Mar 262021
 

In Memoriam pays tribute to those who have left this world, and the songs they left us to remember them by.

Last summer I was crushed by mail at my job as a mail carrier, at a time when everyone was ordering Amazon as they stayed at home. I was further flattened by a boulder with the news that Justin Townes Earle had passed away at the age of 38. The headline went by in a blink, like all the news last year, and although I had hoped to write about his career, full of a multitude of covers from several genres, a 100-year pandemic event of mail turned into a 100-year event of election mail, and then a 100-year event of Christmas packages. My timely tribute was not meant to be.

Earle, like all prodigies with musical DNA, was often compared to his father. Some wanted to compare the similarities of their Americana music, while others wanted to highlight the differences, such as JTE’s penchant for wearing traditional bluegrass suits on stage. I sometimes wonder if he defied comparisons on purpose, dressing in a summer suit while dropping f-bombs in a plethora of raunchy realness. But anyone that heard them would never confuse the two.

Earle was the latest victim in a slew of high-profile opioid deaths. Prince. Tom Petty. Jay Bennett of Wilco. After JTE died, Steve Earle came out with a tribute album of his son’s songs, heartbreaking evidence that the father defied the devil’s bookies and outlived the son.

The people who give us joy are suddenly ripped away. But in JTE’s case, some of that joy was recorded on camera. Here, on the ninth anniversary of the release of his album Nothing’s Gonna Change The Way You Feel About Me Now, let’s take a look at some of his best covers.
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Jan 062021
 

Under the Radar shines a light on lesser-known cover artists. If you’re not listening to these folks, you should. Catch up on past installments here.

Shaye Zadravec

It’s a tradition as old as Cover Me. We put together our posts for the year’s best covers, and not 48 hours after our post is finalized, a cover crosses our radar that absolutely would have made the list had we only heard it just a few days earlier. It’s frustrating, but at least we’re in a position where we can still spread the word.

For me, 2020’s woulda-coulda-shoulda song was “Skyway” by Shaye Zadravec, from her cover album Now and Then. She’s a new name to me, but in Calgary she’s been performing for almost a decade, getting the attention and mentorship of Ian Tyson (“Four Strong Winds”) and Chip Taylor (“Wild Thing,” “Angel of the Morning”) in the process. Catch her here while her star is still ascending.

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Mar 122019
 
Better Oblivion Community Center covers

Hot on the heels of her much-acclaimed boygenius trio last year, buzzy singer-songwriter Phoebe Bridgers has teamed up with Bright Eyes’ Conor Oberst for yet another supergroup. Calling themselves Better Oblivion Community Center, the pair just kicked off a tour supporting their self-titled album. They debuted a couple killer (no pun intended) covers at their first shows, tackling the Replacement’s “Can’t Hardly Wait” and the Killers’ “Human.” Continue reading »

Mar 092018
 

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

It is somewhat ironic that most people know only one song by The Only Ones— “Another Girl, Another Planet.”  Originally released in 1978, it received minimal airplay and attention, but its reputation has grown exponentially over the years.  The Allmusic review of the song asserts that it is “arguably, the greatest rock single ever recorded.”  Of course, people will “argue” about anything, and choosing “Another Girl” as the greatest rock single ever is a bit of a reach, but you have to give the reviewer his due for taking a stand.  It is a great song, and it is fitting that it ultimately received the acclaim that it deserved.

The Only Ones formed in London in 1976, led by distinctively anguished vocalist and songwriter Peter Perrett joined by guitarist/keyboard player John Perry, Alan Mair on bass, and drummer Mike Kellie.  Featuring strong songwriting by Perrett and surprisingly (for punks of the era) competent playing by the band, they self-released a single, “Lovers of Today.” It sold well enough that a bidding war broke out among major labels looking for the next big thing. Continue reading »

Nov 102017
 
best covers 1987

Last year I did a roundup of the Best Cover Songs of 1996. It was a fun project to retroactively compile one of our year-end lists for a year before Cover Me was born. I wanted to do it again this year, but continuing the twentieth-anniversary theme with 1997 seemed a little boring. Turns out 1997 also featured a bunch of Afghan Whigs covers.

So to mix it up, I decided to go a decade further back and look at 1987. Needless to say, the landscape looked very different for covers. For one, far more of that year’s biggest hits were covers than we saw for 1996. The year had #1 cover hits in Heart’s “Alone,” the Bangles’ “Hazy Shade of Winter,” Los Lobos’ “La Bamba,” Tiffany’s “I Think We’re Alone Now,” Club Nouveau’s “Lean on Me,” and Kim Wilde’s “You Keep Me Hangin’ On.” Plus ubiquitous hits that didn’t quite top the charts, but remain staples of the songs-you-didn’t-know-were-covers lists, Buster Poindexter’s “Hot Hot Hot” and George Harrison’s “Got My Mind Set On You.” Continue reading »

Jul 262017
 

Welcome to Cover Me Q&A, where we take your questions about cover songs and answer them to the best of our ability.

Here at Cover Me Q&A, we’ll be taking questions about cover songs and giving as many different answers as we can. This will give us a chance to hold forth on covers we might not otherwise get to talk about, to give Cover Me readers a chance to learn more about individual staffers’ tastes and writing styles, and to provide an opportunity for some back-and-forth, as we’ll be taking requests (learn how to do so at feature’s end).

Today’s question: What’s your favorite Disney cover?
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