Last month, we presented covers of one-hit wonders of the 1950s and the 1960s. And we’re back to do it again!
This month, we’ll tackle huge hits by not-so-huge bands from the ’70s and, next week, the ’80s. Today, covers of classics like “Spirit in the Sky,” “Black Betty,” “Why Can’t We Live Together,” and “Video Killed The Radio Star” (I would have thought that one was ’80s given the famous MTV connection, but it came out November 1979). Then next week we’ll dive into perhaps the greatest decade for one-hit wonders cover.Continue reading »
Bria – When You Know Why You’re Happy (Mary Margaret O’Hara’ cover)
Bria’s “Where Have All The Cowboys Gone?” made our list of the Best Covers of 2022. The track was a sneak peak at her covers EP Cuntry Covers Vol. 2, and the full thing dropped a few weeks ago. It includes a wonderful version of this much more obscure song. Bria explains: “Mary Margaret O’Hara is a creative force and one of my favorite Canadian artists. I have been a huge fan of hers for quite some time and really wanted to try my hand at one of her songs for Vol. 2. She is a real queen of vocal improvisation. It’s a trait of hers that I’ve always admired, so I really wanted to explore that when recording this cover. The video for this track is special to us, a sort of collage of memory; fragmented footage of summer taken over the last two years is dispersed throughout shots of a vast winter scene, filmed while we finished the record up North with our live band.”Continue reading »
When Elvis Costello first appeared on the scene, the press fell over themselves not only to praise him, but to pigeonhole him. He was a punk. He was a new waver. He was a nerd, what with his glasses and gawky suits (Dave Marsh memorably said that “Elvis Costello looks like Buddy Holly after drinking a can of STP Oil Treatment”). Most commonly, he was lumped in with Graham Parker, Joe Jackson, Billy Joel, and others as an Angry Young Man. “I’m not angry,” Costello protested on My Aim Is True, and everyone nodded and smiled and patted his head.
Costello wasn’t interested in living on that particular cul-de-sac. He began expanding his musical palette, making more complex songs with more complex rhymes. He delved into other genres, starting with country & western (to the dismay of both Costello fans and C&W fans, and to the pleasant surprise of music fans) and moving on to blues, jazz, orchestral, classical pop, and more. As he became a greater student, he became a greater teacher, giving credit in word and action to his influences, penning a well-received autobiography, and hosting the talk/music show Spectacle, where he interviewed and played with his peers. He continues to record – his most recent album, The Boy Named If, was released earlier this year – and has settled into the role of elder statesman that his talent earned him long ago.
Costello turns one year elder today, his 68th birthday. We’re celebrating with a collection of the fifty best Elvis Costello covers we could get our hands on. They reflect his wide range of styles, revel in his literacy, plumb his depths. Most of all, they reveal his heart, showing over and over again how his love of song can lift, wrench, open up the people who listen to him and to his music. We hope you find this list as worthy of celebration as Elvis Costello is.
Andrew VanWyngarden – Dance Monkey (Tones and I cover)
One of the biggest one-hit wonders of the last few years, pop singer Tones and I’s “Dance Monkey” emerged out of seeming nowhere to top charts across the world last year. In her home country of Australia, it is the longest chart-topper ever, breaking a record held by Bing Crosby’s “White Christmas”! Despite its ubiquity, however, major covers have been sparse (perhaps because many people find the song, you know, annoying). Never one to shy away from putting off his audience, though, MGMT frontman Andrew VanWyngarden gave it a trippy psychedelic-folk cover as part of a radio station fundraising challenge.Continue reading »
Though The Bangles last released a full-length record in 2011, co-founder Susanna Hoffs has kept plenty busy with touring, solo records and some long-running work in the realm of covers. After collaborating with Mike Myers and singer-songwriter Matthew Sweet as psuedo-Mod band Ming Tea (the group had a number of hilariously spot-on features in the Austin Powers films), Hoffs and Sweet continued their collaboration in the ensuing years — putting aside the jokes and faux-stylings for a trio of all-covers albums, aptly titled Under the Covers(Vol. I – III). Now, Hoffs has returned with a covers record of her own, Bright Lights. The first track out of the gate from the new album is a version of Badfinger’s “Name Of the Game,” featuring Aimee Mann on additional vocals.Continue reading »
There is no Queen without Freddie Mercury. On a fundamental level, we all agree that is true. But, if you want to be literal about it, there is Queen without Freddie Mercury. Thirty years after Freddie’s death, the show must go on, and so the band still exists. Adam Lambert now sings Freddie’s parts on tour, just as Paul Rodgers did before him. The Bohemian Rhapsody movie included some new vocal recordings – not by star Rami Malek, but by Canadian singer Marc Martel. And then of course there are the many singers who fronted Queen at the 1992 Freddie Mercury Tribute Concert, broadcast to an audience of up to one billion people. (If you haven’t watched George Michael singing “Somebody to Love” or Annie Lennox joining David Bowie for “Under Pressure,” go do that now, then come back.)
Suffice to say, millions if not billions of people have heard Queen songs sung by singers other than Freddie Mercury. But none of those we just mentioned are covers, strictly speaking, since they feature most or all of the band’s three surviving members. Bassist John Deacon has since departed – and his joining Queen fifty years ago this month, solidifying the lineup, marks the anniversary we’re pegging this post to – but guitarist Brian May and drummer Roger Taylor have kept the Queen name alive. No doubt, when touring becomes a thing again, Queen will be back on the road once again.
The forty actual covers on our list do not feature any members of Queen. As such, they’re free to roam much further afield than Adam Lambert or George Michael, turning the band’s hits and the occasional deep cut into genres from polka to punk, a cappella to acoustic instrumental. Queen dabbled in so many different genres during their time – I mean, “Bohemian Rhapsody” alone! – I think they’d appreciate how malleable their songs can be. Even when they’re not the ones performing their songs, Queen will rock you.