It’s been 15 years since the last Al Green album. Does “Perfect Day” signal the beginning of his comeback? Unclear — I thought so after his last single, another cover, and that was five years ago. But we can hope. “I loved Lou’s original ‘Perfect Day’—the song immediately puts you in a good mood,” Green explained. “We wanted to preserve that spirit, while adding our own sauce and style.” Continue reading »
Eartheater is the name New York-based musician Alexandra Drewchin releases under. Though originally an electronic artist, she’s also dabbled in folk and related genres. Like many contemporary singers, she sings with a little bit of an affect so her voice is an acquired taste. It’s that voice, and the effects she puts on it, that is most likely to get people to tune out her fascinating cover of System of a Down’s 2001 hit “Chop Suey.” Continue reading »
Bob Dylan has been on a covers roll this year. On tour, he has primarily covered a number of Dead (“Truckin’,” “Stella Blue,” “Brokedown Palace”) or Dead-associated (“Not Fade Away,” “Only a River”) songs. But he’s dipped into other classic catalogs occasionally too. He did Van Morrison’s “Into the Mystic” for the first time and then, not long after, maybe the deepest cut yet: Merle Haggard’s 2016 track “Bad Actor.” The tape took a while to surface. It was worth the wait. Continue reading »
What’s better than one Indonesian black-metal Dua Lipa cover? Three Indonesian black-metal Dua Lipa covers! Not that you’d ever know these were Dua Lipa songs unless you were listening really closely to the lyrics (and could manage to make them out).
During lockdown, Band of Heathens hosted a regular livestream variety show called Good Time Supper Club. One segment, “Remote Transmissions,” featured them covering a new song every episode – over 50 in all. They’re collecting some of the best on a forthcoming album of the same name: Remote Transmissions. “Making records is always about cataloging any point in time. We wanted to celebrate the unique collaborative aspect of the show,” guitarist Ed Jurdi told American Songwriter. “What better way to document the last year than with these songs?” First up is this take on a Marty Robbins country classic. Continue reading »
Though it wasn’t their highest charting hit, “Chop Suey” is arguably System of a Down’s most iconic song, both because it was their most successful single in terms of total sales and because of its inimitable mix of metal and high melodrama. It sounds like nobody else, and it’s hard to imagine someone else doing the song. Especially this way…
The Dead South are, despite their name, a Canadian bluegrass band active since 2012. Like many 21st century bluegrass bands, they specialize in a style of bluegrass that is heavily influenced by rock music, even though they play acoustic instruments. And, given the acoustic elements in “Chop Suey,” it sort of makes sense that someone would eventually try a bluegrass cover. Continue reading »
Check out the best covers of past months here.
Promoting her new album That’s How Rumors Get Started, Margo Price has been on a great covers kick. She recently tackled a political country classic at the Grand Ole Opry, Bob Dylan on CBS, and John Lennon from her house. Now she’s teamed up with Band of Heathens to cover a Lucinda Williams classic. To quote Lucinda on Instagram, “Get to Slidell, girl!!” Continue reading »