“Pleasant Valley Sunday” was The Monkees’ fourth Top 5 US hit and Gold Record in less than a year, helping cement their stardom. But, though it’s heavily associated with the happy-go-lucky, manufactured TV rock band, the lyrics are utterly different than any of their other big hits. Written by the legendary Goffin-King after the couple moved to the suburbs, the lyrics mock suburban life and cast a critical eye on materialism. They contrast with the upbeat music, music upbeat enough to fool listeners into thinking it’s a happy song. Continue reading »
Eddie Vedder – Long Shadow (Joe Strummer cover)
This month, Joe Strummer would have turned 70. In a few weeks, Dark Horse Records will release the compilation Joe Strummer 002: The Mescaleros Years. To promote it, director Lance Bangs filmed a video of Eddie Vedder covering the posthumously-released Mescaleros track “Long Shadow.” It’s a simple fireside performance, similar to Vedder buddy Neil Young’s lockdown videos, and hopefully will bring more attention to a lesser known non-Clash track from the Strummer catalog. Continue reading »
Beyoncé – Moon River (Mancini/Mercer cover
Any month with a new cover by Beyoncé is a big month. Admittedly, her piano-crooning “Moon River” like so many others have piano-crooned “Moon River” – and for a Tiffany’s ad no less – is slightly underwhelming. But we’ll take what we can get, and, even if the approach is hardly novel, Beyoncé’s got the pipes to deliver. Continue reading »
On Friday, we published a massive list of the 50 best cover songs from the year 2000. Some were emblematic of that year’s musical trends, but most could just as easily have come out yesterday.
So today, a postscript: Covers that came out that year that just scream “2000.” If you were paying attention to music then, you will recognize many of these trends. There’s the ska revival. There’s rap-rock. There are, of course, boy bands.
Smash Mouth and Aaron Carter both make appearances. So do the Vengaboys. Madonna covers “American Pie”; Fred Durst covers Public Enemy. Someone sings a ska cover of “Take On Me” while sitting on the toilet. It was just that sort of year.
To be fair, these covers are not all terrible…but most are. Many were also among the year’s biggest hits, proving that people in the year 2000 exhibited no better taste in music than they did picking a president. And a few you probably didn’t even know were covers in the first place.
Relive your most traumatic memories of music back then below. Bonus hall-of-shame points if the cover has a music video featuring bleached tips or JNCOs. Continue reading »
Amigo the Devil – Before He Cheats (Carrie Underwood cover)
When we last heard Amigo the Devil, he was stripping down a Tom Jones song to create a haunting murder ballad. Now he does the same to another highly polished pop song – but a much more recent one. “[The original is] this very confidence-boosting, really good-feeling, power-infusing song,” Amigo’s Danny Kiranos told Rolling Stone. “I was curious what it would sound like if you took away the positive nature of it and kept the lyrics, essentially the emotions they are portraying.” Continue reading »
Cover Classics takes a closer look at all-cover albums of the past, their genesis, and their legacy.
Is the Church’s A Box of Birds the stock contractual filler for a band bereft of ideas, or a vivid introduction to those influences that begat the inspiration to form in the first place? In truth, it’s a bit of both. At a first listen it even begs whether it deserves status as a Covers Classic. Bear with me, it does, if only saved by the bell of the closing track.
A Box of Birds is a curious mix of songs, from hit singles familiar to all to deeper cuts known but to the few. Gone, by and large, is the space and counterplay that had made the Church’s name, with very little demonstration of how dual guitars can sparkle off each other. Sure, it sounds fun, with an image of the band playing these songs on the hoof, in a garage, that picture added to by the slightly muddy mix and the contrived run of one track into the next. If they hadn’t fully decided what to play until they began, well, that too seems not unlikely. But it all becomes a little wearing, particularly in the build-up to the finale. If ever an album cries out for a grand finish, this is it. And, praise be, the Church deliver.