The Infamous Stringdusters Archives

Five Good Covers: “Get Lucky” (Daft Punk)

Posted by Seuras Og at 10:30 am No Responses »

Nov 192025

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

OK, so Cover Me has found five good covers of “Get Lucky” before, a decade-plus ago, but given it was then appended “So Far,” I felt it allowable to repeat and reprise, with all new songs.

I absolutely love “Get Lucky,” popping up forever on radio and on shop playlists. I loved it in 2013, the year Daft Punk released it, and I’ve loved it ever since. But the difficulty, for me, was always in the tracking it down. Even with good old Shazam I was suspicious. I couldn’t believe it was actually by some weird helmeted French electronic duo. Shazam must be wrong, I thought, convinced it was more akin to the sound of Nile Rogers and the extended Chic diaspora he created, courtesy the inescapable scrub of guitar that he has made his own. It took me actually buying Random Access Memory to get to grips with the truth, and to confirm that, yes, it was Rogers on guitar, along with Pharrell Williams on vocals, half of the pre-eminent music production team, the Neptunes.

A number one single across most of the world, surprisingly “Get Lucky” only ever made #2 in the US, albeit for 5 consecutive weeks (damn you, “Blurred Lines”!). Multiple awards came as a deserved matter of course, including Best Song and Best Pop Duo/Group Performance, at the Grammys. Lyrical scrutiny was less a concern in those days, with the chorus so damn catchy that all were happy to sing along, whether or not there was much realization about what the “Get Lucky” may be addressed toward. Mind you, with the singer suggesting the content innocent and relating more to the good fortune of meeting with and immediately connecting to someone, who was going to argue. With the slightly changing repetitions, many may have never actually latched on to the full lyrical, if you will, thrust, only learning the truth via so many karaoke machines.
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The Best Cover Songs of September 2024

Posted by Ray Padgett at 10:10 am 3 Responses »

Oct 012024

Andrew Bird & Madison Cunningham – Crying In The Night (Buckingham/Nicks cover)

Armored Saint — One Chain (Don’t Make No Prison) (The Four Tops cover)

Cover Genres: Banjo

Posted by Seuras Og at 12:00 pm No Responses »

Apr 212023

Cover Genres takes a look at cover songs in a very specific musical style.

Yes, it’s true–banjo isn’t really a genre, per se, as it encompasses more than one musical style. Way more. But this category could use a kickstart, and what better instrument to provide the kick with?

Now, I love the banjo, but I know full well how many don’t. Indeed, only the bagpipes and the accordion have been the butt of more jokes. My goal, then, is to take you the reader beyond the backwoods and blue grass, and to show you the other vistas where a banjo can not only play, it can also rule.

So then, banjo, do yer worst!
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The Best Cover Songs of August 2022

Posted by Ray Padgett at 12:00 pm No Responses »

Aug 312022

Eddie Vedder – Long Shadow (Joe Strummer cover)

This month, Joe Strummer would have turned 70. In a few weeks, Dark Horse Records will release the compilation Joe Strummer 002: The Mescaleros Years. To promote it, director Lance Bangs filmed a video of Eddie Vedder covering the posthumously-released Mescaleros track “Long Shadow.” It’s a simple fireside performance, similar to Vedder buddy Neil Young’s lockdown videos, and hopefully will bring more attention to a lesser known non-Clash track from the Strummer catalog. Continue reading »

Full Albums: The Grateful Dead’s ‘Europe ’72’

Posted by Curtis Zimmermann at 3:00 pm No Responses »

Mar 302022

Full Albums features covers of every track off a classic album. Got an idea for a future pick? Leave a note in the comments!

On April 7, 1972, the Grateful Dead hit the stage at Wembley Empire Pool in London, kicking off a multi-city European tour. The 22-date outing would eventually be immortalized in the three-LP live album it spawned: Europe ‘72.

The tour has been chronicled heavily in band members’ memoirs, remembered for both its great musical output as well as its levels of unbridled debauchery, excessive even by the standards of the Dead. For the band at the time, the tour felt like a monumental undertaking that included both scores of people and mountains of gear. In A Long Strange Trip: The Inside History of the Grateful Dead, Dennis McNally cataloged everything that came along for the journey, which included: “seven musicians, ten crew, five staff, seventeen assorted friends, wives, girlfriends and children … They brought themselves and fifteen tons of instruments, a sound system, and a sixteen-track recording system which they would install in a truck as a mobile studio. There was also lighting gear and their first traveling lighting designer.”

That spring, the band’s lineup was in a state of evolution. It was their last tour to include founding member Ron “Pigpen” McKernan, who would pass away in 1973. The husband and wife duo, pianist Keith Godchaux and vocalist Donna, were firmly entrenched in the band. Mickey Hart was on hiatus after his father had stolen money from the band, leaving Bill Kreutzmann as the band’s lone drummer. Given both this blend of musicians and the high quality of the recording equipment, the shows have a unique sound that differs from other eras of the band’s music.

While many bands use live albums as an easy way of fulfilling their contract or rehashing their greatest hits, Europe ‘72 is very much a complete work in its own right. The 17-track, three record set contained practically a full album’s worth of new material mixed in with older tracks. There are six new songs that were never even included on any studio records, three previously unreleased covers and two instrumental jams. Given the album and tour’s popularity among Deadheads, in 2011 the band released a more exhaustive collection, Europe ‘72: The Complete Recordings, a 73-CD box set.

As Deadhead nation marks the album and tour’s 50th anniversary, we decided to put together our own form of celebration. Here’s a breakdown of live covers of every single track on the album.
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In Memoriam: Jerry Garcia

Posted by Tom McDonald at 7:00 am 5 Responses »

Aug 012020

Let there be songs to fill the air: It’s the birthday of Jerome John “Jerry” Garcia. The Grateful Dead leader would be celebrating his 78th trip around the sun today. Although a quarter of a century has passed since Garcia passed away (on August 8th), there’s no need to revive his work: his music did not fade away in the first place. In fact, Garcia’s songs and his approach to improvisation seem as relevant and contemporary as ever.

A small number of his songs (co-writes with lyricist Robert Hunter) are fixtures in the American songbook, just as surely as those of Stephen Foster, Woody Guthrie, and Hank Williams. That alone is a pretty big deal. But in terms of covers, you’d be hard pressed to name any musician who gave more life to other people’s music than Jerry Garcia. He attracted millions of listeners with his own original songs and his trippy way with a guitar solo, but Garcia then guided that listenership toward a much wider world of music beyond the songs of his own.
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