Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.
Johnette Napolitano knew she had something good, but she wasn’t ready to finish it. She had a boyfriend, Wall of Voodoo guitarist Marc Moreland, whose alcoholism made their relationship a trying one. She and her band, Concrete Blonde, had recorded a rough demo and “right away everybody reacted to it,” she later said. “There weren’t any lyrics, but there was something about the music that everybody really reacted to.”
The song was going to have lyrics, though – and they were going to be about Moreland. “I knew what I wanted to say, but I wasn’t looking forward to saying it,” Napolitano said. The music was ready, and the producer kept pushing her for the lyrics. She put him off and put him off until she had no other songs left to record. Finally, in the back of a cab on the way to the studio, she set down the words to “Joey,” which would become the band’s biggest hit.
“I was flooded with mail after ‘Joey,'” Napolitano said, “about everybody who had known that story, lost a buddy, or had a relationship with an alcoholic. It was a big lesson – the closer you get to the truth or are vulnerable with it and express it, the more universal it is.”
