May 162026
 

Full Albums features covers of every track off a classic album. Got an idea for a future pick? Leave a note in the comments!

A happy birthday to Jonathan Richman, who turns 75 years young today. We’re celebrating with a Full Album post of The Modern Lovers, his magnum opus, which is itself celebrating its golden anniversary this year. Of course, it’s actually older than that; most of the songs were four- or five-year-old demos. But as Rolling Stone said when they named it one of the top 100 albums between ’67 and ’87, the band was so far ahead of their time that when the album was finally released, it was still ahead of its time.

With two future Rock and Roll Hall of Famers backing him (a pre-Talking Heads Jerry Harrison on keys and a pre-Cars David Robinson on drums), along with bassist Ernie Brooks, Richman explored proto-punk sounds and attitudes mixed with a generous helping of naïveté. It was like a textbook on how a teen sees the world, wanting to be tough but unable to hide the joy and exuberance of youth. Capped by “Roadrunner,” a highway anthem that’s lost none of its power, The Modern Lovers was one of the greatest and most influential albums of its time.

A follow-up with this lineup was not in the cards, as Richman was becoming what Robert Christgau called “an almost powerless case of arrested development,” writing gentle children’s fare like “Here Come the Martian Martians” and “Hey There Little Insect” while his bandmates would have preferred to keep their amps cranked up. Still, whether they served as an inspiration for future bands (including their own) or a cautionary tale, the Modern Lovers continue to make and keep fans, thanks to their work getting cobbled together into one brief shining moment.
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Feb 092024
 

In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!

The Feelies

In 2023, the Feelies released Some Kinda Love: Performing the Music of the Velvet Underground, a live album recorded one night in 2018. Listeners heard a band that had clearly absorbed the VU into their DNA long ago, making their recreations sound almost effortless. They even play the brief instrumental burbling at the start of “Sweet Jane.” The audience cheers heard between songs are loud and enthusiastic, and no matter which band’s music they’re there to hear, you can tell they love the other band too.

For this night, the Feelies were more about being Velvet Underground fans than Feelies. Because because? Well, their version of “What Goes On” sounds more like the VU and less like the Feelies’ own studio-released version, from 1988’s Only Life. Now there was a band who set out to make a song their own. Not to knock the modern day Feelies, not at all, but that VU night really was designed to be more commemoration than innovation. It’s those earlier covers we’re focusing on today, the ones that saw the band out to, as Lou Reed called his own live album in 1978, take no prisoners.

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Apr 302018
 
best cover songs april

April was the best month for covers of the year so far. There’s no particular reason for that, I suspect. These things just ebb and flow. But the fact remains that it was a proverbial embarrassment of riches, as the length of the list below confirms.

As always, there’s no quality difference between the main picks and the honorable mentions; a cover’s categorization is only determined by how much I had to say about it. Continue reading »

Apr 182018
 

In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!

sex pistols covers

Our casual Sex Pistols stroll down memory lane concludes today with a look at the covers they performed themselves. If you’ve been with us through the series, we’ve presented their one-and-only studio album Never Mind The Bullocks, Here’s The Sex Pistols as a Full Album feature along with several single-artist tributes to the entire album. We’ve also covered the covers spawned from each of their four singles: “Anarchy In the U.K.,” “God Save The Queen,” “Pretty Vacant,” and “Holidays In The Sun.”

Covers performed by the band first started to appear on official commercial releases only after the Rotten/Jones/Cook/Vicious line-up imploded in January of 1978. However, like most new bands with limited original material, covers were part of their live sets from the start. And since the band’s break-up, several poorly recorded versions from those early shows have found their way to market. But the bulk of any discussion about cover versions performed by the punk icons will focus on The Great Rock ‘n’ Roll Swindle, the early 1979 double soundtrack album from the “mockumentary” film about the band of the same name. Continue reading »

Mar 072011
 

On Friday night, Yo La Tengo hit the studios of WFMU 91.1 to lend their support to the station’s annual pledge drive. As they have every year for over a decade, the Hoboken trio spent three hours performing listener-requested cover songs. Listeners were encouraged to go obscure, requesting songs the band had never played before (though presumably there was some filter, since no Miley Cyrus deep cuts slipped through). Given that they already played 44 new covers just a couple months ago, that sometimes meant pretty obscure. We’ve got ‘em all below. Continue reading »

Jan 072011
 

You know the story. The Jews needed eight days of oil to purify the Temple in Jerusalem. There was only enough oil for one day. Miraculously, though, that small amount lasted for all eight nights. And on every one of those nights Yo La Tengo played a concert.

Well, maybe they passed on that first Hanukkah, but it seems they’ve played eight crazy nights of shows every year since. Twenty-ten was no exception. As chronicled at BrooklynVegan, the nights of December 1-8 each saw a unique Yo La Tengo show go down at Maxwell’s in New Jersey. Every evening featured surprise openers and comedians, including heavy hitters like the National and Jeff Tweedy. Continue reading »