Jan 032025
 

Rarely Covered looks at who’s mining the darkest, dustiest corners of iconic catalogs.

What a great year 2024 was for The Police!

No, they didn’t reform. And no, we’re not talking about yet another cover of “Every Breath You Take,” to add to the 358 already made by the likes of Andy Williams, Sacha Distel, Shirley Bassey, and Dolly Parton. We’re not even talking about the 137th cover of “Roxanne,” to complement those by George Michael, Aswad, and terrible a cappella group The Flying Pickets. Instead, we’re talking about all three ex-members of the mighty new-wave band having been out on the road and performing live sets sprinkled with revitalized versions of Police tracks, to remind us of the remarkable range of their iconic catalog.

That man Sting? The ex singer, bassist, and chief songwriter of the group, who went on to occasional–shall we say?–po-faced solo stardom in his liking for lutes, madrigals, and live albums from his Italian villa? He performed Police songs, at places like the Wiltern in LA, with just one killer guitarist (Dominic Miller) and one killer drummer (Chris Maas), and sounded more urgent and more rock than he had in ages. He tore into era-defining favorites like “Can’t Stand Losing You” and “Message in a Bottle,” but also “Driven to Tears” and “Reggatta de Blanc”!

Guitarist Andy Summers? He performed intimate solo gigs at venues like Le Poisson Rouge in New York, armed with “Roxanne” and “Spirits in the Material World,” but also “Tea in the Sahara” and “Bring on the Night.” And drummer Stewart Copeland? He put on “Police Deranged for Orchestra” shows at such opera houses as Teatro degli Arcimboli in Milan, with renditions of “Walking on the Moon” and “King of Pain,” but also “Murder by Numbers” and “Walking in Your Footsteps.”

So, no, we’re not here today to discuss a country legend putting her spin on a song about sexual possessiveness and stalking, which is seemingly up there with “Happy Birthday to You” in terms of social ubiquity and popularity (as fun as that may be). We’re here, instead, to reflect Sting and co.’s own dusting down of some lesser known–yet still essential–Police tunes by concentrating on the acts that have dug deep into their catalog to bring us compelling covers of tracks from “O My God” to “Once Upon a Daydream” and “Behind My Camel.” We’re all about the artists who’ve reinterpreted the instrumentals, the early songs, the deep cuts, and the B-sides, in celebration of the punk- and reggae-inspired power-trio brilliance of the band in their blond-haired 1977-83 pomp.

Come, then, on an alternative journey though Policedom that takes in Seattle rock legends, a German dub act, ex-thrash-metal heads, ex-Lemonheads, and, actually, an a cappella group. A good one!
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Oct 302023
 

Cover Classics takes a closer look at all-cover albums of the past, their genesis, and their legacy.

Songs from the Last Century

I imagine there are more than a few readers for whom George Michael might come under the heading of guilty pleasure. Maybe that’s why it’s taken as long as it has for him to be enrolled, and rightfully, into the Rock & Roll Half Fame. Guilt or no guilt, let’s just pause and admit that he really was one of the most creative interpreters of song we have had, as well as writing a fair old number of quality bangers himself. Yes, some of it may well have been somewhat wispy and ephemeral–most great pop music is–but I defy anyone not to have had a sly, secret bop to “Club Tropicana” in the comfort of their own kitchen.

I could certainly never really admit to loving Wham! at the time, but I sure as hell admired them. Later, as a solo artist, when it seemed Michael was the desire of all our wives and girlfriends, yes, it became a little harder. But, if anything, the quality of his own songs improved exponentially, until it would be only a curmudgeon who could deny his true talent. As his life, and its myriad difficulties, unraveled, that “local color” gave him, in the ridiculous way fame works, a greater credibility, and his untimely death gave even more. Add in the legion stories of his kindness to strangers, and we have all the trappings of a modern legend. Imagine had he lived.

