Bob Dylan has been on a covers roll this year. On tour, he has primarily covered a number of Dead (“Truckin’,” “Stella Blue,” “Brokedown Palace”) or Dead-associated (“Not Fade Away,” “Only a River”) songs. But he’s dipped into other classic catalogs occasionally too. He did Van Morrison’s “Into the Mystic” for the first time and then, not long after, maybe the deepest cut yet: Merle Haggard’s 2016 track “Bad Actor.” The tape took a while to surface. It was worth the wait.Continue reading »
Damon Albarn’s latest record, The Nearer the Fountain, More Pure the Stream Flows, is a chilly affair in more ways than one. The subdued solo release was recorded in Iceland, with tracks that were drawn from what Albarn initially conceived to be a larger abstract piece. The record’s moods are certainly a change of pace for Albarn, who’s known for his maximalist Britpop and trip-hop at the helm of Blur and Gorillaz, respectively. In his live performances surrounding the new album’s release, Albarn has leaned into the brooding crooner approach on the covers front as well; earlier this month, he offered a live solo piano version of The Human League’s “Don’t You Want Me” for BBC Radio 2.Continue reading »
Cover Me began in 2007 and we did our first year-end list in 2008, so 2000 isn’t that long before we were following this stuff in real time. But, in music eras, 2007 and 2000 seem eons apart. 2000 was nü-metal and Napster, Smash Mouth and the ska revival. Beyoncé was in the quartet Destiny’s Child; Justin Timberlake only had a one-in-five chance of being your favorite member of N’Sync (or maybe one-in-four…sorry Joey). By the time this site started seven years later, all this seemed like ancient history.
There were a lot of extremely prominent covers in 2000. “Prominent,” of course, doesn’t necessarily meaning “good.” This was the year that Madonna covered “American Pie” (not to be outdone, Britney Spears then took a stab at “Satisfaction”). It was the year a Jim Carrey movie soundtrack inexplicably asked bands like Smash Mouth and Brian Setzer Orchestra to cover Steely Dan. It was the year of “Who Let the Dogs Out?” Bet you didn’t even know that one was a cover (unless you’re a faithful Cover Me reader).
None of those are on this list (though, if you want more dated trainwrecks like those, stay tuned Monday for a bonus list I’m calling the “The Most Extremely ‘2000’ Covers of the Year 2000”). But 2000 offered a wealth of wonderful covers, often flying just under the mainstream radar. Some of them still seem of the time – anything ska, basically – but most could have come out decades earlier. Or yesterday.
YouTube was still a few years away, as was streaming more generally, so covers still mostly came out through “traditional” avenues: on albums, as the b-sides to singles, etc. As I wrote in my new book, tribute albums were big business by this time too, which means that many 2000 covers emerged through that format. Even narrowing this list down to 50 was hard, which is why Cover Me’s Patreon supporters will get a batch of 150 Honorable Mentions.
Check out the list starting on Page 2, and stay tuned for the best covers of this year coming in December.
Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.
The Human League created many hits throughout the ’80s and ’90s in the UK, but “Don’t You Want Me” is the one that most successfully gained popularity across the pond. Philip Oakey first recorded this song by himself, but he promoted backup vocalist, Susan Ann Sulley, to the role of co-lead, creating the duet we know and love.
To those less familiar with The Human League’s full discography, this song might be considered a one-hit wonder. However, the song has a wide influence, uniting music fans across genres and demographics. We have the ladies of The Human League to thank for inspiring Posh Spice to “wannabe” in a musical group. The song’s synthesizer pop style is so catchy, even Pitbull sampled it. Sports fans rally behind this song too; “Don’t You Want Me” enjoyed a resurgence in popularity in 2014 when fans of the Aberdeen Football Club made a push to get the song back on the UK Singles Chart.
It’s surprisingly hard to find covers that don’t start with the same intro synth beat as the original, but these five covers break from the mold.
We just posted the 45 best Radiohead covers ever, but there’s already a 46th. Unsurprising, really, considering how much this band gets covered. The musical project of actor Kaelen Amara Ohm, Amaara took on the In Rainbows gem “House of Cards.” Her cover carries echoes of the haunting original, but with a smoother electro-ambient sheen.
Chris Anderson – Eh-Hee / Digging in the Dirt (Dave Matthews / Peter Gabriel cover)
Composer Chris Anderson draws from some pretty deep wells of music knowledge on his new Song Cycle. He covers Laurie Anderson and John Cage and Tom Waits – twice. He covers Peter Gabriel twice too, on a beautiful “Mercy Street” and more subtly here, working bits of “Digging in the Dirt” into – of all things – a gospel Dave Matthews cover. “The addition of a choir was important to me to create the feeling of a ground-swell of support,” he writes in an email. “The fact that the song is about ‘knocking the devil to his knees’ made the gospel choir a natural choice.”Continue reading »
Andrew Leahey & the Homestead – Lips Like Sugar (Echo and the Bunnymen cover)
Nashville Americana musician Andrew Leahey first heard “Lips Like Sugar” a couple years ago while touring through Texas. Dozing in the van, he woke up to a bandmate blasting the Echo and the Bunnymen hit. “I remember thinking, ‘I hope we don’t crash right now, because I absolutely need to learn how to play this,'” he said. “We’ve been playing it ever since.” He recorded it for his new album Airwaves, out tomorrow.
Bill Frisell and Thomas Morgan – You Only Live Twice (Nancy Sinatra cover)
Guitar great Bill Frisell first recorded the classic James Bond theme a couple years ago for his album (one of our favorites of that year). He revisits it now for a live album with bassist Thomas Morgan. Like any jazz musician worth his martini, Frisell changes and expands the Bond song the second time through. It’s barely recognizable much of the time, but would still be worth a spot on our Best Bond Covers list.Continue reading »