Mar 242026
 

You sort of know where you are with Portland’s Dandy Warhols. Their grungy fug of elemental electronica and gritty guitars rarely disappoints, nor does it stray far from their narrowly defined template. Applying a sheen of intelligent and informed dumb to everything they touch, cover versions have always proven sure ground for the quartet, making Pin Ups, their second set devoted thereto, something to relish. Given, too, the influences in their original songs are never that hard to spot, they nail more personality into the songs of others than you might reasonably expect, making this so much more than swoozy re-runs.

It is easy to imagine the discussions leading to this set of 17 songs were as much fun as the making of it. Some songs and some bands were just screaming out for inclusion–witness the Cramps and the Runaways–but I can’t say Dylan and the Beatles were expected to be featured, let alone the particular songs chosen. Of course, this isn’t the first airing for all of these songs, some collated and curated from previous forays into tribute discs and similar. Overall, there is also a stronger UK goth presence than might have been expected, with a song from the Cure and two by the Cult. Any obtusely perceived debt to UK punk is likewise mined through assaults on the songbooks of both the Clash and the Damned. Intrigued? I am.
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Mar 052026
 
Dandy Warhols

The Dandy Warhols have released another track from their upcoming all covers album. (You may recall last month the group releasing their cover of the Violent Femmes’ “Kiss Off.”) Now, they’re releasing their take on The Damned‘s “Love Song.”

This take on the 1979 classic is much more of an interpretation than a straight-ahead cover. (I can’t imagine Captain Sensible, et al. wanting to use synths and drum machines in 1979.) However, with the new take on it, the quality of the songwriting stands out, showing how well-constructed a song it really is. Continue reading »

Jan 302026
 
The Best Cover Songs of January 2026
The Beaches — I Ran (So Far Away) (A Flock Of Seagulls cover)

The Beaches released one of the best albums of last year with No Hard Feelings. Now they’ve followed up with a Flock of Seagulls cover. Why? Why not! They don’t veer too far away from the original arrangement, but add an extra dose of indie-rock crunch. Halfway through it gets a little more shoegazy and expansive, with a huge build.

The Damned — Making Time (The Creation cover)

This deeper cut is a high point of the Damned’s new covers record, which, per our review, “takes the song into near heavy metal territory, if leavened by the catchy choral chorus, which, especially with the bass and drums, comes over like the Who in their prime.” Continue reading »

Jan 282026
 

Not Like Everybody ElseThat the Damned should still be around, still plugging the same level of 2-D technicolor bombast, should be no surprise. Cartoon characters don’t age, so why should the Archies of Punk? But these are grown men, all approaching 70 from one direction or another, and nobody lives forever. Which is sort of the point and the purpose of Not Like Everybody Else.

This is a true tribute album, a celebration both of the band’s influences and of their bandmate Brian James, who died last March. James was the catalyst who pulled this motley crew of reprobates together, back in the dim and distant 1970s, writing the vast bulk of songs on their first two albums, cementing their name and reputation as trailblazers in the emergent punk scene. With chaotic and rabid live performances their calling card, this first iteration of the band burned at both ends, lasting barely a couple of years.

In the fifty years since, there have been innumerable variations and versions of the band, stumbling from lineup to lineup, label to label, yet always guaranteed to kick up a skirmish live, with a slow and steady trickle of singles to keep them in the public eye. With, as always, Dave Vanian at the helm, on vocals and Dracula impersonations, there have been upward of 20 members, yet it is that earliest line up that is inked in most indelibly: Vanian, James, Rat Scabies on drums, and Captain Sensible on bass and then guitar. So much so that, in 2024, that lineup convened for a sellout tour. With James already ill, that was as much as anything a means to give him a financial leg up, but it was nonetheless triumphant.

Now, with his death, the band celebrate his life with this set of covers, the sort of songs that inspired them back in the day, and probably still do. Possibly a surprising selection, but then, they were never really hardwired for punk, with always a love of psychedelic garage rock coursing through their veins, and a good touch of goth for good measure. The omnipresent Vanian leads from the front, with Captain Sensible on guitar. Having patched up their differences on the re-union tour, Rat Scabies has stayed on behind the  drum kit. Paul Gray, on and off bassist since 1980, makes up the quartet, abetted by Monty Oxymoron, a permanent fixture since 1986, if curiously always absent from publicity shots, on keyboards.
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Dec 162025
 
The Damned Cover Pink Floyd

The second single from the upcoming covers album by The Damned has been released and it’s a cover of an early-era Pink Floyd classic. The Damned cover of “See Emily Play” is sung by the band’s guitarist, Captain Sensible. Sensible wrote that it “was the song that blew my mind (man!), so much that I went from merely appreciating music to becoming completely obsessed by it.” The song was released as a non-album single in 1967, and was written by Pink Floyd founding member Syd Barrett. Continue reading »

May 312024
 

‘The Best Covers Ever’ series counts down our favorite covers of great artists.

Sisters of Mercy

As regular readers know, here at Cover Me we put together a Best Covers Ever list every month for a celebrated artist. We’ve recently done the Pet Shop Boys and Sheryl Crow. And before them we did the biggie – The Beatles – and before them, Bob Dylan! But every now and again, there’s a particular genre that’s crying out for the Best Covers Ever treatment – and this month it’s the Dark Genre. It’s goth!

So why now, you ask? Are goth covers really a thing? And why don’t Alien Sex Fiend or Fields of the Nephilim have their own Best Covers Ever features?

Fair questions, all. First off, goth music is everywhere right now. It may have emerged out of the UK post-punk scene and enjoyed its most innovative period from 1980 to 1982, but it’s now the reason we have Whitby Goth Weekends in April and November (well, that and Count Dracula), World Goth Day on May 22, and goth nights down the Hatchet Inn in Bristol most nights, particularly Thursday. It’s also why we have heaps of goth books on the market right now, from John Robb’s The Art of Darkness to Lol Tolhurst’s Goth: A History and Cathi Unsworth’s Season of the Witch, all trying to explain goth’s lasting influence as a musical subculture: the fixation with death, the dark theatricality, the Victorian melodrama, the leather, the thick black eyeliner, the fishnet tights, the deviance, the sex, the deviant sex, and, of course, spiders. Continue reading »