Songs From The Last Century, Michael’s cover album, came out in 1999. He released it at a time when his powers were arguably at his peak, following a run of chart-topping releases, Faith, Listen Without Prejudice (Volume 1) and Older, at least in his homeland. (In the US he had had to be satisfied with numbers 1, 2 and 6, respectively, ultimately very good listings for an artist seen largely as a singles specialist.) By his standards it was a flop, only managing a UK number 2 slot. For some reason, the American market did not take to it all, it getting only as far as a lowly 157, perhaps giving some concern to his management. Not to worry: five years later, Patience returned him to the top spot at home, and 12 in the US.
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May 282021
 

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

Roxanne covers

More red lights have been put on (or off, to be fair to the lyric) by “Roxanne” than you might imagine, and in as many shades you can imagine, varying from a lightly tinted rosé to a deep oaky claret. One of the most instantly recognizable songs of the Police canon, surprisingly few of the well over a hundred “Roxanne” covers listed on Secondhand Songs recreate the reggae-lite of the original. Whilst that might seem surprising, it shouldn’t be, as the song, stripped of the staccato chops of Andy Summers’ guitar, has a solid construction that translates well across many styles. Continue reading »

Feb 122020
 

In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!

Michael McDonald

When it comes to cover versions, blue-eyed soul man extraordinaire and erstwhile Doobie Brother Michael McDonald (who turns 68 years old today) has primarily focused on the beautiful, ineffably perfect Motown canon, recording two albums solely dedicated to the label, Motown and Motown Two. Both were enormously successful and reignited a career which had pretty much flatlined through the entirety of the nineties. After the success of those two albums, he decided to push the boat out a little further and so in 2008 released Soul Speak, an odd mix of old rock classics and Stevie Wonder tunes with a few new originals added in for good measure. It could best be likened to one of the Rod Stewart standards albums, but for cooler people (Sorry, Rod, but… yeah).

Conversation regarding McDonald’s performances on these three albums has been well-trod at this point, and while they undeniably feature some real highlights, facts are facts: some of McDonald’s best and most eclectic covers have been of the one-off variety. The selections below run the gamut from traditional reverence to joyfully weird and are all 100% McDonald.
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Dec 132019
 
best cover songs of 2019

In 2019, Cover Me wrote about more new covers than in any year in our 12-year history. I know; I checked the numbers. Our News team wrote amazing stand-alone stories on sometimes tight deadlines, adding context and research beyond “here’s a new cover” quickie. Plus, we rounded the best of the best into monthly 30+ lists, and added even more for supporters of our new Patreon. Even our Features team, who ostensibly couldn’t care less whether a cover came out last month or last century, seemed to be constantly finding new things to slip into their deep dives.

The point here is not to toot our own horn… well, that’s not entirely the point. What I want to do is emphasize just how high the bar to appear on this list has been set. Calling these covers great almost does them a disservice. There were way more than 50 great covers in 2019. In fact, we’ve already got 150 more bonus tracks lined up for Patreon supporters (which, I know I mention it a lot, but it’s how we keep this site afloat, so please consider supporting us if you like what we do). Honestly, we could throw all of the above in the trash and still come up with a pretty impressive batch of 2019 covers. But these 50 below – these are the cream of the crop, the belles of the ball, the toppermost of the poppermost.

You won’t agree. I guarantee it. As you go through this list, there will be at least one cover you hate. Maybe more than one. And if you followed cover news yourself this year, you’ll probably be outraged when a personal favorite placed too low, or didn’t make it at all. Great! That’s the beauty of these lists: It’s all opinion. Extremely educated opinions in our cases – I can pretty much guarantee that we collectively listened to more 2019 covers than any other site out there – but opinions nevertheless. So dive in and discover something new. Then help us discover something new by adding your own favorites in the comments.

– Ray Padgett, Editor-in-Chief

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Dec 112019
 

Follow all our Best of 2019 coverage (along with previous year-end lists) here.

best tribute albums 2019

With their surprise success “Africa,” Weezer delivered easily the biggest cover-song news of 2018. And they similarly seemed poised to dominate this year’s cover-album news when they dropped a full set of similar songs in January (that album’s not on our list, because it is – and I say this as a fan for going on 20 years – terrible).

Thankfully, that album got forgotten about five minutes after its release. A slate of other high-profile cover albums took its place, and delivered more staying power. Angelique Kidjo, Morrissey, and Juliana Hatfield all released covers albums, and a host more stars contributed in one way or other to tribute compilations, from Norah Jones and Margo Price covering Bobbie Gentry to Courtney Barnett and Kurt Vile tackling Wilco. Some of the aforementioned made our list and some just missed it, but all are worth investigating.

That’s to say nothing of the many lesser-known artists who came out of nowhere, amazing covers records by bands and singers I’d never heard of before. Covers albums can offer a wonderful entry point for discovery, and I’ve now got a lot of new favorite bands to dig deeper into. Hopefully you’ll find a few here too.

– Ray Padgett, Editor-in-Chief

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