Jul 252025
 

Find El DoradoPaul Weller is a great songwriter. When you are a songwriter, the writing royalties can be the most lucrative part of the business, so when a talented and successful songwriter such as Weller voluntarily gives up that opportunity for royalties, you know that he really loves the songs.

Weller is 18 albums into his solo career, and he can guarantee a significant number of sales in the UK for all his new work. He shares a distinction in the UK which only Lennon and McCartney can match: a number one album in five consecutive decades. Each one of those albums is someone’s favourite, passionately defended on the message boards, fan sites and podcasts devoted to his works, even when the consensus doesn’t list them at the top. He has also always been savvy about the business side of making music, earning enough money so that he doesn’t need to indulge in activities that he feels are not artistically justified, whilst ensuring he has a comfortable life for him and his family. His choice to make his second covers album is a statement, and the choices and intent are clearly important to him. But that seems to be the mood of Weller now. This year he curated a wonderful selection of his most cherished soul music. He consented, for the first time, to give his side of, and bless others to give theirs, various stories in the form of an authorized oral biography. He has rejoined a record label where he enjoyed some of his greatest creative successes. He may have many years of music ahead of him, but he wants to get some things on the record, just in case.  Continue reading »

May 282025
 
paul weller covers album

Paul Weller, he of The Jam and Style Council, has a new record coming out and it’s a covers record, but the line-up is a fascinating collection of songs. The album, titled Find El Dorado includes covers of songs by Richie Havens (“Handouts in the Rain”), The Flying Burrito Brothers (“White Line Fever”) and The Kinks (“Nobody’s Fool”). If that isn’t enough, Weller has recruited a wonderful lineup of folks to join him on the record, including Robert Plant, Noel Gallagher and Hannah Peel. Continue reading »

Apr 302025
 
roger daltrey covers the kinks

During the encore during his show in Wolverhampton, England on April 25th, The Who’s Roger Daltrey had a bit of a tete-a-tete with one fan before performing a shortened version of “Days” by The Kinks.

Returning to the stage for the encore, Daltrey set down a stool close to the edge of the stage and began talking with fans, some of whom shouted out requests for Who classics like “Magic Bus” and “Pinball Wizard.” Introducing a cover of “Days,” Daltrey said, “I’m gonna do this … ’cause it’s a band that we forget how good they were and how great they are.”

However, one fan, located at the edge of the stage was less than thrilled, repeatedly calling out for “Pinball Wizard.”At first Daltrey responded to her request, “I’m fed up with that, I’ve done it too much.” He then began the song, which she interrupted again, to which Daltrey stopped singing and kindly requested that she “shut the fuck up.” There was then a back-and-forth between the two, which, really, didn’t amount to much, apart from one audience member trying to dictate what a performer should sing, while other audience members (judging by other voices later singing along) seemed to want to enjoy his performance.

Sep 232024
 
tanya donelly bill janovitz

In anticipation of live performances in the New England area, Boston indie rock royalty Tanya Donelly and Bill Janovitz re-released their recording of the Kinks’ classic “Better Things.” The duo originally issued the cover in 2015 on Bandcamp, which was quickly pulled down. This is the first wider release of the song. The two played shows in Maine and Rhode Island earlier this month. Continue reading »

Sep 172024
 

Given that Robyn Hitchcock hails from a day where content may not always match the label, his succinctness of title is here pitch perfect. 1967: Vacations in the Past is a set of songs, all of which came to fruition during the (first) summer of love. Hitchcock formulated the selection to bookend his memoir 1967: How I Got There and Why I Never Left. The jacket copy states, “In January 1966, Robyn Hitchcock is still a boy pining for his green Dalek sponge and his family’s comforting au pair, Teresa. By December 1967, he’s mutated into a 6 ft 2-inch rabid Bob Dylan fan, whose two ambitions in life are to get really stoned and move to Nashville.”

Along the subsequent way, he has become an individual and idiosyncratic voice, as near instantly recognizable for his quirky worldview as for his never more English vocals, despite spending much of his career, and much his success, in the US. (And yes, he subsequently lives in East Nashville, answering on of his ambitions.) Starting off with college radio favorites, the Soft Boys, and then moving forward through and into Robyn Hitchcock and the Egyptians, he now has a solo career, lasting throughout most of this century. He’s never shy of performing cover versions, especially in a live setting, complementing his own prodigious output. Why, not two weeks ago we were considering his Dylan set, Robyn Sings.

The joy of 1967 is that you don’t have to be familiar with Hitchcock’s memoir (although you might wish to be, I recommend it). It stands perfectly as a stand alone, a snapshot of what the 14 year old boy might have been daydreaming to, on the radio. And you don’t really have to have been there yourself either, the selection, by and large, tendis more toward the big hitters of the year, most of which left a long and illustrious footprint. But I bet you never heard ’em much like this!
Continue reading »

Jun 212024
 

‘The Best Covers Ever’ series counts down our favorite covers of great artists.

The Kinks covers

If The Kinks had stopped after their first year, they’d still be legends. “You Really Got Me” and “All Day and All of the Night,” two of the all-time-great sixties rock singles, were both released in 1964. That’s more classics in one year than most bands have in decades (and their year gets even better if you slide in January 1965’s “Tired of Waiting for You,” recorded before “All Day Etc”).

But if The Kinks had stopped after their first year, this list certainly wouldn’t run 50 covers deep. Because, of course, they didn’t stop. They kept releasing hits, including Top 10s in both the ’70s (“Lola,” “Apeman”) and ’80s (“Come Dancing”). Maybe even more importantly, they kept creating, kept innovating, kept pushing forward, not settling into retreading their early garage-rock sound. That wide breadth gets reflected in the Kinks songs that artists covered. The big hits, of course, are well represented. But so are plenty of album cuts and singles that “flopped” at the time but were rediscovered years later.

Ray Davies turns 80 today. So today, we celebrate his birthday—and his ability to withstand decades of interviews about whether he and brother Dave will ever reunite—with our countdown of the 50 Best Kinks Covers Ever.

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