May 312023
 

Version Girl by… Rhoda who?

Well, think back to the heady days of 2 Tone Records, Coventry, UK. On the cusp of the 1970s into ’80s, this label hosted the Specials, the Selecter, the (English) Beat, and more. Their revisioning of ska arguably led to the proliferation of ska-punk bands in the US, led off by No Doubt. The 2-Tone movement was as much a political beast as a musical one, preaching a message of integration, with many of the (already multi-racial) bands including children of the 1950s wave of immigration, from the West Indies and into the UK. Racism was more savage then, or perhaps just more nuanced, with the movement alerting the youth of the nation into a better understanding and acceptance.

Anyway, Rhoda Dakar was a member of the Bodysnatchers, an all-female band, who had some brief success before evolving into the Belle Stars, who had a number of hits, including their version of old N’Awlins staple “Iko Iko.” Dakar was not a Belle Star herself, but she moved on to being a guest singer with the Specials, for their second album, touring with them, later becoming a member of the Special AKA, the band they evolved into. Primarily a singer, she has since made a number of solo recordings and popped up in collaborations with a number of acts, notably Madness and the Dub Pistols. Now she has released Version Girl, her first solo album since 2015’s Rhoda Dakar Sings the Bodysnatchers.
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Dec 162022
 

Follow all our Best of 2022 coverage (along with previous year-end lists) here.

best cover songs 2022

The big story in 2022 covers came from a song that’s almost 40 years old: “Running Up That Hill (A Deal with God).” After Kate Bush’s classic had its Stranger Things moment, every week we got a half dozen new covers. It’s been six months since the show came out, and they’re still coming! This entire list could have been “Running Up That Hill” covers if we’d let it.

We didn’t, and it isn’t. The song makes one appearance, as do a number of other trendy 2022 items: Wet Leg, GAYLE, and Beabadoobee; the latest Cat Power covers project; posthumous releases (Dr. John, Levon Helm); songs that tie into coming out of pandemic isolation.

But, as always, a joy of our list is all the covers that tie into nothing, and that you won’t find anywhere else. Doom-metal Townes Van Zandt? Bluegrass Eminem? Ska Eddie Murphy? Folk Björk? Psych-rock Groucho Marx? Those are just five of the fifty killer covers on this year’s countdown. So run up that road, run up that hill, run up that building, and read on at the link below.

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Oct 312022
 
avril lavigne
Avril Lavigne & All Time Low – All the Small Things (Blink 182 cover)

One way you can tell millennials are getting old: There are now nostalgia-bait festivals catering to the music of their (our) youth. Such was the case with When We Were Young, the emo and pop-punk fest in Vegas a couple weeks ago with Paramore, My Chemical Romance, Bright Eyes, and dozens more. A video high point is this extremely fun and infectious cover of “All the Small Things” by All Time Low and Avril Lavigne, performed right after Blink 182 announced they were getting back together. Best part: When the entire crowd hollers alone to “Work sucks / I know”! Continue reading »

Oct 032022
 
best cover songs september 2022
Confidence Man – Heaven (Bryan Adams cover)

For their recent Like a Version performance, Confidence Man, a duo of Janet Planet and Sugar Bones, covered Bryan Adam’s “Heaven.” Well, sort of. They really took their cues from the hit club cover of “Heaven” by DJ Sammy. “We didn’t actually know [it was a cover],” said Planet. “Stu, our manager – who’s old – told us that. We listened to [the original], and it’s not that good.” Ouch! But their cover is a blast to watch, all charisma, choreography, and energy from the two of them in front of an ominously veiled band. As NME points out, Confidence Man are the third act a a cover of a cover on the show. In 2017, Alex Lahey covered Natalie Imbruglia’s hit cover of Ednaswap’s non-hit “Torn” (we wrote a feature explaining the backstory there). And in 2018, garage-rock septet West Thebarton covered Florence + The Machine‘s cover of The Source and Candi Staton’s “You’ve Got the Love.” Continue reading »

Jun 152022
 

In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!

Hmmm–“In the Spotlight” could well be the giveaway, being exactly where at least half of this odd couple seems, more than anything else, to want to be. Odd couple? Well, back in the day, I daresay that the idea of Robert Fripp, the complex guitar wrangler of King Crimson fame, besuited and besitted always, having a lengthy and lasting marriage with Toyah Willcox, the punk-pop princess of Birmingham with the look-at-me dramatics, was not one of life’s great certainties.

I confess to being quite delighted by the couple’s first forays into Sunday Lunchtime COVID-19 entertainment, as much for the bizarre hoops Mrs. Fripp could put her permanently-bemused husband through, in the sake of raising the spirits of those who stumbled onto these little vignettes of, apparently, their life.

