Feb 232024
 

‘The Best Covers Ever’ series counts down our favorite covers of great artists.

beatles covers

Sixty years ago this month, The Beatles played on the Ed Sullivan Show. You don’t need us to tell you what a momentous occasion this was; entire books have been written on the subject. Suffice to say we’re using the anniversary as our excuse to finally devote a Best Covers Ever to perhaps the biggest band of them all. We’ve done Dylan. We’ve done the Stones. We’ve done Dolly and Springsteen and Prince. But there was one last giant remaining.

Though it’s difficult to measure this precisely, The Beatles are the most-covered artist of all time according to the two biggest covers databases on the internet (SecondHandSongs, WhoSampled). And that certainly feels right. “Yesterday” is often cited as the most-covered song of all time, though that needs qualifiers (a ton of Christmas standards would beat it). But, again, it feels right. The Beatles were ubiquitous in their day, and they’ve been ubiquitous ever since. They just had a chart-topping single last month, the A.I.-assisted “Now and Then,” which was duly covered widely. If “Carnival of Light” ever surfaces, no doubt a carnival of covers will soon follow. Continue reading »

Oct 132023
 
That’s A Cover? explores cover songs that you may have thought were originals.

Breeders

The Breeders—that female-fronted alt-rock supergroup forged long before Boygenius came along—are currently on tour celebrating the 30th anniversary of their post-Nevermind, platinum-selling, grunge-pop triumph, Last Splash. They’re also boasting an “original analog edition” of the album which made them a mainstream success in 1993 and which, in 2022, came out #35 in Pitchfork’s Top 150 Records of the 1990s. That means, of course, that they’re giving “Drivin’ On 9” another bask in the sun. The record’s country-tinged anomaly may not have been a single, but it sure turned out to be a deeply loved, radio-friendly classic and a signature Breeders song—their second most popular track on Spotify, in fact, between “Cannonball” and “One Divine Hammer.”

It’s a song, furthermore, that the band continue to wheel out for significant public appearances, recognizing it as a towering presence in their catalog. They performed it in bed for Bedstock 2017 in support of MyMusicRx. They also played it in the Rock and Roll Hall of Fame lobby in September 2023, to console a few hundred people when forced to cut short their “Rock Hall Live” outdoor show due to a storm. Kim Deal wrapped her uniquely dirty-pretty voice around it for the thousandth time. Jim Macpherson tapped along on a nearby surface. Kelly Deal broke off her inaudible guitar plucking to play the solos on her phone. And Kim joked that she’s like Stevie Wonder, the whole thing being a funny, intimate, shambolic delight—shared on YouTube—that was nothing short of quintessential Breeders.

But here’s a thing:

  • The Breeders did not write the song. That’s according to @carriebradleyneves1839, who was quick to affix to the Rock Hall YouTube clip: “Words and music by Dom Leone and Ed’s Redeeming Qualities, published by Buck Tempo, copyright 1989.”

And here’s a bigger thing:

  • It’s a cover. That’s contrary to cover-song oracle SecondHandSongs, which notes “Steve Hickoff, Dom Leone” as the writers, but stamps “Original” on the Breeders release of August 30 1993.
From this, it’s certain that the Breeders’ “Drivin’ On 9” belongs to a very different camp to that of the Breeders’ “Happiness is a Warm Gun” or the Breeders’ “Lord of the Thighs.” Few people, to be sure, are aware of Steve Hickoff or Dom Leone in the same way they are the Beatles or Aerosmith, or know who or what Ed’s Redeeming Qualities is. Even fewer are able to credit the Ed’s version of 1989 as the official original. Or credit Ed’s as the first public performers of the song. Indeed, the true status of Ed’s Redeeming Qualities as the original artists as well as writers is seemingly lost in a distant 1980s haze of amateur musicianship and cult followings, where DIY recordings and demo tapes mattered, where ramshackle live shows in a shabby basement club in Boston could easily give birth to a ‘hit’ song, and where the word ‘official’ held very little sway.

So what’s the unofficial story of the perky yet strangely melancholy strummer that the Breeders made famous?
Continue reading »

Jul 012021
 
av undercover

Anyone who was paying attention to cover songs a decade ago will remember The A.V. Club’s “Undercover” series. In the vein of the BBC Live Lounge and Triple J Like a Version, the entertainment web site would bring bands into their Chicago offices to cover a song. The concept, though, was the site started with a masters list of songs and the band had to pick one. The later they came in, the fewer song choices remained. It went on for years and the covers were ubiquitous (we must have posted a million of ’em). Practically every indie band of the era stopped by (many several times), and they often delivered something great. Continue reading »

Jun 162021
 

Welcome to Cover Me Q&A, where we take your questions about cover songs and answer them to the best of our ability.

a cappella cover

Here at Cover Me Q&A, we’ll be taking questions about cover songs and giving as many different answers as we can. This will give us a chance to hold forth on covers we might not otherwise get to talk about, to give Cover Me readers a chance to learn more about individual staffers’ tastes and writing styles, and to provide an opportunity for some back-and-forth, as we’ll be taking requests (learn how to do so at feature’s end).

Today’s question, suggested by staffer Curtis Zimmerman: What’s your favorite cover of a fictional song?
Continue reading »

Apr 262018
 

In Pick Five, great artists tell us about five cover songs that matter to them.

speedy ortiz cover songs

Speedy Ortiz’s third album Twerp Verse doesn’t come out until tomorrow, but it’s already making noise. NPR Music calls it “both musically expansive and [frontwoman Sadie] Dupuis’ most accessible work yet, a blend of catchy pop hooks and dexterous guitar playing,” while the New York Times praises the band’s “signature acerbic wit.” And it almost didn’t exist.

In late 2016, the band – that’s Dupuis plus guitarist Andy Molholt, bassist Darl Ferm, and drummer Mike Falcone – planned to record a new album full of peppy love songs. Then November 8th happened, and all of a sudden a bunch of chipper “lovey-dovey” tunes didn’t feel appropriate. That batch of songs “just didn’t mean anything to me anymore,” Dupuis wrote in the press release. “Social politics and protest have been a part of our music from day one, and I didn’t want to stop doing that on this album.” Continue reading »

Dec 062017
 
shovels rope covers

Husband and wife team Cary Ann Hearst and Michael Trent, better known as Shovels & Rope, know their way around a good cover song. We’ve shared a handful of their covers here at the site over the years, including a couple of cuts from their 2015 collection of covers, Busted Jukebox, Volume 1. From that title, it’s almost as if they knew they’d be releasing more covers at some point. Well, surprise! This week sees the release of Busted Jukebox, Volume 2, following the same format of Volume 1: a wide-range of source material reimagined with the help of some musician friends. Continue reading »