Dec 172021
 

Follow all our Best of 2021 coverage (along with previous year-end lists) here.

best cover songs of 2021

To come up with our year-end list, we listened to thousands of covers.

That’s not an exaggeration, or loosely throwing around “thousands” for effect. My iTunes tells me I personally listened to and rated 1,120 new covers in 2021. And I’m just one of a dozen people here. Many of those thousands of covers were very good! But “very good” isn’t good enough for our annual year-end Best Cover Songs list. So when we say these 50 are the cream of the crop, we mean it.

They, as usual, have little in common with each other. A few tie into current events: Artists we lost, social justice concerns, live music’s fitful return. Most don’t. But does a doom metal cover of Donna Summer really need a reason to exist? How about African blues Bob Dylan, New Orleans bounce Lady Gaga, or organ ballad Fleetwood Mac? Nah. We’re just glad they’re here.

So dive into our countdown below – and, if you want us to send you a couple hundred Honorable Mentions culled from those thousands, join the Cover Me Patreon.

– Ray Padgett, Editor in Chief

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Sep 302021
 
best cover songs of september
Beyoncé – Moon River (Mancini/Mercer cover

Any month with a new cover by Beyoncé is a big month. Admittedly, her piano-crooning “Moon River” like so many others have piano-crooned “Moon River” – and for a Tiffany’s ad no less – is slightly underwhelming. But we’ll take what we can get, and, even if the approach is hardly novel, Beyoncé’s got the pipes to deliver. Continue reading »

Aug 312021
 
best cover songs august
Brandi Carlile – We Belong (Pat Benatar cover)

Cheating a little as we missed this one in July, but if you too haven’t heard the acoustic “We Belong” Brandi’s been playing on tour with The Twins, it will be worth the wait. “We belong together” takes on a whole new meaning as we (try to) come out of quarantine. Continue reading »

Aug 272021
 

In Memoriam pays tribute to those who have left this world, and the songs they left us to remember them by.

Charlie Watts

“Charlie’s good tonight, inn’ee?”

That classic line from Mick Jagger, as heard and lifted from the early Rolling Stones live opus Get Yer Ya-Yas Out!, is a phrase that has always lasted and lingered, not least because it was unmistakably so true. Charlie was always good tonight, his sense of swing a failsafe metronome over the fifty-plus years of the band. A jazz man by preference, his kit dwarfed by the kits of most of his contemporaries, he was forever the lynchpin at the back, always making sure his band was the greatest rock and roll band in the world.
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Jul 052021
 
Cream band

It’s supergroup week at Cover Me!

What’s a supergroup, you ask? Well, it’s a bit of a fuzzy concept, but the idea is that a supergroup is a musical endeavor that is made up of folks who have previously established their musical prowess in other contexts. It’s the opposite of when groups split up to go solo. Supergroups provide an interesting way to track the networks of musicians, and they also lend some insight into the creative motivations of musicians who have already struck it big but are looking for a change of pace. Sometimes famous solo musicians join forces; other times bands break up and reform new ones. We’ll see both combinations throughout the week. Today we start off with super supergroup orchestrator Eric Clapton and his multiple (if short-lived) collaborations with friends.

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Jun 212021
 

Dylan LeBlanc PastimesLike many a performer, Dylan LeBlanc spent the pandemic lockdown to good intent, producing Pastimes. This six-song EP consists entirely of covers, songs that have “inspired him musically and spiritually,” drawing back, as they do, on his childhood and the music he was exposed to by his father, a jobbing Nashville songwriter. Father and son spent Dylan’s teenaged years in the Nashville clubs, where LeBlanc senior was plying his trade as a writer and session man. And one, I might say, with a mighty fine taste in music.

Self-produced in Muscle Shoals, the performances on Pastimes are all live in the studio, with sympathetic backing from a mix of musicians, guitars, keyboards, steel and, gloriously, a string quartet. Strings can often over egg the work of sensitive singer-songwriters, the label most often attached to LeBlanc, but here they complement and complete the arrangements delightfully. These are not dramatic reframings of largely well-known songs; rather, these fall more into loving recreations, the respect for the songs–and, by default, the authors–hugely evident.
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