Jan 142022
 

Cat PowerAt this stage of her career, Chan Marshall, a.k.a. Cat Power, is as arguably well known for her cover versions as her own songs. Covers is her third dedicated album thereto (we’ve looked at the first two before), with a scattering more across the rest of her other output. When other artists reach their third such collection, whispers carry that this may be a sign of fading inspiration. If Marshall’s covers were just a stack of facsimile copies, cut’n’pasted from the usual culprits, possibly that worry could carry some weight for her as well. But Marshall has long since stopped having to defend her love of remorphing and remolding the songs of others, oft citing that being her approach, anyway and as well, to her own songs. It is only recordings that are ever frozen in time and space, and most performers with any lasting legacy are constantly rewriting and revising, a view we heartily here endorse. And, as if to underline that, one of the “covers” here is of one of her old songs, “Hate,” here newly named as “Unhate.”

So what do we get here? Twelve songs, from this century to just over halfway through the last, from artists some celebrated and some surprising, taking no heed of genre or expectation in the songs chosen. So Frank Ocean sits alongside Nick Cave, Shane McGowan with Lana del Rey, with Billie Holiday and Kitty Wells (Kitty Wells, fer chrissakes!) for good measure. Plus, as if deliberately to contradict my earlier comment, there is even a cover of Jackson Browne’s surely by now overly frequently presented “These Days.”
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Oct 082021
 
Cat Power Covers

Throughout indie rock’s ascendance in the ‘00s, Cat Power (a.k.a. Chan Marshall) was one of the foremost musicians to keep the flame of cover songs alive. Marshall’s epic pair of cover LPs in that decade, 2000’s The Covers Record and 2008’s Jukebox, were luminous and sharp — featuring pointed, personal interpretations of the likes of Smog, The Velvet Underground, Bob Dylan, James Brown, alongside legends of blues. While the albums may not have had an outsized impact (Marshall was often keen to deliberately tone her versions down, cooling the temperature and sitting back in the groove), both were brilliant vehicles for her evolution as an artist. Looking back, too, her open-hearted approach to interpreting songs of all sorts— commingling rock, folk, blues, punk and classic R&B in the same stew — was a harbinger for the genre-hopping that’s become standard in the years since Jukebox’s 2008 release. It seems only natural now, for example, to cover The Rolling Stones as a solemn dirge; to play a doo-wop classic on autoharp; or to take on Kander & Ebb with a band comprised of leading Memphis soul session players. Continue reading »

Sep 302019
 

Check out the best covers of past months here.

best cover songs september
Anderson .Paak – Old Town Road (Lil Nas X cover)

Given how thoroughly “Old Town Road” dominated the summer – the longest-reigning Billboard #1 in history, for those under-a-rock-dwellers among you – it seems shocking that it took until now for the first truly great cover to emerge. Less shocking: that it came from rapper/singer/drummer extraordinaire Anderson .Paak. Back in May, he performed a more straightforward version with Lil Nas X himself, but for BBC’s Live Lounge he and his band The Free Nationals reinvented it into a soul groove with shades of D’Angelo. Continue reading »

Nov 102017
 
best covers 1987

Last year I did a roundup of the Best Cover Songs of 1996. It was a fun project to retroactively compile one of our year-end lists for a year before Cover Me was born. I wanted to do it again this year, but continuing the twentieth-anniversary theme with 1997 seemed a little boring. Turns out 1997 also featured a bunch of Afghan Whigs covers.

So to mix it up, I decided to go a decade further back and look at 1987. Needless to say, the landscape looked very different for covers. For one, far more of that year’s biggest hits were covers than we saw for 1996. The year had #1 cover hits in Heart’s “Alone,” the Bangles’ “Hazy Shade of Winter,” Los Lobos’ “La Bamba,” Tiffany’s “I Think We’re Alone Now,” Club Nouveau’s “Lean on Me,” and Kim Wilde’s “You Keep Me Hangin’ On.” Plus ubiquitous hits that didn’t quite top the charts, but remain staples of the songs-you-didn’t-know-were-covers lists, Buster Poindexter’s “Hot Hot Hot” and George Harrison’s “Got My Mind Set On You.” Continue reading »

Jul 202015
 
titusandronicus

Titus Andronicus‘s highly-anticipated new double album The Most Lamentable Tragedy clocks in at 29 songs. Amidst killer singles like “Dimed Out” and “Fatal Flow” are 10-minute epics, short hardcore blasts, and a pair of covers: the Pogues‘ “A Pair of Brown Eyes” and Daniel Johnston‘s “I Had Lost My Mind” (they also riff on this one on original track “I Lost My Mind (+@)”. Now you can hear both covers. Continue reading »

Dec 132013
 

Fifty years ago, a covers album wasn’t called a “covers album.” It was called an album. Full stop.

Frank Sinatra, Elvis, Billie Holiday – most albums anyone bought were “covers albums” as we’d think of them today, but that’s not how folks thought of them then. Once the public began putting a premium on singers writing their own songs in the ’60s the concept of course shifted, so that an artist doing a covers album has to be like Michael Jordan playing baseball – an okay diversion but let’s get back to the main event please.

More so this year than ever before though, that pendulum seems to be swinging back in small but meaningful ways to what an album originally meant. More and more artists are releasing LPs saying, this is not my new quote-on-quote “covers album,” this is my new album (that happens to consist of covers). The attitude showcases a confidence and surety of purpose that shows they take performing other peoples songs every bit as seriously as they do their own.

That holds true for both of our top two covers albums this year, and plenty more sprinkled throughout. Which isn’t to knock anyone doing a covers album as a lark, novelty, tribute, or side project – you’ll see plenty of those here as well – but any blurred lines that put a “covers album” on the same level as a “normal” album have to be a good thing.

Start our countdown on Page 2…