Aug 312020
 
best cover songs august 2020
Alex Kapranos & Clara Luciani – Summer Wine (Lee Hazlewood & Nancy Sinatra cover)

Clara Luciani is Nancy Sinatra and Franz Ferdinand frontman Alex Kapranos is Lee Hazlewood on this charming cover. Kapranos wrote, “When the lockdown started, we decided to record [‘Summer Wine’] — more for ourselves than anything else. We wanted to create the atmosphere of an imaginary world away from the confinement we were experiencing. Not that we were unhappy, but the imagination is the greatest medium for escape and adventure… After the lockdown eased off, we got together to film the video with our friends Adrien, Leo, Fiona and Hugo. I love the ideas they had, which suit the mood of the song and reflect our… well, our love of karaoke!” Continue reading »

Aug 052020
 

Welcome to Cover Me Q&A, where we take your questions about cover songs and answer them to the best of our ability.

a cappella cover

Here at Cover Me Q&A, we’ll be taking questions about cover songs and giving as many different answers as we can. This will give us a chance to hold forth on covers we might not otherwise get to talk about, to give Cover Me readers a chance to learn more about individual staffers’ tastes and writing styles, and to provide an opportunity for some back-and-forth, as we’ll be taking requests (learn how to do so at feature’s end).

Today’s question: What’s a favorite a cappella cover?
Continue reading »

Jun 212019
 

In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!

kt tunstalls best cover songs

Tunstall’s debut album, Eye to the Telescope, contains crowd favorites such as “Suddenly I See,”  which graces the iconic opening scene of the film The Devil Wears Prada. However, Tunstall’s breakout hit came in 2004, with “Black Horse and the Cherry Tree.” (Woo hoo!) This song is emblematic of Tunstall’s overall style of guitar playing and vocal tone and features the popular Bo Diddley beat. Continue reading »

May 202019
 
xenia rubinos cover

For the new documentary I’m Leaving Now (Ya Me Voy), about an undocumented worker in Brooklyn, singer-songwriter Xenia Rubinos covered The Clash’s “Should I Stay or Should I Go.” It features all the energy and passion of the original, with a twist: with the personal approval of The Clash’s Mick Jones, she translated the lyrics entirely into Spanish. Continue reading »

May 092018
 

In Pick Five, great artists tell us about five cover songs that matter to them.

david ford covers

Plenty of musicians write songs about politics. Fewer write songs about economics. But that’s the subject of all ten tracks on British singer-songwriter David Ford’s new album Animal Spirits, out Friday.

If an album about markets and trickle-down theory sounds kind of, well, dry – it isn’t. At all. Like all of his albums, Animal Spirits is brilliant: bluesy barn-stormers mixed with a few wedding-worthy love songs. Check out the title track: Continue reading »

Feb 252018
 
Ed Cobb

Every so often, a figure from behind the scenes of popular music garners such renown that he or she becomes a household name: “Colonel” Tom Parker, Quincy Jones, and Carole King (as a hitmaking songwriter before she stepped into the limelight) to name a few.

And then there are all the countless others, the ones who passed through this realm largely unheralded by the record-buying public. One of these was songwriter and producer Ed Cobb, who would have turned 80 today. You may not know his name, but he left his mark on some very disparate—and uniquely compelling—byways of pop music.

Cobb’s musical career began as a member of the Four Preps, a white doo-wop group that scored two Top Five hits in 1958. The Preps’ sound was safe and family-friendly; hardly the stuff of legend. But early on, Cobb gravitated towards songwriting and production, penning soul and R&B numbers rather than the Preps’ squeaky-clean material. One of these was a little number Cobb wrote for Gloria Jones called “Tainted Love.” It didn’t make much of an impact in its first two iterations, but on its third try became a record-breaking smash, hitting #1 in 17 countries. (Of course, close readers of Cover Me will already know this story.)

But there’s more to that song’s journey. When we recently spoke with Fugazi frontman and Dischord Records co-founder Ian MacKaye about Ed Cobb – his other band Minor Threat covered Ed Cobb’s “Sometimes Good Guys Don’t Wear White” – he alerted us to a yet another cover of the song: Continue reading »