Dec 192024
 
en attendant ana fairytale of new york cover

The Pogues‘ “Fairytale of New York” is now a Christmas classic. It has gone platinum many times in the UK, has featured in the UK Top 20 something like 20 times, presumably at Christmas, and it has won some polls as the UK’s favourite Christmas song. Though less commercially successful in the US, the song has still permeated enough that it has become a perennial favorite without charting.

En Attendant Ana (“Waiting for Ana” in English) are a French indie pop band who have put out three albums since 2018. They have a new Christmas single where they cover “Fairytale” and a medley of obscure Christmas songs by ’60s sunshine pop group The Free Design. Despite their twee pop-ish sound, their take on “Fairytale of New York” is pretty controversial. Continue reading »

Nov 062024
 

Welcome to Cover Me Q&A, where we take your questions about cover songs and answer them to the best of our ability.

cover of instrumental

Here at Cover Me Q&A, we’ll be taking questions about cover songs and giving as many different answers as we can. This will give us a chance to hold forth on covers we might not otherwise get to talk about, to give Cover Me readers a chance to learn more about individual staffers’ tastes and writing styles, and to provide an opportunity for some back-and-forth, as we’ll be taking requests (learn how to do so at feature’s end).

Today’s question comes from staff member Tom McDonald:

What’s your favorite cover of a traditional song?

Continue reading »

May 172024
 
bruce springsteen rainy night

Bruce Springsteen has been vocal about his awe in the face of Shane MacGowan’s poetry and lyrics. He visited the ailing star last year, and sent a note of condolence on his passing. For his two concerts in the Republic of Ireland since that date, he performed a classic from the Poguetry in Motion EP, “A Rainy Night in Soho”—first in Kilkenny to open the set, again in Cork last night to close it. Nick Cave sang it at McGowan’s funeral and the song has become an anthem to a fallen soul. Continue reading »

Mar 012024
 
best cover songs february 2024
Annie Lennox — Nothing Compares 2 U (Prince/Sinéad O’Connor cover)

The emotional highpoint of the Grammys—well, other than Tracy Chapman’s return (covers-adjacent!)–was Annie Lennox’s tribute to Sinéad O’Connor during the In Memoriam. Bonus points because she was backed by two longtime bandmembers of Prince (who, of course, wrote the song), Wendy and Lisa. The teardrop on Lennox’s eye was very Prince, and the political statement at the end was very Sinéad. Continue reading »

Feb 082024
 
the scratch Sally MacLennane cover

The Scratch hail from Ireland. Like so many Irish musicians, they were greatly affected by Pogues frontman Shane MacGowan’s death in November. The band had been playing around with a cover of “Sally MacLennane,” an upbeat celtic punk song that was the second single from The Pogues‘ second album. The song’s title is the name of a stout and the song is a celebration of the Irishmen who had to work outside of Ireland. Once The Scratch heard of MacGowan’s death, they decided to start performing the cover live and now they have released a video. Continue reading »

Dec 012023
 

In Memoriam pays tribute to those who have left this world, and the songs they left us to remember them by.

Shane MacGowan covers

No matter how much longer than anyone’s expectations Shane MacGowan may have lived, the news that this polymath contradiction has died still manages to come as a body blow and a shock. Only last week there were sighs of relief, with his being discharged from his Dublin hospital bed, his home for most of the last year, with his wife Victoria citing he was being discharged for Christmas. Clearly it was to die, which he did, in his own bed.

Our job at Cover Me is not to replay all the tales of MacGowan’s excesses and exploits yet again; Lord knows, there will be plenty of that elsewhere. Here we come to celebrate his supreme gift of songwriting, through a prism of cover versions. MacGowan crafted songs that seemed drawn from the deepest well of Irish tradition, full of arcane and archaic imagery. He used a lexicon drawn from mythology, poetry and the gutter, yet imbued with a recognition of all the current ways and woes of the world. He thus confounded listeners, baffled by how all of this could emanate from his shambling and battered frame. How could someone who seemed barely able to speak manage to produce work of such beauty?

I caught the Pogues but once, early on in their career, mayhap 1986, in a dodgy venue in Birmingham, UK. It was, in turns, exhilarating and terrifying, the latter courtesy the howling, drunken mob of a pre-Christmas audience. Keeping a low profile, I was entranced, as the band rollicked through song after song after song. It was impossible to see the join between the traditional and the new, all soaked in a melee of whistle, accordion, banjo and guitars, the permaslurring frontman both totally out of it and totally in the moment. And this was well before they became TV favorites, on Top Of The Pops, first for their duet with the Dubliners, a version of “The Irish Rover,” and later with perennial Xmas favorite “Fairytale Of New York.” I was instantly hooked.

The first few albums have rightly become iconic–if anything, more so with the passage of time–as the quality of MacGowan’s lyricism has taken focus over the tunes. But, before losing sight of the tunes themselves, riddle me this: how many individuals and how many bands can lay claim to inventing a whole genre? That’s what MacGowan and the Pogues did, founding a genre that continues to have worldwide traction. In the same way as few places in the world fail now to have Irish pubs, so too there are Celtic punk bands from all four corners of the globe. But, returning to his lyrics, Bob Dylan apart, few writers have provoked such academic attention and praise as MacGowan, and there will be a whole lot more now.

So let’s have a look at some of those songs…
Continue reading »