Aug 052020
 

Welcome to Cover Me Q&A, where we take your questions about cover songs and answer them to the best of our ability.

a cappella cover

Here at Cover Me Q&A, we’ll be taking questions about cover songs and giving as many different answers as we can. This will give us a chance to hold forth on covers we might not otherwise get to talk about, to give Cover Me readers a chance to learn more about individual staffers’ tastes and writing styles, and to provide an opportunity for some back-and-forth, as we’ll be taking requests (learn how to do so at feature’s end).

Today’s question: What’s a favorite a cappella cover?
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Jun 082020
 

They Say It’s Your Birthday celebrates an artist’s special day with covers of his or her songs. Let someone else do the work for a while. Happy birthday!

Nancy Sinatra covers

Nancy Sinatra, ‘60s pop icon and elder daughter of Frank Sinatra, celebrates her eightieth birthday today! To celebrate, we’ll swing, baby, through some of her biggest hits. But before we dig in, let’s take a look at the impact she’s made as an artist in her own right.

Sure, it helped being the daughter of the most famous entertainer of all time, but Nancy’s bona fides are legitimate. She charted 21 Billboard Hot 100 singles between 1965-72 and added multiple high-ranking exposures for many of those songs on Adult Contemporary and Country charts; one of those coming as late as 1981. Along the way, she became the epitome of feminine cool by co-starring in films with Elvis Presley and Peter Fonda, singing a Bond theme, even appearing in Playboy as a 50-something. Although her music output has slowed, she continues to consistently release new and remixed material. For the past 13 years she’s heard weekly on SiriusXM’s “Nancy For Frank” show with 3-hour episodes on the Siriusly Sinatra channel.

But it was in early 1966 when Nancy, and eventual longtime collaborators Lee Hazlelwood and Billy Strange (now both deceased), really cemented her pop legacy. “These Boots Are Made for Walkin” (included on her debut studio album “Boots”) went to #1 on US, UK, and worldwide charts. The song – supported with one of the earliest examples of a music video – has been credited with ushering in the era of woman in rock & roll. And for nearly 55 years, the prevalent themes of independence and free thinking – which never seems to wane – have sustained its popularity in pop culture!

So, with that… are you ready, boots? On this birthday, let’s start walking–right over to Nancy’s biggest hits…

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Feb 142017
 

Welcome to Cover Me Q&A, where we take your questions about cover songs and answer them to the best of our ability.

sean

Sean Balkwill makes his home in North Carolina. He’s been writing for Cover Me since 2013, and has also served as the site’s art director. Of all his Cover Me essays, he especially likes his pieces on Glen Hansard and the Replacements, both of which feature Sean’s artwork.

When I thought of the idea of writing about the personal connection to cover songs, I thought it would be great to also extemporize on the question, “What is a cover song?” So I’ve decided to write about a list of songs that changed the way that I looked at cover music itself, both on a personal level and on a wider trek to define what a cover song is. Here’s my thoughts…
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Aug 052016
 

Full Albums features covers of every track off a classic album. Got an idea for a future pick? Leave a note in the comments!

beatles-revolver

Fifty years ago today, the Beatles’ best album was released. It can be argued that Sgt. Pepper is their greatest album, and Abbey Road could be considered their most accomplished, but all things considered, nothing is better than Revolver.

Revolver saw three of the Beatles on hot songwriting streaks: John exploring his LSD-infused mind; Paul excelling at each genre he tried; George growing by leaps and bounds. Ringo’s contributions were nothing to sneeze at, either, with his work on “She Said She Said” frequently singled out as some of his best drumming. Let’s not forget producer George Martin and teenaged engineer Geoff Emerick, turning the studio into a laboratory to experiment in.

Combine all these talents at their most creative, innovative, and adventurous, and it’s no wonder Revolver left the rock and roll world frantic with wonder at how they could catch up to this landmark. Half a century later, they’re still wondering.
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Nov 222013
 

Full Albums features covers of every track off a classic album. Got an idea for a future pick? Leave a note in the comments!

