Review: ‘Everyone’s Getting Involved: A Tribute To Talking Heads’ ‘Stop Making Sense”

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May 172024
 

Talking Heads TributeThe quote attributed to Brian Eno about the Velvet Underground’s first album inspiring everyone who bought it to form a band applies differently to Talking Heads. If you were already starting your band in your parents’ garage or the art school lounge, surrounded (in either case) by the fog of weed, you would surely dream about being Talking Heads.

During a Rock and Roll Hall of Fame career, Talking Heads retained and maintained artistic integrity, but sold enough records to establish and keep themselves in the public consciousness and charts. We can all name their biggest songs. They got to work with the business’s best, including Eno and Lee “Scratch” Perry, and create critically acclaimed masterpieces. If you needed to draft in legends from Funkadelic or Nigerian music to get the sound right, you could.

It was not all work. There was the opportunity to hang out, and get high with, the coolest people in the world. Mick Jagger might have been a little too high to interact fully with, but Sid Vicious was unexpectedly sympathetic, and John Martyn was expectedly an asshole. At least you knew personally. Later on, cool young people would be desperate to hang out with you. If you are Chris Frantz and Tina Weymouth you would get to do all this with your soulmate and the love of your life. (All of this is well documented in Frantz’s memoir Remain in Love. Recommended.)

The lead singer might be a little, shall we say, self-absorbed. Of course, for an average band, between a third and a fifth of you are planning to be the lead singer, so you would regard your behaviour as an acceptable price for accommodating your genius. The rest of you, as talented and driven as you are, might have to suck it up a little. Your Wikipedia entry is much shorter than that of the lead. You can contemplate the injustice of it all as you take your ocean-going yacht down to your Bahamas holiday home and studio.

You can have side projects when the band is on hiatus. This might allow you to participate in an Oscar-winning soundtrack, or produce your biggest-ever hit records. You can be sought-after producers, further increasing your time in the Caribbean and your musical legacy. And at a certain point in your career you make the greatest concert movie of all time.

Stop Making Sense, directed by Oscar-winner Jonathan Demme, was released in 1984 when the band was at its creative, harmonious best. It is a work of art on several fronts, from the curation of the music from an emerging chrysalis to barnstorming romps, to the building of the set and band. It featured the iconic and meme-worthy “big suit,” which cemented the recording and band in the public consciousness. Forty years after its release, the film company A24 has polished up Stop Making Sense for a new generation, and now they’re celebrating further with the release of a new tribute album, Everybody’s Getting Involved. The range of moods, genres and languages on the album are a real testament to the influence that Talking Heads have.
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The Best Cover Songs of August 2022

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Aug 312022
 
Eddie Vedder – Long Shadow (Joe Strummer cover)

This month, Joe Strummer would have turned 70. In a few weeks, Dark Horse Records will release the compilation Joe Strummer 002: The Mescaleros Years. To promote it, director Lance Bangs filmed a video of Eddie Vedder covering the posthumously-released Mescaleros track “Long Shadow.” It’s a simple fireside performance, similar to Vedder buddy Neil Young’s lockdown videos, and hopefully will bring more attention to a lesser known non-Clash track from the Strummer catalog. Continue reading »

Five Good Covers: “Linda Linda” (The Blue Hearts)

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Aug 242021
 

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

The Japanese punk band the Blue Hearts were together for the decade 1985 to 1995. Spurred on by a healthy dose of inspiration from U.S. and U.K. punk rock pioneers such as the Ramones and the Clash, the band injected the genre with a spirit and style all their own. They became one of the country’s biggest bands, routinely filling arenas and topping the charts.

For a brief moment in the early 1990s, they attempted to conquer the U.S. market.

The group conducted a brief U.S. tour and released a greatest-hits EP, which received rave reviews from the indie and college presses. “The Blue Hearts are the coolest cultural export from Japan since Godzilla or Speed Racer,” the Boston College student newspaper The Heights wrote in 1990. “Though an accurate description would be tough to come up with, the best idea of what the band is like can come from imagining the Ramones, with surf guitars, singing in Japanese. Their self-titled, six-song EP (their first American release) is a slab of vinyl, filled to the top with goofy, fast-paced, good-time music.”

They even got the MTV News treatment with a featurette from the channel’s rock journalists John Norris and Kurt Loder. “The Blue Hearts powerhouse performance style seems to translate completely,” Loder said. In the clip, vocalist Hiroto Kōmoto told them: “The language barrier might be our biggest problem, but we grew up listening to bands like the Rolling Stones and the Beatles who all sang in English and we couldn’t understand them either, so we think it could work.”

Alas, mainstream success in the U.S. was not meant to be. No matter. Even today, the band is still considered to be one of the greatest Japanese rock n’ roll bands of all time.

The band’s best-known track is their 1987 hit “Linda Linda.” Though mostly sung in Japanese, the love song’s infinitely catchy English-language chorus of “Linda, Linda… Linda, Linda, Linda” has shattered language barriers. Like all great punk rock tunes, it will make you want to pick up a guitar, slam out some power chords and scream “Linda Linda” at the top of your lungs.

In the decades since its release, the song has garnered countless covers, served as the inspiration for a movie and is now the name of a contemporary Los Angeles-based teen punk band. Here’s a rundown of some of the best and most-well known covers of “Linda Linda.” It’s never too late for a crossover hit.
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