Aug 232011
 

Jerry Leiber, the famed songwriter, passed away yesterday at 78. He was the lyricist in the songwriting duo Leiber and Stoller while Mike Stoller handled the composing. Together they penned such classic pop songs as “Hound Dog,” “Kansas City,” “Stand by Me,” “Jailhouse Rock,” and “Yakety Yak,” among many other hits which were originally performed by artists like Elvis Presley, The Drifters, and Ben E.King. In 1995 Leiber and Stoller’s catalog of hits was turned into the Broadway musical Smokey Joe’s Cafe, which was nominated for seven Tony Awards. The duo was inducted into the Songwriters Hall of Fame in 1985, and the Rock and Roll Hall of Fame in 1987. Continue reading »

Aug 082011
 

Festivals often entice artists to perform covers. What better way to convert the uninitiated than by drawing them in with a song they know and then (ideally) hooking them by transforming it into your sound? This past weekend’s Lollapalooza, though, seemed to offer even more cover performances than usual. Greg Kot of the Chicago Tribune even christened Saturday “#80snight” to keep track of all the ‘80s covers performed. Continue reading »

Feb 102011
 

In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!

Engimatic, eclectic and unpredictable, Neil Young has laid the groundwork for all singer-songwriters over his 48-year career. Covering Young is almost a rite of passage for folk, roots and Americana artists, and we’ve featured quite a few here in the past. Despite ebbs and flows in the quality of his output (Trans, anyone?), many cite Young as an example of a fiercely independent artist, dedicated to fully exploring his craft, forgiving some of these bumps in the road.

Perhaps, then, it’s not surprising that Young has not covered many songs himself. He started out, as all musicians do, as a cover artist. When he sang The Beatles’ “She Loves You” onstage in a church basement in Winnipeg, an audience member famously told him to “stick to instrumentals.” Since that time, however, he’s concentrated on developing as a songwriter (perhaps unwittingly participating in the marginalization of the song interpreter on the way). For this edition of In The Spotlight, we look at a few of the covers Young has attempted, either on album or in concert. Continue reading »