.
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Sep 182013
 

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

Years ago, we said that the Smiths’ “There Is a Light That Never Goes Out” might be a good candidate for the Five Good Covers department. Today, finally, we’re following through. Partly to atone for the delay, and partly because of the ridiculously high number of quality covers out there, we’re throwing in an extra three covers this time. Think of them as bonus tracks of what’s arguably the quintessential Smiths song.
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Mar 282013
 

Just because Morrissey just cancelled a slew of shows due to illness doesn’t mean you can’t get your daily Moz fix in a different way. Ballerina Black, a band that describes its sound as “Driving Mope-Rock” and “Grave-Wave,” covered “The Queen Is Dead,” from The Smiths‘ eponymous album, and we think Morrissey would be pleased with it (or whatever Morrissey’s equivalent of being pleased is.) Continue reading »