Aug 022021
 

‘The Best Covers Ever’ series counts down our favorite covers of great artists.

billy joel covers

When Bruce Springsteen invited Billy Joel to play with him at the Rock and Roll Hall of Fame’s 40th anniversary concert, he described their meeting as the “Bridge and Tunnel Summit.” This crossover surprised no one; the two artists are similar in many ways, riding careers that exploded from modest singer-songwriter origins playing dive bars to filling stadiums across the world. But one of the ways their trajectories have diverged: The Tunnel side of that equation (that’s Bruce from New Jersey) is about 100 times cooler than the Bridge side (Billy from Long Island). As a result, Springsteen songs have been covered far more often than Joel tunes, despite both having quite a few household-name hits under their belt.

Or maybe they’ve just been covered differently. When we did our Springsteen list, we had an abundance of genre-spanning covers to choose from, the hippest artists around finding meaning in Bruce’s work from every conceivable direction. Doing this month’s Joel list, we had an abundance too – of lounge piano. So much lounge piano.

Joel’s songs deserve better treatment than they often get. So we had to dig deep for this list, sifting through the schlock. There’s a little jazzy piano sprinkled in here and there, sure, but there’s also hardcore punk, ’90s R&B, spectral folk, robot electronica, south-of-the-border disco, and more. Turns out there are plenty of revelatory Billy Joel covers out there; they’re just lurking a little below the surface.

Dive in.

The list begins on Page 2.

Feb 012010
 

The first post of the month always features covers of every track on a famous album. Got an idea for a future pick? Leave a note in the comments!


Despite the fact that he had already released songs like “Piano Man,” “New York State of Mind” and “The Entertainer,” it took Billy Joel until his fifth album to hit the big time. After The Stranger hit in 1977 though, weddings were never the same again.

The Pale Pacific – Movin’ Out (Anthony’s Song)


One of the all-time great rock stutters gets an appropriately full-volume delivery by some Seattle indie vets. [Buy]

Lowtide – The Stranger


Lowtide’s MySpace page describes them as “the musical equivalent of a computer virus,” which is pretty accurate. They didn’t seem to bother learning the real words here, so it’s viral in every sense of the word: unexpected, annoying, and infectious. [Buy]

Alex D’Castro – Just the Way You Are


Billy Joel is as sick of this dreck as you are. “I feel hypocritical [playing this song],” he told the New York Times a few years ago. “I divorced the woman I wrote it for.” Perhaps he should revert to the less schmaltzy version he sang for Oscar the Grouch in the ‘70s. Or perhaps he should check out with swinging salsa version. [Buy]

Titta and Trombetta – Scenes from an Italian Restaurant


Any Billy Joel cover that doesn’t employ a lick of piano deserves props, particularly if it’s substituted with a double-acoustic guitar jam. [Buy]

Ingrid Graudins – Vienna


Billy Joel has listed “Vienna” as one of his two personal favorites (the other being “Summer, Highland Falls”). It’s certainly among his most personal, detailing the time while on a trip to see his estranged Austria-dwelling father he saw a 90-year old woman sweeping the street and realized how much America abandons the elderly. “I thought ‘This is a terrific idea – that old people are useful -and that means I don’t have to worry so much about getting old because I can still have a use in this world in my old age,’” he said years later. “I thought ‘Vienna waits for you…’” [Buy]

After the Fall – Only the Good Die Young


Insert joke about Billy Joel being old here… [Buy]

The Diamond Family Archive – She’s Always a Woman


A song that puts the “z” in “cheeze,” “She’s Always a Woman” gets a surprisingly sensitive treatment from these banjo-and-mandolin folkies. And listening to that voice, you’ll want to be the woman he’s singing about. [Buy]

Kool T – Get It Right the First Time


Last November one website sponsored a Billy Joel beat-making contest where would-be DJs could only use sounds from the original tapes of this and “Stiletto.” Most are exactly as terrible as you might expect, but Kool T took a few hooks from “Get It Right” and created something almost unrecognizable. It’s technically a remix I suppose, but you find me a decent cover of this song and we’ll talk. [Buy]

The Manhattans – Everybody Has a Dream


The Stranger ends with this quiet gospel-tinged number, but these Philly soul sensations blew it wide open in a 1978 single that went to #65 on the R&B charts. [Buy]