Apr 282023
 
most popular covers

At Cover Me, our goal is to share great covers, whether they comes from artists with ten fans or ten million. But I am always vaguely curious what cover songs break out, which among the thousands we hear each year become genuine hits.

I was reminded of this when a recent Country Now headline crossed my Google Alerts: “Luke Combs’ ‘Fast Car’ Cover Is A Streaming Giant.” After only a month, the country star’s fairly faithful take on Tracy Chapman’s 1988 classic has racked up 33 million streams in the U.S. alone. Covers by famous singers come and go, but this one clearly has staying power.

So I decided to try to figure out which other covers from the 21st century have reached this level of breakout success. I’m not privy to Billboard‘s deep-dive chart data, so I used an easy metric available to an amateur like myself: Seeing how many plays something has on Spotify. As good a measure for “a popular song” as you can probably get these days, albeit still imperfect.

I found twenty-four 21st-century covers with over 100 million U.S. streams as of this writing (April 2023). Some very popular covers didn’t quite make the 100m+ threshold: Weezer’s “Africa” (75 million), Iron & Wine’s “Such Great Heights” (76 million), Fall Out Boy and John Mayer’s “Beat It” (89 million). Ryan Adams’ “Wonderwall” only just crossed the 100 million streams mark in the past couple months. And while older covers obviously have an advantage in more time to rack up plays, number one — by a lot! — came out only a few years ago.

Here’s the list of 24. No commentary since, for once, we’re not unearthing buried treasures here. Let’s count down the 24 most-streamed covers on Spotify, with the year of release and number of streams as of this writing. (And it’s possible, even likely, I missed a few, so feel free to suggest additions in the comments — if they qualify, I’ll add ’em.)
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May 112020
 

Cover Two reviewJoan Wasser started out as a violinist, performing in a variety of bands throughout the ’90s including The Dambuilders, Black Beatle, and Antony and the Johnsons. She eventually broke out on her own, assuming the stage name Joan As Police Woman (inspired by the TV show Police Woman) and releasing her first solo album in 2006. After two solo records of original material, Joan As Police Woman released a limited edition covers album in 2009 that included a variety of songs, from T.I. to David Bowie. Four albums and over a decade later, Joan is back with Cover Two, a similarly eclectic batch of cover songs.

Joan As Police Woman describes the process of creating this album: “I start with the question, ‘WHY, exactly, do I love this song?’ I take those elements and reform them, sometimes removing much of the remaining material to refocus them through new glasses.” Her process is evident in the sound of the album. Her covers are sparse, but still evocative.

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Apr 302020
 

Check out the best covers of past months here.

best cover songs april 2020
Arlo Parks – Redondo Beach (Patti Smith cover)


I’ve wanted to do a “Full Albums” on Patti Smith’s Horses for years. But it, and she, gets covered less than you’d think. This beautiful piano “Redondo Beach” gets me one step closer. Though, admittedly, I already had Courtney Barnett’s recent cover for that slot. Someone cover “Break It Up” already! Continue reading »

Jun 062011
 

Duncan Sheik had one of the 1990s’ more enduring songs in “Barely Breathing,” which hung around the Billboard Top 100 charts for a full year. As they say in (what used to be) the radio business, it tested well. Six additional albums have followed, but Sheik has spent much of the past five years composing scores for Broadway productions and winning both Tony and Grammy awards in the process. Long before he was halfway to an EGOT, though, Sheik spent his teenage years in the 1980s. On Covers 80s he reflects the influence that a wide range of synthpop bands and tracks had on his formative years.

This is no John Hughes soundtrack compilation and if you’re looking for a “Walking On Sunshine” feel-good nostalgia trip, you’ll likely be disappointed. While a few big hits are represented, Sheik offers a deeper and somewhat darker journey back into his past. Although he grew up in New Jersey, Sheik does not include any American bands on Covers 80’s. He says that the litmus test for inclusion was “did I really, really care about it when I was 15 or 16?” Apparently what Sheik really, really cared about back then was the electronic, indie and New Romantic pop of the second British Invasion and Covers 80s benefits greatly from Sheik’s choice of source material. Continue reading »