Cheating a little as we missed this one in July, but if you too haven’t heard the acoustic “We Belong” Brandi’s been playing on tour with The Twins, it will be worth the wait. “We belong together” takes on a whole new meaning as we (try to) come out of quarantine. Continue reading »
‘The Best Covers Ever’ series counts down our favorite covers of great artists.
When we began our Best Covers Ever series a little over three years ago, Bob Dylan was about the first artist who came to mind. But we held off. We needed to work our way up to it. So we started with smaller artists to get our feet wet. You know, up-and-comers like The Rolling Stones and Nirvana, Beyoncé and Pink Floyd, Madonna and Queen.
We kid, obviously, but there’s a kernel of truth there. All those artists have been covered a million times, but in none of their stories do cover songs loom quote as large as they do in Bob Dylan’s. Every time one of his songs has topped the charts, it’s been via a cover. Most of his best-known songs, from “All Along the Watchtower” to “Knockin’ on Heaven’s Door,” didn’t get that way because of his recordings. In some cases fans of the songs don’t even realize they are Bob Dylan songs. That’s been happening since Peter, Paul, and Mary sang “Blowin’ in the Wind,” and it’s still happening almost sixty years later – just look at the number of YouTube videos titled “Make You Feel My Love (cover of Adele)”.
So needless to say, there was a lot of competition for this list. We finally narrowed it down to 100 covers – our biggest list ever, but still only a drop in the bucket of rain. Many of the most famous Dylan covers are on here. Many of them aren’t. The only criteria for inclusion was, whether iconic or obscure, whether the cover reinvented, reimagined, and reinterpreted a Dylan song in a new voice.
With a list like this, and maybe especially with this list in particular, there’s an incentive to jump straight to number one. If you need to do that to assuage your curiosity, fine. But then come back to the start. Even the 100th best Dylan cover is superlative. Making it on this list at all marks a hell of a feat considering the competition. (In fact, Patreon supporters will get several hundred bonus covers, the honorable mentions it killed us to cut.)
In a 2006 interview with Jonathan Lethem, Dylan himself put it well: “My old songs, they’ve got something—I agree, they’ve got something! I think my songs have been covered—maybe not as much as ‘White Christmas’ or ‘Stardust,’ but there’s a list of over 5,000 recordings. That’s a lot of people covering your songs, they must have something. If I was me, I’d cover my songs too.”
The list begins on Page 2.
Our first song kicks off what will be a theme here. A lot of these came out at the very top of the year (or the very end of 2020) to kick a garbage year to the curb and hope for something better. Shires said: “’That’s All’ is a song that I have played a lot on tour. The song defines 2020 for me. It’s a true Covid anthem and I dare you to not dance to my version when you hear it!” Continue reading »
Under the Radar shines a light on lesser-known cover artists. If you’re not listening to these folks, you should. Catch up on past installments here.
Anna Moss and Joel Ludford make up Handmade Moments, a jazz folk duo formed in 2014 after the break up of their original band Don’t Stop Please. Moss and Ludford developed a following in Arkansas and started to travel across the country performing. Unfortunately, in 2016 they hit a major setback when they were both involved in a serious bus accident, requiring time off from touring to recover. However, this recuperation period spawned their album Paw Paw Tree, released in 2018.
This duo has chemistry and a myriad of instrument capabilities; throughout their repertoire of covers, you’ll see them play saxophone, ukulele, guitar, upright bass, even beatbox. Whether it’s soul, funk, or hip-hop, Handmade Moments have the talent to tackle both classic covers and unexpected ones. Here are some of their best.
By any measure, Don’t Let The Devil Ride, the new release by Paul Thorn, is a great album and should stand up for inclusion in many of the requisite year-end best-of lists. With guest appearances from The Blind Boys of Alabama, The Preservation Hall Jazz Horns, The McCrary Sisters, and Bonnie Bishop there really is some next level Gospel mojo going on here. Throw in the recording, knob turning, and board magic happening in places like Sam Phillips’ recording studio in Memphis, FAME studios in Muscle Shoals, and the Preservation Hall in New Orleans, and you have a true musical tour-de-force.
Thorn goes deep and way back in time on the album covering somewhat obscure Gospel and Blues songs including the Willie Davis Song “He’s a Battle Ax” accompanied by an old-school banjo and New Orleans horns, “You Got To Move,” a Fred McDowell tune, and “The Half Has Never Been Told,” a song that goes back to at least 1926. Continue reading »