Singer-songwriter Andrea von Kampen is a Nebraska native with a catalog of independent releases dating back to 2015. Her songs are inspired by the scenes and voices of her home state: the still, natural beauty of its landscapes; the incisive works of fellow Nebraskan writers like Willa Cather. Given von Kampen’s firmly rooted sense of place, its a welcome surprise to find her latest single journeying from the landlocked Midwest all the way to sunny Southern California — a West Coast Art-Pop trip of sorts.
In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!
There are very few articles about Terry Reid that fail to mention his falling at the first hurdle of being asked to join Led Zeppelin, and, I am afraid, this isn’t one of them. It seems the one fact anyone knows about this still-performing singer, and one that, understandably, always irks him. Not so much that he regrets it, more he just regrets it being the only part of his life and career anyone asks him about. Or seems interested about. Which is a shame, as there has always been a good deal more to Terry Reid than that.
Black Country, New Road – Time to Pretend (MGMT cover)
If you’re expecting the “Time to Pretend” you knew and loved a decade ago, think again. UK post-punkers Black Country, New Road, one of the buzziest bands of the new year, deconstruct the song entirely. It starts pretty sane, then gradually veers off the tracks into chaos. By the end there’s a free-jazz sax solo leading a wall of noise only barely identifiable as this, or any, song.
Though the Beach Boys recorded and released eight studio albums in the ‘70s, the endless sessions produced few classics. The quality of the music was dragged down by drug use, infighting and Brian Wilson’s crushing mental illness. These days, the albums play more like historical time-pieces than essential listening.
Amanda Shires – That’s All (Genesis cover)
Our first song kicks off what will be a theme here. A lot of these came out at the very top of the year (or the very end of 2020) to kick a garbage year to the curb and hope for something better. Shires said: “’That’s All’ is a song that I have played a lot on tour. The song defines 2020 for me. It’s a true Covid anthem and I dare you to not dance to my version when you hear it!”
Pete Yorn is one of those names you know, if not always realizing or recognizing why. His debut album made him a Rolling Stone One To Watch for 2001, going gold to boot, thanks partly to the single “Life On A Chain.” (Aah, that Pete Yorn!) A further six albums have followed, as well as various other live albums and collaborations. He’s been the musical muscle behind some of Scarlett Johansson’s excursions into music, they making one LP and an EP together, another possibly on the way. He is also a regular on soundtracks and tributes, performing the songs of others as varied as The Ramones, Bruce Springsteen and New Order. We have featured him often.
Now comes album number seven, Pete Yorn Sings the Classics. Quite where the parallel galaxy is that considers this quirky set of songs classics, I don’t know, but it’s somewhere I could happily live. OK, many you will know, and some are fitting of that title, with others maybe vaguer memories, perhaps from childhood. But don’t dismiss this, the love here seeps thickly through the grooves and makes this just one great big grin of a project.