Jan 302026
 
The Best Cover Songs of January 2026
The Beaches — I Ran (So Far Away) (A Flock Of Seagulls cover)

The Beaches released one of the best albums of last year with No Hard Feelings. Now they’ve followed up with a Flock of Seagulls cover. Why? Why not! They don’t veer too far away from the original arrangement, but add an extra dose of indie-rock crunch. Halfway through it gets a little more shoegazy and expansive, with a huge build.

The Damned — Making Time (The Creation cover)

This deeper cut is a high point of the Damned’s new covers record, which, per our review, “takes the song into near heavy metal territory, if leavened by the catchy choral chorus, which, especially with the bass and drums, comes over like the Who in their prime.” Continue reading »

Jan 282026
 

Not Like Everybody ElseThat the Damned should still be around, still plugging the same level of 2-D technicolor bombast, should be no surprise. Cartoon characters don’t age, so why should the Archies of Punk? But these are grown men, all approaching 70 from one direction or another, and nobody lives forever. Which is sort of the point and the purpose of Not Like Everybody Else.

This is a true tribute album, a celebration both of the band’s influences and of their bandmate Brian James, who died last March. James was the catalyst who pulled this motley crew of reprobates together, back in the dim and distant 1970s, writing the vast bulk of songs on their first two albums, cementing their name and reputation as trailblazers in the emergent punk scene. With chaotic and rabid live performances their calling card, this first iteration of the band burned at both ends, lasting barely a couple of years.

In the fifty years since, there have been innumerable variations and versions of the band, stumbling from lineup to lineup, label to label, yet always guaranteed to kick up a skirmish live, with a slow and steady trickle of singles to keep them in the public eye. With, as always, Dave Vanian at the helm, on vocals and Dracula impersonations, there have been upward of 20 members, yet it is that earliest line up that is inked in most indelibly: Vanian, James, Rat Scabies on drums, and Captain Sensible on bass and then guitar. So much so that, in 2024, that lineup convened for a sellout tour. With James already ill, that was as much as anything a means to give him a financial leg up, but it was nonetheless triumphant.

Now, with his death, the band celebrate his life with this set of covers, the sort of songs that inspired them back in the day, and probably still do. Possibly a surprising selection, but then, they were never really hardwired for punk, with always a love of psychedelic garage rock coursing through their veins, and a good touch of goth for good measure. The omnipresent Vanian leads from the front, with Captain Sensible on guitar. Having patched up their differences on the re-union tour, Rat Scabies has stayed on behind the  drum kit. Paul Gray, on and off bassist since 1980, makes up the quartet, abetted by Monty Oxymoron, a permanent fixture since 1986, if curiously always absent from publicity shots, on keyboards.
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May 132014
 

With the possible exception of Martin Scorsese, no movie director has been more closely identified with his soundtracks than Wes Anderson. He has consistently selected songs by well-known artists that, through no fault of their own, have become three-quarters forgotten over the years, and reintroduced them to the world as the classics they had always been. If someone calls a song a prime candidate for the next Wes Anderson soundtrack (Guilty!), an instant and accurate picture is created. The soundtracks show a cohesion that’s rare in these days of we-want-a-hit soundtracks, where the earmarked smash doesn’t play until the final credits have started rolling, and they have become high points in the experience of watching Anderson’s movies. Now the American Laundromat Records label has collected covers of some of those high points on I Saved Latin! A Tribute to Wes Anderson, resulting in the best tribute album of the year.
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