Sep 302022
 

‘The Best Covers Ever’ series counts down our favorite covers of great artists.

beach boys covers

If you were to look at the charts, the Beach Boys basically stopped having giant hits after 1966’s “Good Vibrations” (with the obvious exception of 1988’s “Kokomo”). They’re a singles band whose singles mostly dried up six years into their sixty-year career. They had a brief run of good-time hits about girls, cars, and surfing, then faded. They’re the band preserved forever in that cornball publicity photo up top.

But that’s not the story these covers tell.

The big hits are here, sure. “Surfer Girl” and “Fun Fun Fun” and “I Get Around” etc. But so are many now-iconic tunes that weren’t hits. “God Only Knows,” the Beach Boys’ most covered song, peaked at #39. By their standards, that’s a straight-up flop. Many other covered songs didn’t even make it that high. But “God Only Knows” has of course belatedly been recognized as one of the great pop songs of the 20th century. As has the album it came off of, Pet Sounds, itself a relative commercial failure.

Pet Sounds, of course, has long since been recognized as a classic. So some artists dig even deeper. “Lonely Sea” is an album cut off their 1963 album Surfin’ U.S.A. “Trader” comes off the 1973 album Holland. Three separate songs here originally came off Surf’s Up, now the go-to pick for artists who want to show they know more than Pet Sounds. Even a song not released until the ‘90s, “Still I Dream of It,” gets a killer cover.

You can trace the story of the Beach Boys’ reputation through these covers. A group once perceived as a lightweight singles act have been fully embraced as musical geniuses, all the way from the hits of the ’60s through the then-overlooked gems of the ‘70s and beyond. Some of these songs below you probably won’t know. Others you will know every single word of…but you’ve never heard them sung like this.

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Jun 202015
 

They Say It’s Your Birthday celebrates an artist’s special day with other people singing his or her songs. Let others do the work for a while. Happy birthday!

It’s a good time to be Brian Wilson. Earlier this spring, he released No Pier Pressure, his first album of new material in seven years. He is currently touring with Rodriguez, of Searching for Sugar Man (finally-)fame. Love & Mercy, the biopic featuring Paul Dano and John Cusack as different-era Brians, has been getting rave reviews. He’s not Mike Love. And today is his birthday.
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Sep 252013
 

Welcome to Cover Me Q&A, where we take your questions about cover songs and answer them to the best of our ability.

Here at Cover Me Q&A, we’ll be taking questions about cover songs and giving as many different answers as we can. This will give us a chance to hold forth on covers we might not otherwise get to talk about, to give Cover Me readers a chance to learn more about individual staffers’ tastes and writing styles, and to provide an opportunity for some back-and-forth, as we’ll be taking requests (learn how to do so at feature’s end).

Today’s question comes from Cover Me writer Jordan Becker: What cover song made you reevaluate your feelings about the original?
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Mar 122013
 

The music of Mark Kozelek, whether made with his former band Red House Painters, under his own name, or as Sun Kil Moon, has been described many ways: dreamy, melancholic, and wistful come to mind. With the release of his newest covers album, Like Rats, you can add creepy to the list. The songs he’s picked to cover have lyrics that are alternately menacing and depressing, either overtly or because they’ve been stripped of their accompanying upbeat music. Kozelek has never shied away from darker themes in his music: the yearning loss in RHP’s “Michael,” death and loneliness (and maybe serial killers?) in SKM’s “Glenn Tipton,” regret and self-pity in his cover of John Denver’s “I’m Sorry.” Kozelek’s voice often soars over the intricate guitars, though, and its sweetness lends the songs a faint glimmer of hope. But on “Like Rats,” he sings a register lower than usual (more on that decision later) and piles dark song upon dark song until the listener is off-balance from the assault of negativity. The album is barely 30 minutes in length, and anything more might be too much. Continue reading »

Sep 232011
 

Under the Radar shines a light on lesser-known cover artists. If you’re not listening to these folks, you should. Catch up on past installments here.

When bands are so loosely organized that they’re less a group than a state of mind, they usually call themselves a collective. The Doleful Lions – sometimes Jonathan Scott with a great supporting cast, sometimes Scott alone – call themselves an experience. And they’re right.

Scott sings about topics close to his heart. For most singers, this usually means cars and girls, but in Scott’s case, the topics have ranged from Freemasonry to cheap horror movies (1999’s The Rats Are Coming! The Werewolves Are Here! was named after the 1972 ratsploitation classic).  He’s also sung of fearsome fringe figures (Charles Starkweather, Bobby Beausoleil) and conspiracy theories (“and don’t you know it was the government/stopped The Beach Boys from releasing Smile” – “Surfside Motel,” from his 2002 masterpiece Out Like a Lamb). Yet throughout all this, Scott’s voice is like a warm blanket, comforting even as fears swirl around it, and his way with a pop melody and his range at production – from low-fi bedroom recordings to soaring studio epics – make each song, yes, an experience. Continue reading »