Jun 052025
 

“Louie Louie” is perhaps the most famous garage rock song ever. People have claimed it is the world’s “most recorded rock song” however Second Hand Songs lists it as only the 25th most covered song from 1957, when it was originally released. Regardless, it’s been a staple of bar bands and some professional bands for 60+ years. Though originally released by Richard Berry and the Pharaohs, most people know it from The Kingsmen‘s infamous version, or one of the innumerable famous covers released before or after it. It is indeed The Kingsmen’s version, with its unintelligible lyrics and numerous hallmarks of ’60s garage rock that most people think of when they think of “Louie Louie.”

The Limiñanas are a French rock duo who have been releasing music for about 15 years. Their latest album, their 13th, mostly contains performances with some famous guest vocalists, such as Bobby Gillespie and Jon Spencer. But it also contains some covers. And their cover of “Louie Louie” is one of the songs that does not feature a guest vocalist; instead it is sung by drummer/singer Marie Limiñana.

If you’re going to cover such a popular cover, you might as well make your version distinct, right? And that’s what The Limiñanas do. They slow the song down to a ballad with gently plucked electric guitar and strummed acoustic. Marie whispers her vocals that classic French chanteuse way and there’s dream pop/neo-psychedelic droning keyboards in the background.

Though the drums and bass are fairly propulsive, and though there’s an extremely noisy guitar solo that absolutely overwhelms the mix, the “ballad” feel of the beginning never quite dissipates. In fact, the end of the song is quite noisy – a dense collage of neo-psychedelic guitars and keyboards, with Marie’s voice barely peeking through. It’s a little as if Stereolab decided to become the ’80s Flaming Lips or ’80s Mercury Rev partway through a song.

The result is an extremely distinct cover that you won’t mistake for The Kingsmen’s version or anybody else’s. Don’t speak French? Well, who knows what the words are anyway.

Jan 152021
 

“Covering the Hits” looks at covers of a randomly-selected #1 hit from the past sixty-odd years.

mother in law covers

Few embraced their one-hit wonder status as enthusiastically as New Orleans R&B singer Ernie K-Doe. “Mother in Law” went to number one in 1961 – the first ever chart-topper out of New Orleans – and he never again came close. Eventually, he stopped trying, and leaned into it. With the help of his wife, he founded the live music venue Mother-in-Law Lounge in New Orleans. He would perform there regularly – and if people wanted to hear “Mother in Law” a whole bunch of times during one set, he’d play it a whole bunch of times during one set!

Back in 1961, the song became a standard almost immediately upon release. That didn’t help Ernie all that much, though; he didn’t write it. The great Allen Toussaint did, but he considered it a throwaway – so much so that he literally threw it away, before a backing singer rescued it from the trashcan and handed to K-Doe. Here’s a video of K-Doe performing with the song’s writer on piano in the ’90s (starts at the ten-minute mark):

“Mother in Law” has been covered hundreds of times (maybe thousands if you count cheeky wedding bands). Here are some of the high points… Continue reading »

May 012018
 

That’s A Cover? explores cover songs that you may have thought were originals.

hey joe

If great songs are romantic flings—seizing you by the ears and locking you in a passionate, three-minute embrace before they leave you breathless and aching for more—there’s precious few that compare with the record-buying public’s three-year infatuation with the song “Hey, Joe.”

Hundreds of renditions have been recorded, several making the charts. But none proved more lasting than a version committed to wax in late 1966, the debut 7” by a young guitarist you may have heard of. We’ll get to his story in a moment, but first the phenomenon of multiple concurrent covers demands a little exploration. Continue reading »

Feb 232017
 

Welcome to Cover Me Q&A, where we take your questions about cover songs and answer them to the best of our ability.

Matts Author Photo of Me

Patrick Robbins lives in Maine. He’s been writing for Cover Me since 2011. Of all his Cover Me essays, he especially likes his John Denver tribute review and his curation of Ramones Week.

It’s been great writing and editing for Cover Me, not just because I like cover songs so much, but because it’s led me to discover so many great ones I never would have heard otherwise. My thanks to Ray for taking me on, and to all of you for reading what I have to say about my finds. Here are ten of them that I’ve made over the years, which all struck significant chords in my life for various reasons…
Continue reading »

Feb 112011
 

Live Collection brings together every live cover we can find from an artist. And we find a lot.


Hailing from Chicago, IL, the Smashing Pumpkins helped blaze a trail for the wave of apathy that infected most ’90s alternative rock. They also gave hip kids from the Midwest the first nationally-recognizable band they could take pride in since Cheap Trick. Formed in 1988, the Pumpkins enjoyed over a decade of fame and influence until noted in-fighting brought about their dissolution at the turn of the millennium. After numerous side-projects and member-shuffling, the Pumpkins have once again taken to the stage under the leadership of Billy Corgan, perhaps one of rock music’s true auteurs.

The Pumpkins have celebrated their diverse influences via cover songs throughout their career. A quick scan of their recorded catalog reveals studio takes of tracks originally by acts like the Cars, Van Halen, Alice Cooper, the Cure and Missing Persons. Their live shows are similarly peppered with covers that one might not expect to hear from these iconic slackers. Some of these do seem like a natural fit though: it’s not too hard to draw a line to the Pumpkins from Neil Young, Depeche Mode or Pink Floyd, for instance. Continue reading »