According to Willcox, the purpose of these weekly vids was primarily to lift Fripp out of the black dog that permeated him as lockdown locked down, depriving him of both an outlet for and an income for his art. So, on 5th April 2020, those idly browsing the net became party to the extraordinary image of the couple, dressed to the nines, having a bop to Bill Haley’s vintage hit, “Rock Around the Clock.” And looking to be having a whale of a time.
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Aug 162021
 

Colin HayFirst things first: don’t be so hard on yourself. Sure you know who Colin Hay is; he’s the chirpy singer from Men At Work, his slightly husky and agreeable tenor singing about a land where women glow and men plunder. A Scot, who found fame in Australia, he has lived and kept his career going in the US, a resident of Los Angeles for many a long year. Men At Work still exist, sporadically, with Hay the last man standing from the original line-up, but he also has a bevy of solo recordings, amiable and pleasant fare, with a great live show to boot. Now he’s got a new cover collection out, called I Just Don’t Know What To Do With Myself.

Why a cover album? Well, his choice for the title track gives a clue–that’s right, it’s another quarantine album, where the artist is stuck at home and wants nothing to do with idle hands. It seems these are the songs that have inspired and uplifted Hay over the years. Unsurprisingly, most stem from his teens, with the Beatles, the Kinks, and even Gerry and the Pacemakers all represented. And nothing off-center in the song choices, they all being staples and standards.

Which is perhaps the problem. Songs as ubiquitous as this cry out for something a bit different from the the love and respect he clearly has for them. Individually, they are all polished and presentable. Thrown singly into a performance amidst his own or his band’s stuff, you’d sit up and take note. Together, not so much, it all becoming a little M.O.R. Inoffensive. Bland, even. Having said that, I dare say they would fly off the merch table at a gig, and maybe that is the target demographic.

The title track is a strong start, initially just strummed guitar and Hay’s straining but never strained voice. The piano and strings are then a bit Bacharach. As I guess they would be, he being the author and the originator of the original presentation. A bit too Bacharach, frankly, way more Dusty than the White Stripes. Likewise, when it’s just Hay’s unadorned vocal, “Waterloo Sunset” is fine, but then the strings and some sort of backing chorale gloop in and drench the beauty within this old chestnut.

Strangely, “Wichita Lineman” just about works within this production style, Hay’s vocal endearingly and plaintively sad. Whereas “Norwegian wood” really doesn’t. Here Hay sounds like a busker who has strayed into a an easy listening orchestral jam session. Ghastly.

“Don’t Let The Sun Catch You Crying”? I had to catch myself here, trying to recall the original, before remembering this was peak Gerry and the Pacemakers at their cloying best. Which actually means that Hay here has, after all, done something surprising with it, excising no small amount of the sickliness that Gerry Marsden regularly injected into it during his later cabaret years. Similarly, I like his rendition of “Ooh La La,” a more “modern” song, sort of. His voice is closer to Ronnie Lane’s, who sang the original for the Faces in 1973, and thus infinitely preferable to Rod Stewart’s latter-day revamp of his old band’s song. I’ll go further, I like this a lot. And like even more the next song, Del Amitri’s “Driving With The Brakes On.” No extraneous strings, just voice, guitar, and piano. Well, most of the way through, the conductor unable to keep his hands of the baton, if with more restraint than earlier on this disc. Are things looking up?

Sadly not, as that busker is still here, this time mangling “Across The Universe,” aided and abetted by Mantovani-alike again. With that bloody wretched choir. Beam me up, Scotty, a fast forward just quick enough to find a not-bad “Can’t Find My Way Home.” As in not that good, just (that word again) inoffensive.

Final track is the Jimmy Cliff classic “Many Rivers To Cross.” Methinks he bases this telling on the Linda Ronstadt version, the piano and guitar broadly redolent thereof. Which is no bad thing, it’s OK, and as good a place as any to close the album.

I think this is a great shame: Hay still has the voice and this is for the most part a good sound song selection. But just who is he listening to on production? The PR says his “frequent collaborator/producer” Chad Fischer, who seems a big cheese on TV themes. Figures.

Heck, what do I know, but, if I did, Colin, I’d say “it’s a mistake”…….

I Just Don’t Know What To Do With Myself tracklist:
1. I Just Don’t Know What To Do With Myself (Dusty Springfield cover)
2. Waterloo Sunset(Kinks cover)
3. Wichita Lineman (Glen Campbell cover)
4. Norwegian Wood (This Bird Has Flown) (Beatles cover)
5. Don’t Let the Sun Catch You Crying (Gerry & the Pacemakers cover)
6. Ooh La La (The Faces cover)
7. Driving With The Brakes On (Del Amitri cover)
8. Across the Universe (Beatles cover)
9. Can’t Find My Way Home (Blind Faith cover)
10. Many Rivers to Cross (Jimmy Cliff cover)