Jun 092023
 
Ray Noir

Ray Noir is a London-based alt/goth musician who mashes the genres of metal, electronic, and pop into a sonic stew. Noir stated that his latest release, a cover of Tears for Fears’ classic “Shout,” was inspired by the injustice in the world, particularly referring to racism and the Trans+ movement. This cover is fueled by his anger, and desire for justice. 

When you listen to Ray Noir version’s, and then go back to Tears for Fears’, the seeds of industrial-ness of the original version become strikingly apparent. The original has a heavy synth sound, full of ratchety percussion. In Noir’s iteration of the 1985 hit, the persistent synth stabs and electronic boom-chick percussion combined with the growly vocal distortion are gritty and satisfying. The tribulating, wavering layers of sounds in the bass range add a sense of unease and angst. As the musician’s bodies dance and move under the smoke and green lights in the music video, we get the sense that someone is, indeed, about to start a revolution. And the final words, “come on,” are purely haunting. 

Check out many more Tears for Fears covers here.

May 312023
 
best cover songs may 2023
Beck – Hands on the Wheel (Willie Nelson cover)

Willie Nelson’s giant 90th birthday concert in Los Angeles featured a whole host of covers. Some of them featured the man himself. Admittedly, that makes those not really covers, so we’ll feature a couple Willie-less Willie tunes. First up, Beck tackles Willie’s Red Headed Stranger classic “Hands on the Wheel.” (Find another cover of this song in the Best of the Rest list.) Continue reading »

Apr 032023
 
best cover songs of march 2023
Bria – When You Know Why You’re Happy (Mary Margaret O’Hara’ cover)

Bria’s “Where Have All The Cowboys Gone?” made our list of the Best Covers of 2022. The track was a sneak peak at her covers EP Cuntry Covers Vol. 2, and the full thing dropped a few weeks ago. It includes a wonderful version of this much more obscure song. Bria explains: “Mary Margaret O’Hara is a creative force and one of my favorite Canadian artists. I have been a huge fan of hers for quite some time and really wanted to try my hand at one of her songs for Vol. 2. She is a real queen of vocal improvisation. It’s a trait of hers that I’ve always admired, so I really wanted to explore that when recording this cover. The video for this track is special to us, a sort of collage of memory; fragmented footage of summer taken over the last two years is dispersed throughout shots of a vast winter scene, filmed while we finished the record up North with our live band.” Continue reading »

Mar 022023
 
forty feet tall shout cover

“Shout” is the hit that broke Tears for Fears in the US, as part of the “Second British Invasion,” and it remains one of their biggest songs. Like so much of Tears for Fears’ oeuvre, the song is really tied to its aesthetic, which saw the band mixing synthpop and rock music.

Forty Feet Tall are a Portland, OR-based post-punk-influenced rock band who have been putting out music for about a decade. So they’re into the music that was all over the UK underground a little bit before Tears for Fears made it big. Continue reading »

Dec 092022
 

One Great Cover looks at the greatest cover songs ever, and how they got to be that way.

Mad World

You break something down to its most basic parts and people just react.–Michael Andrews, 2003

The Californian composer Michael Andrews and his childhood buddy Gary Jules scored the most unlikely UK Christmas #1 in history with their cover of “Mad World” in 2003. Listeners raised a lot more questions than glasses of eggnog. Where were the sleighbells, the snow allusions? Where was the Christian message of peace, à la Cliff Richard? The children’s choir? The cloying sentimentality? The song had none of these things. Instead, it had a stripped-back sound, a quiet mournfulness, and some distinctly unfestive lines laid bare. One was: “Went to school and I was very nervous / No one knew me, no one knew me.” Another was: “The dreams in which I’m dying are the best I’ve ever had.”

In fact, the song was basically about a depressed kid.

It wasn’t just about a depressed kid; it was even more about a depressed kid than the original. And this was likely the key to its greatness and, amazingly, its Yuletide success.
Continue reading »