Oct 272023
 

‘The Best Covers Ever’ series counts down our favorite covers of great artists.

Velvet Underground and Nico

On October 27, 2013, ten years ago today, Lou Reed died. I happened to be in New York City at the time, and his passing was a lead story on the 11 o’clock news. It was as though a part of the city itself had died. Which, inescapably, it had. Reed embodied NYC, from its seedy back rooms to its secret heart, in a way few other people, let alone musicians, ever did.

While Reed’s solo career is highly and deservingly accoladed, it still got overshadowed by the Velvet Underground. Reed’s first band featured Welsh musician John Cale, guitarist Sterling Morrison, and drummer Maureen Tucker, with Nico singing on the first album and Doug Yule replacing Cale in 1968. The band’s four studio albums started ripples that turned into tsunamis; they went from secret-handshake status to Hall of Fame giants, their influence right up there with the Beatles.

We’re honoring Lou and Company with this collection of covers. Some covers couldn’t hold a candle to the original (you’ll find no “Heroin” here), but many of the originals were receptive to another artist’s distinctive stamp. Whether you prefer the first or what followed, you’ll hear the sound of immortality as it opens yet another path of discovery.

–Patrick Robbins, Features Editor

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Sep 302021
 
best cover songs of september
Beyoncé – Moon River (Mancini/Mercer cover

Any month with a new cover by Beyoncé is a big month. Admittedly, her piano-crooning “Moon River” like so many others have piano-crooned “Moon River” – and for a Tiffany’s ad no less – is slightly underwhelming. But we’ll take what we can get, and, even if the approach is hardly novel, Beyoncé’s got the pipes to deliver. Continue reading »

Aug 052015
 
ramonesweek

Full Albums features covers of every track off a classic album. Got an idea for a future pick? Leave a note in the comments!

rocket-to-russia

Now, this’ll be a straight walk-off, old school rules. First model walks; second model duplicates, then elaborates. – David Bowie, Zoolander

If Ramones was the Ramones setting the pace, and Leave Home was them duplicating it, then Rocket to Russia was the moment where the Ramones refined their musical approach to an absolute peak. They had perfected their loud fast rules, and were able to expand on them without abandoning them. They varied their tempos, landing hooks with their slow songs just as easily as with their fast ones. They sounded better than ever, with a production budget nearly twice as much as that of their first two albums combined. And they did two cover songs instead of their usual one.
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