The Best Who Covers Ever

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Aug 302024
 

‘The Best Covers Ever’ series counts down our favorite covers of great artists.

The Who

One of the things everyone enjoys about the Beatles is the band’s equality. Take John, Paul, George, or Ringo out of the equation, they say, and the magic is over. Well, the same is true for the Who (something they proved, sadly, after Keith Moon’s death). Only the Who were bigger. Louder. More proficient at their instruments of choice. They could be more powerful, but they could be more vulnerable too. They were one of the best studio bands of their time, and one of the best live bands of all time. And when they were at their peak, they could be the best band in the world.

Pete Townshend, Roger Daltrey, John Entwistle, and Keith Moon combined to form a force of nature. Starting as one of the great singles bands, they segued into being masters of the LP. Townshend led the way with pioneer guitar playing – both slashing power chords and controlled feedback were part of his palette before any other Guitar God – and a pen that produced not one but two full-length operas for the band (three, if you count the belatedly released Lifehouse), as well as three-minute expressions of defiant angst. Daltrey gave voice to that angst, developing a roar that could surf the wave of noise or blow through it. Entwistle may have looked stoic, but they called him Thunderfingers for a reason. His bass lines were nimble yet forceful, and his sense of the macabre in his songs gave the band even more colors. And what can be said about Moon and his drumming that hasn’t already been said?

The Who’s songs will remain long after they’re gone. Not just for the performances the Who gave them, but for the songs themselves. They conveyed anger, regret, humor, and more, searching low and high within their psyches. The stories they told were both theirs and ours. Here are thirty-five of those stories, telling those stories in ways that approach and occasionally surpass the band that created them.

Patrick Robbins, Features Editor

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Jun 212024
 

‘The Best Covers Ever’ series counts down our favorite covers of great artists.

The Kinks covers

If The Kinks had stopped after their first year, they’d still be legends. “You Really Got Me” and “All Day and All of the Night,” two of the all-time-great sixties rock singles, were both released in 1964. That’s more classics in one year than most bands have in decades (and their year gets even better if you slide in January 1965’s “Tired of Waiting for You,” recorded before “All Day Etc”).

But if The Kinks had stopped after their first year, this list certainly wouldn’t run 50 covers deep. Because, of course, they didn’t stop. They kept releasing hits, including Top 10s in both the ’70s (“Lola,” “Apeman”) and ’80s (“Come Dancing”). Maybe even more importantly, they kept creating, kept innovating, kept pushing forward, not settling into retreading their early garage-rock sound. That wide breadth gets reflected in the Kinks songs that artists covered. The big hits, of course, are well represented. But so are plenty of album cuts and singles that “flopped” at the time but were rediscovered years later.

Ray Davies turns 80 today. So today, we celebrate his birthday—and his ability to withstand decades of interviews about whether he and brother Dave will ever reunite—with our countdown of the 50 Best Kinks Covers Ever.

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Sep 052023
 
lifeguard in the city

There has been some indignation on these pages recently that some cherished British Bands were ‘One Hit Wonders’ in the US, but there is no accounting for taste. However the offence caused to Dexy’s Midnight Runners and Siouxsie and the Banshees is nothing compared to that experienced by The Jam. Multiple number-one singles and albums in the UK, and an ongoing cottage industry in the UK detailing their every move between 1976 and 1983, mean nothing to the Billboard Singles Charts. The band never got a single into the top 100. However, the kids know where it’s at.  Helping spread the Jam gospel, Chicago punk trio Lifeguard bring us their cover of “In The City.” Continue reading »

Jul 022021
 

‘The Best Covers Ever’ series counts down our favorite covers of great artists.

girl group covers

The matching outfits. The perfectly coiffed hair. The synchronized finger-snapping. The beautiful faces. And, of course, the angelic voices. Just saying the phrase “Girl Groups” conjures images of these well-styled ladies from the past singing their hearts out, dreaming of those young boys they hoped to marry.

Many of the group names are legendary. The Supremes, The Ronettes, The Crystals, The Shirelles, and Martha and the Vandellas have been fixtures of “oldies” format radio for decades. Leading these groups were great frontwomen like Diana Ross, Ronnie Spector, and Martha Reeves, as well as Darlene Love, who sang for multiple groups unbeknownst to the record buying public. There were also countless ladies who did not become household names, such as Arlene Smith, lead singer of the Chantels, who belted out the group’s classic “Maybe.”

For the purposes of this list, we decided to focus on the period known as the “Golden Age of Girl Groups.” Though we’re calling it ’60s in the headline, it really spanned from roughly 1955 to 1970. In this era, the music was transported from the street corners and dance halls to the radio, which broadcast it into living rooms across the country. The songs blended elements of doo-wop, early rock ‘n’ roll, pop, gospel, and rhythm & blues. When melded together, it created a sound as fresh and new as the 45s and transistor radios that blasted out the music.

Most of the best-known girl groups were women of color (with a few notable exceptions, such as the Shangri-Las). These women not only topped the charts, they broke down barriers as they helped to integrate segregated audiences across the country, including the Deep South.

Behind the scenes were equally legendary songwriters, musicians and producers. You know their names, too: tunesmiths such as Carole King and Gerry Goffin, and the Motown song and production trio Holland/Dozier/Holland (Lamont Dozier and brothers Brian and Eddie Holland).

Such a shiny veneer had a dark side, though, in the form of the notorious Phil Spector. He was a brilliant producer who presided over many of the era’s biggest hits, but he was also a truly terrible human being who physically and emotionally abused his charges, including his ex-wife Ronnie Spector. He would eventually be convicted of murder and died in prison earlier this year.

The music has continued to inspire covers by both male and female artists – or boys and girls, in the parlance of the genre. Our list features covers by everyone from Aerosmith to Amy Winehouse, the Beatles to Bananarama (a girl group of another era), as well as ska bands, punk bands, indie bands, and countless Rock and Roll Hall of Famers who have covered tracks from the era.

That’s probably because the songs were so darn powerful. Love songs that captured the ecstasy and agony of teenage emotions like “Will You Love Me Tomorrow,” “Please Mr. Postman” and “You Can’t Hurry Love.” Party favorites such as “Dancing in the Streets” and “Heat Wave.” And songs that dealt with more complex social issues such as “Love Child,” and the disturbing “He Hit Me (And It Felt Like a Kiss).” Such great songs inspire great artists to record fantastic covers. Here’s a selection of our favorites.

– Curtis Zimmermann

The list begins on Page 2.

Jun 152018
 
best cover songs 1978

Welcome to the third installment in our Best Cover Songs of Yesteryear countdown, where we act like we were compiling our usual year-end list from a year before we – or the internet – existed. Compared to the first two, this one has significantly less grunge than 1996 and less post-punk than 1987. It’s hard to have post-punk, after all, before you have punk, a new genre starting to hit its peak in 1978. And don’t forget the other big late-’70s sound: disco. Both genres were relatively new, and super divisive among music fans. Lucky for us, both genres were also big on covers.

Disco, in particular, generated some hilariously ill-advised cover songs. We won’t list them all here – this is the Best 1978 covers, not the Most 1978 covers. If you want a taste (and think carefully about whether you really do), this bonkers take on a Yardbirds classic serves as a perfect example of what a good portion of the year’s cover songs looked and sounded like: Continue reading »