Jun 212024
 

‘The Best Covers Ever’ series counts down our favorite covers of great artists.

The Kinks covers

If The Kinks had stopped after their first year, they’d still be legends. “You Really Got Me” and “All Day and All of the Night,” two of the all-time-great sixties rock singles, were both released in 1964. That’s more classics in one year than most bands have in decades (and their year gets even better if you slide in January 1965’s “Tired of Waiting for You,” recorded before “All Day Etc”).

But if The Kinks had stopped after their first year, this list certainly wouldn’t run 50 covers deep. Because, of course, they didn’t stop. They kept releasing hits, including Top 10s in both the ’70s (“Lola,” “Apeman”) and ’80s (“Come Dancing”). Maybe even more importantly, they kept creating, kept innovating, kept pushing forward, not settling into retreading their early garage-rock sound. That wide breadth gets reflected in the Kinks songs that artists covered. The big hits, of course, are well represented. But so are plenty of album cuts and singles that “flopped” at the time but were rediscovered years later.

Ray Davies turns 80 today. So today, we celebrate his birthday—and his ability to withstand decades of interviews about whether he and brother Dave will ever reunite—with our countdown of the 50 Best Kinks Covers Ever.

NEXT PAGE →

May 212024
 

Long Distance LoveWell, how about that! On the same day as a still-going Little Feat put out a blues cover album, Sam’s Place (review incoming), so too choose Sweet Relief to put out Long Distance Love, a star-studded charity tribute to their late founder and lynchpin, Lowell George. Star-studded? Well, let’s say the likes of Elvis Costello, Dave Alvin and Ben Harper are all present and accounted for, with George’s own daughter, Inara George, also putting in an appearance.

Lowell George was a slide guitar maestro, a singer/songwriter with a penchant for complex swampland boogie, polyrhythmic shuffles to delight both brain and bootheels. He formed Little Feat back in 1969, after a short spell with Frank Zappa’s Mothers of Invention. A set of well-received albums followed, until 1979, when George (a) dissolved the band, (b) released his solo album Thanks, I’ll Eat It Here, and (c) died of a massive heart attack at the age of 34. It took eight years before the relicts of what had assuredly been his band reconvened, and they remain a vital presence, with George’s songs still the ones the fans mainly come to hear. These are the songs that return to the spotlight on Long Distance Love, and the four and a half decades since Lowell’s voice was stilled have done nothing to dampen their vibe.
Continue reading »

Apr 152021
 
Dev Marvelous La La La

Dev Marvelous and The Bird and the Bee’s Inara George are a well-matched creative pair. Though they’re divided by a generation and by geography — Louisville and Los Angeles, respectively — both create similar strains of inviting pointillist pop. Even the pair’s crate-digging influences appear to be uncannily aligned. In a trio of charming at-home performances shared recently on Instagram, Dev Marvelous plays an acid jazz Herb Alpert remix, an off-the-cuff midnight solo Rhodes improvisation, and even a wild Eumir Deodato fusion synth solo. Continue reading »

Dec 042020
 

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

She's Gone covers

“She’s Gone” by Daryl Hall & John Oates was born old school. Even though the sign over the door of what was primarily known as “Soul” has long been replaced with the marginally more modern and wider sonic net of “R & B,” “She’s Gone” remains proud, righteous and straight up SOUL to its core. It’s an unabashed, beauteous love letter to the glorious Motown sounds that preceded it a decade before its creation, all harmony, hook, and heartache. It is forever immune from descriptive modernization.

John Oates’s explanation of the song’s genesis in his fine, funny 2017 memoir Change of Seasons was surprisingly comic, given the song’s theme of loss. It’s based on a very brief fling he’d had with a woman he’d encountered on an arctic night in an NYC diner at 3 a.m., who was wearing a pink tutu and cowboy boots (like you do). They dated for a few weeks until she vanished as quickly as she’d appeared, exerting the ultimate romantic gesture of cruelty by standing him up on New Year’s Eve. He says when he realized “she was going to be a no-show on that night of nights,” he thought, “If she’s not coming tonight… then she’s gone.” With that, a chorus was born. John shared the story and his melodic snippet with Daryl the next day, who then sat down at his black Wurtlizer and fleshed out the legendary intro and verses… and voila, “Everybody’s high on consolation,” forever and ever amen.

John knew the song was special. After they’d recorded it, he made this unbelievably prescient observation in his journal:

3/2/73, She’s Gone–I’m putting it down in writing. This is the one. I believe in this one.

Continue reading »

Oct 222020
 
bird bee little drummer boy

If there was ever a year to go ahead and start the Christmas music early, this might be it. Christmas music means it’s almost Christmas means 2020 is almost, finally, over. And what better way to get started than with everyone’s favorite Christmas song “Little Drummer Boy”!

Alright, so this song can be a bit polarizing, but the Bird and the Bee surely aren’t, especially when they are joined by Dave Grohl in the titular role. Continue reading »

Jul 312020
 

Check out the best covers of past months here.

best cover songs july 2020
The Band Of Heathens ft. Margo Price – Joy (Lucinda Williams cover)

Promoting her new album That’s How Rumors Get Started, Margo Price has been on a great covers kick. She recently tackled a political country classic at the Grand Ole Opry, Bob Dylan on CBS, and John Lennon from her house. Now she’s teamed up with Band of Heathens to cover a Lucinda Williams classic. To quote Lucinda on Instagram, “Get to Slidell, girl!!” Continue reading »