November 22, 1963 is a date that resonates with people the world over – not least because it’s the day that both Aldous Huxley and C.S. Lewis passed away – but it’s an important date in the music world too. It was on this day, fifty years ago, that the Beatles released their second album, With the Beatles. Certainly that date resonated with the Beatles – they released the White Album five years later to the day, and that was no coincidence – and the music they released on that fateful day had proven to resonate just as long.
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At the Movies

 Posted by at 3:00 pm  3 Responses »
Mar 082010
 

The Academy Awards were last night. The competition was fierce, the dresses were stunning, the upsets were upsetting, the…alright, I admit, I tuned out after fifteen minutes. What I do know is that for the first time the Oscars removed the live musical performances from the show, killing the one enjoyable part about the whole thing. So instead we’ll bask in nostalgia with covers of ten classic movie themes.


Steve Tyrell w/ Dr. John – You’ve Got a Friend in Me (Randy Newman)
Randy Newman’s been nominated for an Oscar 19 times. That’s three more than Meryl Streep, who holds the acting record. The Academy always seems to figure they can give it to Randy next year though, since he’s only won once. Last night he lost. Again. Twice. Though it didn’t win in its day either, “You’ve Got a Friend in Me” from Toy Story is surely Randy’s most enduring movie song, and the only one he ever touches in concert. [Buy]

Phish – Also Sprach Zarathustra (2001: A Space Odyssey)
Phish has done this one many times, its epic scope making it a good vehicle for extended jamming. This nine-minute version comes from Brooklyn’s Keyspan Park in 2004. Maybe someone who knows more about Phish than I do can tell us how it stacks up compared with other performances. [Buy]

Surf Champlers – “James Bond” Theme (Monty Norman)
Surf Champlers is a project by Kenji Yano, a Japanese musician who combines the traditional katcharsee style of music from his home of Okanawa with modern styles. Like surf. [Buy]

Kuricorder – The Imperial March (Star Wars V: The Empire Strikes Back)
This song make you wonder why they didn’t do the whole Star Wars soundtrack with a ukulele, tuba and recorder. Off the Ukulele Star Wars Aloha Force album, a comp I’m glad exists. [Buy]

Tito Rodriguez – Theme from “The Apartment” (Charles Williams)
Puerto Rican singer and bandleader Tito Rodriguez gives the theme from this 1960 Billy Wilder flick. Fun fact: Rodriguez has got to be the only non-rapping musician whose Wikipedia page includes a section titled “Feuds.” [Buy]

The Smithereens – Batman Theme (Neil Hefty)
I caught the Smithereens last week, but sadly it was a Who tribute show so no Batman (or Tommy, which is strange, since they dedicated their most recent album to Tommy covers). This Batman comes packing: with drum solo. [Buy]

Tenacious D – Flash’s Theme (Queen)
Posted this one back in our tribute to Queen, but the link’s down so no harm in another go. I still can’t believe they allowed such an absurdly theatrical song to soundtrack an action movie. The video’s even better. [Buy]

Van McCoy – Theme from “Shaft”/Lara’s Theme (Isaac Hayes/Maurice Jarre)
From 1962 through his death in ’79, Van McCoy penned hits for the Shirelles (“Stop the Music”), Gladys Knight and the Pips (“Giving Up”) and himself (“The Hustle”). An accomplished conducter, McCoy here leads some group billed as his “Magnificent Movie Machine” through disco-fied hits. [Buy]

Socci and Pency – Lux Aeterna (Requiem for the Dream)
No question, Clint Mansell and the Kronos Quartet’s soundtrack for Requiem for a Dream has to be on a shortlist for best film scores soundtracks of the past decade. It’s unsettling as hell, making you want to cry even as it sends shivers down your spine. This acoustic guitar duet does justice to several of the film’s motifs. [Buy]

Xentrix – Ghostbusters (Ray Parker, Jr.)
This thrash metal quartet’s take on the classic 1984 call and response is predictable loud. Who you gonna call? [Buy]